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5.3/10
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In Thailand, a photographer is initiated into a primitive tribe after the chief's daughter falls in love with him, and must help them face modern dangers and a rival clan of cannibals.In Thailand, a photographer is initiated into a primitive tribe after the chief's daughter falls in love with him, and must help them face modern dangers and a rival clan of cannibals.In Thailand, a photographer is initiated into a primitive tribe after the chief's daughter falls in love with him, and must help them face modern dangers and a rival clan of cannibals.
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Luciano Martino
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Deep River Savages is most famous for being the first of the Italian cannibal movies. This sub-genre is pretty notorious and a lot of the films made the video nasty list (films considered obscene by the British authorities in early the 80's). This movie was one of the ones that did and it's not really very surprising on account of several scenes of real animal slaughter and one showing cannibals rape and eat an unfortunate victim. But the cannibal tag is a little misleading in the case of Deep River Savages because the cannibals are fairly minor characters here. It seems though that their brief appearance was the idea that led to the cycle of cannibal movies that would appear in the late 70's / early 80's. More accurately, this film is an Italian version of A Man Called Horse, which had come out a couple of years beforehand. In that one a white man is captured by Native American Indians and has to go through various trials and rituals before finally assimilating into the tribe, Deep River Savages effectively does the same thing but with primitive South East Asian tribes. It also ramps up the exploitation angle.
The story has a photographer working in Thailand who is forced to flee into the jungle after he kills a man in self-defence. He is soon captured by a primitive tribe who eventually take him in as one of their own after various trials and rituals. He falls in love with one of the young women of the tribe; meanwhile an enemy tribe of cannibals prowl menacingly in the periphery.
This one was helmed by Umberto Lenzi who was one of the most prominent directors of the cannibal sub-genre, going on to make films such as Eaten Alive. The two main stars of that one appear in this earlier film too, namely Ivan Rassimov and Me Me Lai. They are pretty good and quite surprisingly their romantic sub-plot is quite extensively developed. This and the culture clash elements make up much more of the movie than the cannibal aspect. This might disappoint a few people who come into this expecting something akin to the likes of Cannibal Holocaust, as despite some legitimately disturbing moments this is far less intense than later entries in the sub-genre. It's not a bad film though and is one well worth checking out if you enjoy Italian exploitation movies. It's certainly one with a fair bit of historical importance for sure.
The story has a photographer working in Thailand who is forced to flee into the jungle after he kills a man in self-defence. He is soon captured by a primitive tribe who eventually take him in as one of their own after various trials and rituals. He falls in love with one of the young women of the tribe; meanwhile an enemy tribe of cannibals prowl menacingly in the periphery.
This one was helmed by Umberto Lenzi who was one of the most prominent directors of the cannibal sub-genre, going on to make films such as Eaten Alive. The two main stars of that one appear in this earlier film too, namely Ivan Rassimov and Me Me Lai. They are pretty good and quite surprisingly their romantic sub-plot is quite extensively developed. This and the culture clash elements make up much more of the movie than the cannibal aspect. This might disappoint a few people who come into this expecting something akin to the likes of Cannibal Holocaust, as despite some legitimately disturbing moments this is far less intense than later entries in the sub-genre. It's not a bad film though and is one well worth checking out if you enjoy Italian exploitation movies. It's certainly one with a fair bit of historical importance for sure.
Ivan Rassimov plays American photographer John Bradley, on vacation in Thailand. He and his guide end up deep in the jungle, where he is abducted by a primitive tribe. They put him into a variety of tortures and trials, until finally accepting him as one of their own. He finds adjusting to this new life to be surprisingly agreeable, especially when he becomes smitten with Maraya (Me Me Lai), the lovely daughter of the tribes' leader.
Considered to the vanguard film in that jungle / cannibal genre popularized by the Italians, this is definitely a trail blazer, but people who've already seen more famous entries in the genre may be caught off guard with this one. It's more of a straight drama (heavily influenced by Elliot Silversteins' Western "A Man Called Horse") with touches of horror than a body munching / body count / exploitation feature. In reality, despite the presence of a hostile cannibal tribe in the film, only one person ever gets turned into a feast.
"Sacrifice!", a.k.a. "The Man from the Deep River", isn't without its gory pleasures, however. It benefits from excellent location shooting and utterly convincing local color. It's wonderfully shot, and scored, and is overall quite appealing and engaging. It's not to all tastes, though, because it includes some brief moments of animal cruelty that will turn off some members of the audience. This, of course, has only become one of the elements that recurs throughout many an Italian jungle adventure.
Rassimov is good as the hero. The intoxicatingly gorgeous Me Me Lai, who went on to appear in "Jungle Holocaust" and "Eaten Alive!" as well, is very easy to watch. (Viewers should be quite content with the amount of female nudity that is present.) The other performances are quite effective.
This is as good a story of both the beauty and savagery of nature as one could see.
Eight out of 10.
Considered to the vanguard film in that jungle / cannibal genre popularized by the Italians, this is definitely a trail blazer, but people who've already seen more famous entries in the genre may be caught off guard with this one. It's more of a straight drama (heavily influenced by Elliot Silversteins' Western "A Man Called Horse") with touches of horror than a body munching / body count / exploitation feature. In reality, despite the presence of a hostile cannibal tribe in the film, only one person ever gets turned into a feast.
