Stranded at a roadside diner in the desert, Jean Mitchell searches for her husband Bob who has mysteriously disappeared from the property while she was in the ladies' restroom.Stranded at a roadside diner in the desert, Jean Mitchell searches for her husband Bob who has mysteriously disappeared from the property while she was in the ladies' restroom.Stranded at a roadside diner in the desert, Jean Mitchell searches for her husband Bob who has mysteriously disappeared from the property while she was in the ladies' restroom.
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Apparently there was enough interest in "Dying Room Only" that made Warner Bros. release this on DVD on 1/19/10. Its on a web-site called www.warnerarchive.com. This is also a re-mastered print which isn't too common for made-for-TV-movies. I just ordered mine and it is definitely worth the investment. TV airings of this movie have all since passed and probably won't get the time of day any longer, so the DVD is worth it's weight in gold. ($19.99) It is crystal clear and the movie is un-cut. There aren't any extras or special features but it is still a treat. Kudos to Warner Bros!! (who has the Lorimar Productions library of movies).
I just saw "Dying Room Only" for the first time in over 30 years, and this is a typically great 70's TV-movie thriller. A couple (Cloris Leachman looking pretty good, and hubby Dabney Coleman) stop at a lonely desert cafe (in the daytime, not the nighttime as the summary here states) and the husband disappears as the wife is in the ladies room. The only two possible witnesses (the cafe cook and customer Ned Beatty, in a great sleazy role) are saying nothing. What happened? Where did the husband go? The movie then takes off to have Cloris Leachman trying to figure it out, since she is getting almost no help at all from anyone. Is even the local cop in on it, whatever "it" may be? Everyone is suspect. Nighttime comes, and danger looms....
I do agree with the reviewer that stated this film could have been better in the second half. The first half is amazing - very suspenseful and thrilling. The second half kind of veers into "typical" fare but is still decent.
A bunch of familiar 70's faces round out the small cast. Especially since the film is fairly short at about 1:13 (most TV-movies back then were 90 minutes with the commercials) this is definitely a fun watch.
I do agree with the reviewer that stated this film could have been better in the second half. The first half is amazing - very suspenseful and thrilling. The second half kind of veers into "typical" fare but is still decent.
A bunch of familiar 70's faces round out the small cast. Especially since the film is fairly short at about 1:13 (most TV-movies back then were 90 minutes with the commercials) this is definitely a fun watch.
Is Richard Matheson awesome or what? Who else could conceive of something so simple and sinister as a woman's husband disappearing in a men's room at a broken down café in the desert? The same guy who conceived of a monster truck stalking a beleaguered motorist to great effect in "Duel," and that's only a slight sample of the other legendary tales he's penned. His skill at deriving something so evil out of the ordinary is very comparable to Stephen King at his '70s peak with "Night Shift" and "Dying Room Only" is indicative of that prowess --- it still makes an impact on people I show it to today.
The great news is that this film is now widely available as part of the Warner Archives collection, remastered in widescreen, and though there's nothing but the film on the disc, it's a bargain at about $10.
The locals, played by Ross Martin and Ned Beatty are creepy and cruel, the motel night clerk is surly and obtuse. It's really all on Ms. Leachman to figure it out, and Chloris does a really fine job here: she transmits her urgency and controlled panic without making herself into a blithering, hysterical wreck. She's a strong heroine. Dabney Coleman is almost unrecognizable as her husband, here, he's so very young looking.
I've heard many comparisons to "Breakdown" but this film is really only similar in plot structure. Breakdown was an adrenaline fueled roller coaster ride that was definitely one of the better road thrillers ever produced. DRO is more a psychological head-game and a mystery, more suited to rainy evenings at home than crowded nights at the multiplex. Pick it up, before they remake and ruin it.
The great news is that this film is now widely available as part of the Warner Archives collection, remastered in widescreen, and though there's nothing but the film on the disc, it's a bargain at about $10.
The locals, played by Ross Martin and Ned Beatty are creepy and cruel, the motel night clerk is surly and obtuse. It's really all on Ms. Leachman to figure it out, and Chloris does a really fine job here: she transmits her urgency and controlled panic without making herself into a blithering, hysterical wreck. She's a strong heroine. Dabney Coleman is almost unrecognizable as her husband, here, he's so very young looking.
I've heard many comparisons to "Breakdown" but this film is really only similar in plot structure. Breakdown was an adrenaline fueled roller coaster ride that was definitely one of the better road thrillers ever produced. DRO is more a psychological head-game and a mystery, more suited to rainy evenings at home than crowded nights at the multiplex. Pick it up, before they remake and ruin it.
While watching Leachman in "Spanglish" yesterday, I happened to think of the "Dying Room Only", and the terrific job done by Leachman, Ross Martin and the rest. I can still feel the incredible tension that was created entirely by the good acting and dialog alone.....no special effects. Having a loved one disappear without a trace while stopped at a creepy, remote diner seemed so believable the way it was portrayed. Leachman's character displayed such courage and determination motivated by her love for her husband. As the movie develops, you can REALLY feel Leachman's character's desperation. I agree that Kurt Russell's "Breakdown" was a modern day remake of this movie. "Dying Room Only" was much more simplistic, yet still managed to create just as much, if not more, suspense! Does anyone know a way to see this movie again? Please let me know.
Not many movies give great thrills/suspense like Dying Room Only or Steven Spielberg's Duel. A couple makes a stop in the Arizona desert at the Arroyo Motel, a shabby diner-like place with two hostile locals: a cook (Ross Martin) and a customer (Ned Beatty). When Cloris Leachman comes back from the toilet her husband (Dabney Coleman) has disappeared. Now she's on her own and does her best acting ever. A lady at the motel (Louise Latham) and the local sheriff (Dana Elcar) aren't much help either and no contact with home can be made. So Cloris must search the place herself... Eerie atmosphere and great suspense should teach modern movie makers how to save on budgets and do some real entertaining. The big mystery: why doesn't a great thriller like this one get reruns or gets out on DVD? Only crappy overpriced VHS tapes in the net can be found... ABC please please please spread this movie.
Did you know
- TriviaAired as an installment of ABC's "Wide World of Mystery" series on October 29, 1974.
- ConnectionsReferenced in Breakdown (1997)
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