IMDb RATING
6.2/10
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At the turn of the century, with the Old West fading away, Texas train robber Kid Blue goes straight and takes a factory job but old habits die hard.At the turn of the century, with the Old West fading away, Texas train robber Kid Blue goes straight and takes a factory job but old habits die hard.At the turn of the century, with the Old West fading away, Texas train robber Kid Blue goes straight and takes a factory job but old habits die hard.
José Torvay
- Old Coyote
- (as Jose Torvay)
Jack Starrett
- Tough Guy
- (as Claude Ennis Starrett Jr.)
Howard Hesseman
- Confectionary Man
- (as Howard Hessman)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
'Kid Blue' is a very odd movie. In many ways a very old fashioned western, but with Dennis Hopper playing a long haired, pseudo-hippie character. It doesn't know whether to be hip or square, and suffers for it. Still, like most of Hopper's overlooked Seventies movies it's worth a look.
Hopper plays Bickford Waner aka Kid Blue, train robber. Tired of his lack of success at crime he relocates to a small town, gets a real job for the first time in his life, and attempts to fit in. He isn't very successful. In between being harassed by the cruel local sheriff, 'Mean John' Simpson (the legendary Ben Johnson), and one of his fellow boarding house occupant's, Drummer (Ralph Waite of 'Five Easy Pieces' and 'The Waltons'), he tries to find a way to live his life without resorting to his old ways. He befriends some local Indians, the eccentric Preacher Bob (Peter Boyle, 'Joe', 'Taxi Driver') who juggles Christianity with building a flying machine, and a local couple, Reese and Molly Ford (the God-like Warren Oates, and Lee Purcell).
The Fords have the most impact on his life, especially when the beautiful Molly makes a move on him, and the enigmatic Reese starts telling him about the "old timey Greeks" who weren't ashamed to say they loved each other, and then suggests they share a bath together. The scenes between these two screen legends, Hopper and Oates, are priceless and easily the high point of the movie. Sadly, this is the only movie they ever made together
Another added kick is seeing Oates and Johnson, who played the Gortch brothers in Peckinpah's classic 'The Wild Bunch', reunited in very different roles. Also in the supporting cast are fine character actors like Warren Finnerty and Clifton James, who both worked with Hopper and Ralph Waite in the wonderful prison drama 'Cool Hand Luke', and M. Emmet Walsh ('Blade Runner', 'Blood Simple',etc).
'Kid Blue' is NOT one of the great lost westerns, but it IS an eminently watchable curio that any Seventies film buff will be entertained by, especially if they admire the consistently good work of the late Warren Oates, or have any curiosity about Dennis Hopper's undervalued post-'Easy Rider', pre-'Apocalypse Now' movies, which also include such strong performances as 'Tracks' and Wim Wenders 'The American Friend'.
Hopper plays Bickford Waner aka Kid Blue, train robber. Tired of his lack of success at crime he relocates to a small town, gets a real job for the first time in his life, and attempts to fit in. He isn't very successful. In between being harassed by the cruel local sheriff, 'Mean John' Simpson (the legendary Ben Johnson), and one of his fellow boarding house occupant's, Drummer (Ralph Waite of 'Five Easy Pieces' and 'The Waltons'), he tries to find a way to live his life without resorting to his old ways. He befriends some local Indians, the eccentric Preacher Bob (Peter Boyle, 'Joe', 'Taxi Driver') who juggles Christianity with building a flying machine, and a local couple, Reese and Molly Ford (the God-like Warren Oates, and Lee Purcell).
The Fords have the most impact on his life, especially when the beautiful Molly makes a move on him, and the enigmatic Reese starts telling him about the "old timey Greeks" who weren't ashamed to say they loved each other, and then suggests they share a bath together. The scenes between these two screen legends, Hopper and Oates, are priceless and easily the high point of the movie. Sadly, this is the only movie they ever made together
Another added kick is seeing Oates and Johnson, who played the Gortch brothers in Peckinpah's classic 'The Wild Bunch', reunited in very different roles. Also in the supporting cast are fine character actors like Warren Finnerty and Clifton James, who both worked with Hopper and Ralph Waite in the wonderful prison drama 'Cool Hand Luke', and M. Emmet Walsh ('Blade Runner', 'Blood Simple',etc).
'Kid Blue' is NOT one of the great lost westerns, but it IS an eminently watchable curio that any Seventies film buff will be entertained by, especially if they admire the consistently good work of the late Warren Oates, or have any curiosity about Dennis Hopper's undervalued post-'Easy Rider', pre-'Apocalypse Now' movies, which also include such strong performances as 'Tracks' and Wim Wenders 'The American Friend'.
Typically weird Dennis Hopper early 1970s film. Maybe he was tripping on LSD making this off beat movie. If you are a fan of Mr. Hopper you might like this, if not, it is a curiosity to be seen once.
I saw this movie in the mid-70s at the People's Theater in a small town in Kansas (shortly before it burned down (the theater, not the town) & I've been wanting to see it ever since, although I'm almost afraid to now for fear of spoiling my memory of it..
The way I remember it, it was set in a Colorado town at the turn of the century (19th to 20th) & it was about capitalism & modernity & the end of the frontier. The classic scene in my memory is Dennis Hopper walking down Main Street with the owner of the new factory, which makes little gewgaws of some sort. The factory owner explains to Dennis Hopper that he needs to get a job in the factory so he can earn money to buy things that other people make in other factories-- (not mentioning, of course, that he skims off his share in the process). Political economy 101 for the wild wild west.
