Dying Room Only

Is Richard Matheson awesome or what? Who else could conceive of something so simple and sinister as a woman's husband disappearing in a men's room at a broken down café in the desert? The same guy who conceived of a monster truck stalking a beleaguered motorist to great effect in "Duel," and that's only a slight sample of the other legendary tales he's penned. His skill at deriving something so evil out of the ordinary is very comparable to Stephen King at his '70s peak with "Night Shift" and "Dying Room Only" is indicative of that prowess --- it still makes an impact on people I show it to today.

The great news is that this film is now widely available as part of the Warner Archives collection, remastered in widescreen, and though there's nothing but the film on the disc, it's a bargain at about $10.

The locals, played by Ross Martin and Ned Beatty are creepy and cruel, the motel night clerk is surly and obtuse. It's really all on Ms. Leachman to figure it out, and Chloris does a really fine job here: she transmits her urgency and controlled panic without making herself into a blithering, hysterical wreck. She's a strong heroine. Dabney Coleman is almost unrecognizable as her husband, here, he's so very young looking.

I've heard many comparisons to "Breakdown" but this film is really only similar in plot structure. Breakdown was an adrenaline fueled roller coaster ride that was definitely one of the better road thrillers ever produced. DRO is more a psychological head-game and a mystery, more suited to rainy evenings at home than crowded nights at the multiplex. Pick it up, before they remake and ruin it.

You've read the plot for this television film on this page. What can I add? A married couple pulls up to a seedy diner on the way home from vacation. They are smack in the middle of nowhere, somewhere in the desert.

They encounter a nasty cook and a goof-ball customer. Both enter the bathrooms to wash up. She comes out, but he does not. She knocks on the door calling to him. No answer.

The fun begins. Kind of spooky at times. Good entertainment. Cloris Leachman is very good in this film. So are Ross Martin and Ned Beatty. And Dana Elcar does a good job as the sheriff. Oh, and the husband is a very young Dabney Coleman.

I would love to see this one again.

While watching Leachman in "Spanglish" yesterday, I happened to think of the "Dying Room Only", and the terrific job done by Leachman, Ross Martin and the rest. I can still feel the incredible tension that was created entirely by the good acting and dialog alone.....no special effects. Having a loved one disappear without a trace while stopped at a creepy, remote diner seemed so believable the way it was portrayed. Leachman's character displayed such courage and determination motivated by her love for her husband. As the movie develops, you can REALLY feel Leachman's character's desperation. I agree that Kurt Russell's "Breakdown" was a modern day remake of this movie. "Dying Room Only" was much more simplistic, yet still managed to create just as much, if not more, suspense! Does anyone know a way to see this movie again? Please let me know.

A favorite t.v. movie from the 70's. Again, Richard Matheson creates atmosphere and suspense out of almost nothing as a couple stops at a remote diner/motel and the husband never returns from the bathroom. From the bathroom? Who writes a suspense movie where the husband apparently falls in the toilet? The man who brought you the vindictive 16 wheeler of "Duel." Unlike that clever but overpraised feature, "D.R.O." (What's up with that title? It can't be a play on "S.R.O." can it? You don't buy tickets for the toilet?) stays close to realistic scale, and the less than apocalyptic climax is a face-off by two determined middle-aged women. Complain all you want - it worked for me then, it works for me now.

All must view this priceless gem.It creates a delicious sense of dread. Cloris Leachman's performance is unequalled.