Deadly Weapons

Huge-breasted Crystal has a boyfriend who belongs to the mob, but doublecrosses his boss only to be killed by two hoods/buddies in said mob. Crystal overhears her boyfriend's death by phone and plans her revenge on the two murderers as she travels to Las Vegas and Miami to assault each of them with her very ample deadly weapons. Such is the basic premise of Deadly Weapons. Well, the film certainly is a one of a kind. I mean how many films feature as its main protagonist a woman with a 73 inch bust who becomes a breast-smothering vigilante. The film is directed by Doris Wishman and its is cheaply-made with little directorial flair and almost no acting(save the performance by porn star Harry Reems). The female lead is played by Chesty Morgan(in reality another very hard to write/pronounce Polish name), and she bounces her way through the film seeing how many different ways she can showcase her bust. She finds many ways. As films go, this is really nothing special except for its status as exploitative cinema or a cult film. It is worth a look for its oddity qualities. If anyone knows...let me know...but I believe the guy playing Crystal's boyfriend was the same man that played Mari's father in Last House on the Left. The names on IMDB are different but the two men are one and the same I believe.

After the mob hits a guy with a list, one of the hoods (Richard Towers) keeps the list for himself to blackmail the people on it. When the mobsters find out he is a double-crosser, they off him, which angers his busty girlfriend (Chesty Morgan). She goes after them using the only two weapons she has.

Now, you have Richard Towers ("Last House of the Left") and you have Harry Reems ("Deep Throat"). And Reems has one of the greatest mustaches I have ever seen... so this alone should sell you. But then you have Chesty Morgan. She cannot act, she cannot talk (all her lines are dubbed), and her "talent" is more of a freak show than anything you would actually choose to see... which is perfect for a film released by Something Weird.

As others have said, this is the very definition of a "cult" film. It is certainly not good in any traditional sense, but it has a very odd quality about it that might be enjoyable if you are into strange films. That is all this can be called -- a strange film. It is not sexy, it is not well-written, the directing is adequate but nothing more. Acting is poor. It is just weird.

After the mob kill her boyfriend for double-crossing them, Crystal (the jaw-dropping Lillian Wilczkowsky better known as Chesty Morgan) decides to take revenge via mammary suffocation. The flick also has porn legend Harry Reems. It has horrid acting and a weak plot line, but Lillian is a wonder to behold. She's not attractive in many senses of the word, but those over-grown elephantine melons of hers are hopelessly hypnotic. The film has kitsch enough to be one of Doris Wishman's best movies (Not saying that much, I know, but still) Followed by a sequel that was worse in EVERY single way.

My Grade: C+

Eye Candy: Chesty Morgon show's the biggest real breasts I've EVER seen as well as her tush, and Denise Purceli goes for a nude swim

Out of the two Chesty Morgan features created by Doris Wishman, "Deadly Weapons" is probably the weaker. In this trash epic, Chesty plays a woman who sets out to get revenge on the men who kill her fiancee. The film suffers from too many scenes of seedy violence between the thuggish male characters, and the usual Wishman out-of-focus shots of legs, shoes, wallpaper, curtains, ashtrays and carpets. Chesty can't act to save her life, but she actually does make an attempt, unlike "Double Agent 73" where she resembles a drugged up zombie for the entire running time. She is helped immensely by a lot of her vocal performance being "inner monologues" that we hear without her having to actually try and read lines on camera.

Highlights include Chesty's "sexy" bubble bath near the beginning where she showcases an inability to even sit in a bath like any normal person. The lurid fashion crimes in both clothing and home decor will take your breath away, as will Chesty's hilarious method of dispatching her victims. Oh yeah, and the them tune "Hard Selling Woman" (I think) is great! If anything, "Deadly Weapons" is slightly better made then "DA73", but sadly, a lot of it is still boring. Still, for anyone who appreciates the craziest of cult trash cinema, this is a must see.

Cheap Mafia movies are a dime a dozen, right? Not when your heroine is Chesty Morgan, the Polish peeler with proportions preposterous enough to give Russ Meyer pause. Billed as Zsa Zsa (as in "The Zsa Zsa Gabor of Burlesk"), she smothers any of the viewer's misconceptions during the title sequence. As the credits roll and the great theme song blasts, we see the jiggling title artillery distorted (okay--more so) in a series of convex mirrors. Please note that this film is not erotic in the least. Rather it is one of the most unintentionally hilarious pieces of dementia ever to hit the screen!

The amazingly ridiculous plot finds Chesty is Crystal, a "Hard Selling Woman" who is deeply in love and wants to get married. Unfortunately, her gangster boyfriend is rubbed out by his associates after a backfired double-cross. Hell hath no fury like a monstrously huge-breasted woman scorned, and Crystal takes it upon herself to dish out retribution. How? With her gargantuan just-over-six-foot bazookas, of course! Clad in pantyhose and girdle, she raises her arms--cue the thunderous crash of bowling pins--and closes in for the kill! As you may guess, sense is not the movie's strong point. But who watches Doris Wishman movie expecting sense?

Chesty comes off as a complete boob, with her clunky, elephantine breasts as her only assets. Sporting a (supposedly self-supplied) platinum shag wig and a hideous ruffled wardrobe, she lumbers around on mile-high platform shoes, staring blankly at her gaudy surroundings. She does two striptease acts, which consist of her walking around a bit, losing her top, and manhandling those frightening things. Throughout the course of the film, she looks and acts like someone just dragged her out of bed.

Still, despite her awesome inability to act, Miss Morgan has an undeniable screen presence and is consistently fascinating to watch. She and Wishman have created a style of what, in other hands, might be considered simple ineptitude. Everything about the film is so delightfully, wonderfully tacky and ridiculous that you can't look away. It's as if Chesty herself is merely the pinnacle of the greater camp aesthetic. The final dollop of Cool Whip is that THIS WAS INTENDED IN ALL SERIOUSNESS! See it now!