I'll admit that it wasn't a cinematic masterpiece-- the only lines of dialogue I remember for sure are Hopper's Native American pal advising him: "If you're not hungry, don't eat cow (censored word)," and somebody yelling, "Shoot that peckerwood, sheriff." On second thought, I probably shouldn't watch it again. Still, I like the beat, I can dance to it, I'll give it a 9.
The way I remember it, it was set in a Colorado town at the turn of the century (19th to 20th) & it was about capitalism & modernity & the end of the frontier. The classic scene in my memory is Dennis Hopper walking down Main Street with the owner of the new factory, which makes little gewgaws of some sort. The factory owner explains to Dennis Hopper that he needs to get a job in the factory so he can earn money to buy things that other people make in other factories-- (not mentioning, of course, that he skims off his share in the process). Political economy 101 for the wild wild west.
I'll admit that it wasn't a cinematic masterpiece-- the only lines of dialogue I remember for sure are Hopper's Native American pal advising him: "If you're not hungry, don't eat cow (censored word)," and somebody yelling, "Shoot that peckerwood, sheriff." On second thought, I probably shouldn't watch it again. Still, I like the beat, I can dance to it, I'll give it a 9.
The first half of this seemed kind of slow to me and a couple of times I only watched about 10 minutes of it when it came on IFC, telling myself I'd rather watch it all the way through from the beginning.
I was glad I did. Bickner (Hopper) is a godless, but sincere former outlaw trying to live a straight life under tough conditions and a mean sheriff in a small town where the factory turned out to be his only hope for work.
Though I thought it a bit slow at first, about halfway through, I found I was into it and the ending actually made me smile.
My favorite line is easily Hopper's when he tells Warren Oates, "A man's gotta kill his own snakes.", which I found to have meaning on multiple levels.
I was glad I did. Bickner (Hopper) is a godless, but sincere former outlaw trying to live a straight life under tough conditions and a mean sheriff in a small town where the factory turned out to be his only hope for work.
Though I thought it a bit slow at first, about halfway through, I found I was into it and the ending actually made me smile.
My favorite line is easily Hopper's when he tells Warren Oates, "A man's gotta kill his own snakes.", which I found to have meaning on multiple levels.
If you like Dennis Hopper, you like this kind of introspective crazy thing about life, so watch it :)
This is not a classical 50s or 60s Western - this is about how the Old West may well have been for real. No superstunts a'la "Matrix" her for sure, but there is some funny action!
I am only now starting to appreciate the 70s way of making odd movies, with all the less than adequately brainy, all computer tricks, and no substance material coming to our screens these days.
It's all about real people doing mundane things, at times doing stupid things, and occasionally doing even really stupid, but outright spectacular things.
Nothing is sacred, and conservatives will have to hate this piece, that leaves no legend untouched, and shows the old West at its end in its transition to modern times, in which even steam power can already be made out to be relic some day, but not quite yet. Modern times is a comin! The characters are simply everyday people, hypocritical, twisted, evil, a little nice at times, always mean in a way, denuded of social grace as well as soap and water, except when it serves the purpose of getting closer.
This is not a classical Western - this is about how the Old West may well have been for real, spitting, sex, and all.
So stuff your dreamworld, because if you want to be a honky cowboy, you may think twice after seeing this one.
Boring? Yes, there are boring stretches in this movie. But that too were the good old times. So change your pace and watch a true classic of the 70s Western genre. Did I say a classic, when I said before it isn't? Actually, this one is a classic - just a different kind.
This is not a classical 50s or 60s Western - this is about how the Old West may well have been for real. No superstunts a'la "Matrix" her for sure, but there is some funny action!
I am only now starting to appreciate the 70s way of making odd movies, with all the less than adequately brainy, all computer tricks, and no substance material coming to our screens these days.
It's all about real people doing mundane things, at times doing stupid things, and occasionally doing even really stupid, but outright spectacular things.
Nothing is sacred, and conservatives will have to hate this piece, that leaves no legend untouched, and shows the old West at its end in its transition to modern times, in which even steam power can already be made out to be relic some day, but not quite yet. Modern times is a comin! The characters are simply everyday people, hypocritical, twisted, evil, a little nice at times, always mean in a way, denuded of social grace as well as soap and water, except when it serves the purpose of getting closer.
This is not a classical Western - this is about how the Old West may well have been for real, spitting, sex, and all.
So stuff your dreamworld, because if you want to be a honky cowboy, you may think twice after seeing this one.
Boring? Yes, there are boring stretches in this movie. But that too were the good old times. So change your pace and watch a true classic of the 70s Western genre. Did I say a classic, when I said before it isn't? Actually, this one is a classic - just a different kind.
Did you know
- TriviaKid Blue (1973) was shot in Chupaderos, Mexico, a town of 400 people, which had become a popular filming location in the 1960s. Eleven films had been shot there prior to Kid Blue and it had become a permanent movie set with false fronts on the villagers' adobe huts.
- GoofsDime Box Texas is fairly flat farmland, not mountainous desert.
- Quotes
Reese Ford: Money don't make no difference. You can live a whole beautiful life inside your head. A lot of these folks, they can't do that.
- ConnectionsReferenced in Saddle Up!: Kid Blue (2024)
- How long is Kid Blue?Powered by Alexa
Details
Box office
- Budget
- $2,000,000 (estimated)
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 2.35 : 1
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