"Sacrifice!", a.k.a. "The Man from the Deep River", isn't without its gory pleasures, however. It benefits from excellent location shooting and utterly convincing local color. It's wonderfully shot, and scored, and is overall quite appealing and engaging. It's not to all tastes, though, because it includes some brief moments of animal cruelty that will turn off some members of the audience. This, of course, has only become one of the elements that recurs throughout many an Italian jungle adventure.
Rassimov is good as the hero. The intoxicatingly gorgeous Me Me Lai, who went on to appear in "Jungle Holocaust" and "Eaten Alive!" as well, is very easy to watch. (Viewers should be quite content with the amount of female nudity that is present.) The other performances are quite effective.
This is as good a story of both the beauty and savagery of nature as one could see.
Eight out of 10.
This was the first of the 6 major Italian Cannibal flicks of the 70's, (and early 80's). And it isn't that bad at all. It has a quite good story, and the acting is suprisingly good. The love story is a little far-fetched, but the film itself is quite enjoyable, except, once again for the real animal deaths.
Not as good as either of Deodato's, but certainly better than Eaten Alive, Cannibal Apocalypse, or Trap Them and Kill Them.
Not as good as either of Deodato's, but certainly better than Eaten Alive, Cannibal Apocalypse, or Trap Them and Kill Them.
Man from Deep River (1972) is an Italian film 🇮🇹 that I recently watched on a random streaming site. The story follows a British photojournalist who is captured by a tribe in Thailand. Luckily for him, the tribe leader's daughter takes a liking to him. However, he's not safe yet, as a rival cannibalistic tribe is rumored to be preparing an attack. The journalist must adapt to the ways of the tribe and the land if he hopes to survive.
The film is directed by Umberto Lenzi (Eaten Alive!) and stars Ivan Rassimov (The Humanoid), Me Me Lai (Revenge of the Pink Panther), Song Suanhud, and Prasitsak Singhara.
This movie is notable for being the first Italian cannibalism film 🇮🇹, a subgenre that gained traction during this era. While it introduces some of the expected elements, the torture scenes are far tamer compared to its successors. However, the abundance of real animal kills and fights is brutal and difficult to watch at times. The film also features unexpected sex scenes, the typical tribal nudity, and even a surprising romantic subplot. Interestingly, real tribes and authentic village settings were used in the production, which later became a hallmark of this genre. The natural backdrops and scenery are stunning and add to the atmosphere.
In conclusion, Man from Deep River has a lot going on-some elements work better than others-but it remains an interesting entry into the genre. I'd give it a 5/10 and recommend it with the appropriate expectations.
The film is directed by Umberto Lenzi (Eaten Alive!) and stars Ivan Rassimov (The Humanoid), Me Me Lai (Revenge of the Pink Panther), Song Suanhud, and Prasitsak Singhara.
This movie is notable for being the first Italian cannibalism film 🇮🇹, a subgenre that gained traction during this era. While it introduces some of the expected elements, the torture scenes are far tamer compared to its successors. However, the abundance of real animal kills and fights is brutal and difficult to watch at times. The film also features unexpected sex scenes, the typical tribal nudity, and even a surprising romantic subplot. Interestingly, real tribes and authentic village settings were used in the production, which later became a hallmark of this genre. The natural backdrops and scenery are stunning and add to the atmosphere.
In conclusion, Man from Deep River has a lot going on-some elements work better than others-but it remains an interesting entry into the genre. I'd give it a 5/10 and recommend it with the appropriate expectations.
This is a earlier film directed by Umberto Lenzi in 1972. This is also considered to be the first of a series of many cannibal films. Although, this film dosen't necessarily focus on the cannibalism but more on character development and story.
Basically, a man goes into the amazon and is captured by a vicious tribe. It isn't until he kills one of their own that he is excepted into the tribe.
I just saw this movie and I thought it was a decent film. Nothing to spectacular but enjoyable nonetheless. The main problems with this film is it tends to drag at many points and the gore is very limited. Another problem with this film is (just like almost all other cannibal films) the fact that they have real animals being slaughtered. Just like in my review of Cannibal Holocaust and Cannibal Ferox, I just don't understand the use in killing animals on the screen for shock value.
Altogether, this isn't a bad film but nowhere near as good as some of Lenzi's later work. 6/10 stars
Basically, a man goes into the amazon and is captured by a vicious tribe. It isn't until he kills one of their own that he is excepted into the tribe.
I just saw this movie and I thought it was a decent film. Nothing to spectacular but enjoyable nonetheless. The main problems with this film is it tends to drag at many points and the gore is very limited. Another problem with this film is (just like almost all other cannibal films) the fact that they have real animals being slaughtered. Just like in my review of Cannibal Holocaust and Cannibal Ferox, I just don't understand the use in killing animals on the screen for shock value.
Altogether, this isn't a bad film but nowhere near as good as some of Lenzi's later work. 6/10 stars
Did you know
- TriviaThe film is considered to be the first "cannibal film", a subgenre of European exploitation films that was prevalent in Grindhouse cinema in the late seventies and early eighties.
- GoofsKnife which tribesman nears Taima's face is close to her face, but in the very next shot it's farther away.
- Quotes
John Bradley: I'm a human being, like you! I'm a man, not a fish!
- Alternate versionsThe USA Media-Blasters version under the title Man from Deep River is completely uncut at 93 minutes.
- ConnectionsEdited into Eaten Alive! (1980)
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- $35,500
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