The Laughing Policeman

Admittedly, the pace of "The Laughing Policeman" is pretty slow, but this is a well plotted murder mystery that gets a lot of juice from the marvelous chemistry between investigating detectives Walter Matthau (as Jake Martin) and Bruce Dern (as Leo Larsen). The supporting cast is likewise excellent and full of familiar faces. Producer / director / uncredited screenwriter Stuart Rosenberg makes great use of San Francisco locations, and keeps viewers intrigued with the police procedural aspect to the tale. The violence is pretty potent, and there's a certain amusement in seeing detectives Martin and Larsen work their way through the seedier environments of SF.

As the movie opens, a cop named Evans (Anthony Costello) follows a man named Niles (Louis Guss) onto a city bus; soon, a character known to Niles gets on board and pumps several passengers full of holes, including Evans and Niles. Martin, who happened to be Evans' partner, gets newly paired up with Larsen to work the case as their superior (Anthony Zerbe) demands results.

What's a joy here is seeing this cast at work. Matthau and Dern contrast nicely; what we come to know about Martin is that despite having a home and family, he's pretty much devoted to his job. Louis Gossett Jr. is fun as one of their colleagues; also making appearances are Val Avery, Cathy Lee Crosby, Mario Gallo, Joanna Cassidy, Paul Koslo, Frances Lee McCain, Clifton James, Gregory Sierra, Warren Finnerty, Matt Clark, and Wayne Grace. Albert Paulsen ("The Manchurian Candidate") has the most interesting role seeing that he actually has next to nothing in the way of dialogue.

The movie may get a little repetitive as it comes full circle at the end, but taking everything into consideration it's a good and solid example of its genre.

Based on the novel "Den Skrattande Polisen" by authors Per Wahloo & Maj Sjowall.

Seven out of 10.

I happened upon this movie the other night by accident, and I loved it. I got hooked early on by the way the police in this film are portrayed as real human beings, with real foibles and weaknesses and prejudices. Definitely worth a viewing for anyone who knows anything about movies.

I just got back from San Francisco and decided to watch this again. To my surprise, I liked it much more the second time.

Make no mistake, this is not a great flick, but it is an interesting one. There are a ton of false leads in the beginning of the movie and we don't even get to the meat of the plot - the killer, for instance - until way into the running time. If you like logical and linear plots, this one will disappoint.

But there a couple of very good points. First, the ensemble cast is great. The range of characters keeps things interesting. Lou Gossett, Jr. gets a very meaty part before disappearing. Joanna Cassidy is also good in a brief role.

The highlight of the film is the relationship between Walter Matthau and Bruce Dern. Dern gets to play an early non-psycho but he is a total jerk. Yet by the end of the film you wind up liking him. Matthau is worse - he never smiles and is totally cut off from his fellow officers and his family. He can't even confront his teenage son. Watching these two make an uneasy truce and develop a relationship is what the movie really is about.

The bad news is that, except for the opening sequence, the action scenes are flat - not terrible, just flat. There are a lot of loose ends floating through the plot and characters disappear at random.

Perhaps most interesting is the parallel between this film's style and the Italian Giallo genre going on a the same time. The black gloved killer, the grim detective, even the plot holes would be right at place in an Argento movie from 1973, not a Hollywood film.

Worth two looks.

In San Francisco, eight passengers and the driver of a bus are killed by a passenger with machine gun. Police detectives Jake Martin (Walter Matthau), Leo Larsen (Bruce Dern) and James Larrimore (Lou Gossett) find the body of Martin´s partner Dave Evans (Anthony Costello) among the victims. Lieutenant Steiner (Anthony Zerbe) assigns Larsen to be the new partner of Martin, who is obsessed by the murder of his former partner. He meets Evans' girlfriend that believed he was working in overtime with Martin. Now the detective is convinced that Evans was investigating the wealthy Camerero (Albert Paulsen), who was the prime suspect of a murder case two years ago.

"The Laughing Policeman" is a gloomy and gritty crime story with Walter Matthau and Bruce Dern in the leading role. The beginning is promissing with the massacre of passengers in a San Francisco bus. The pace is slow, and the plot is realistic, but dated. However, there are many parts that go nowhere, such as Larrimore with the pimp or the meeting with the Hell's Angels or the relationship of Jake Martin with his family. My vote is six.

Title (Brazil): "Matança em São Francisco" ("Slaughter in San Francisco")

For some reason, this crime drama is almost completely overlooked. Even though it has it's faults, it is mostly a terrific examination of a police investigation. (In fact, in Australia, it was titled "Investigation of a Murder" which is far more apt a title than what it is here.) Matthau plays a police detective whose partner has been gunned down in a mass murder aboard a city bus. He is paired with Dern to find out if there's a connection between the massacre and the policeman's presence on the bus. They form an uneasy alliance (due to their clashing personalities and styles of working) and attempt to solve the baffling case. Gossett makes a strong impression as a fellow detective, though his character sort of drifts out of the picture at some point. Crosby and Cassidy have small, early roles as women who were affected by the murders. What's brilliant about the film is the wondrous verisimilitude and almost complete authenticity of the settings and performances. Only occasionally, can someone be caught "acting". Most of the time, the camera acts in an almost documentary fashion, eavesdropping on the various events and conversations. This type of gritty, realistic, matter-of-fact film is simply not made anymore today. The comparatively simple bus massacre is more striking and vivid than any of the overdone action scenes that litter all of today's films. There's a stark quality to the production that fits it well. Where the film strays is in it's endless cop vignettes which don't always have anything to do with the plot and which distract from, rather than enhance, the story. It's as if the writers tried to include too much from the source novel and wound up muddying the waters of the primary story. This also makes the film hard to follow at times. What's priceless is the display of the unmistakably tacky clothes and furnishings of the 1970's. There are also amusing glimpses into the San Francisco gay bar scene with real patrons displaying their faces (sometimes made up in drag) before the camera. Matthau says little in the film, but holds the attention with his various personal demons and conflicts. He chews gum incessantly and listens to standards on his radio to keep his emotions in check. Dern, as a more lively sort, is a great counterpoint and holds his own nicely. The mystery winds up being not all that big a mystery at all, but there's still a decent payoff with a "French Connection-esquire" car chase through San Francisco.