The Legend of Paul and Paula

If you want to get the feel of life in East Germany and of life in the 70s, this is your film. It is critical of the socialist system (national socialism ended in 1945, afterwards there was no Nazi-propaganda anywhere anymore, especially not in the East! Sorry, but another reviewer got this wrong), offers a romantic story and good acting by well-known actors. It is still cult in Berlin, where you can regularly see in the cinema. It kicked off the wave of east-German nostalgia. The film was so successful that today you can still see references to it in other films (eg. "Sonnenallee") and that the city decided to name a path along a lake "Paul und Paula Ufer" with a Paul und Paula bench to sit on. Also the soundtrack is worth listening to (especially the lyrics) and marked the beginning of the Puhdys'huge career.

Paul and Paula go through life picking the wrong partners until they happen to hook up with each other and the legend begins. Low-budget German film has the look of a cheesy porno movie. The script is pretty standard boy-meets-girl story. The acting by Domrose (as Paula, who seems to work in an amazingly busy grocery store or something and has wild mood swings) and Glatzeder (as the goofy Paul) is not bad, considering the clichéd characters they are playing. The direction is amateurish, with incongruous shots of buildings being demolished thrown in. The soundtrack is filled with bad German pop songs, although it is interesting that they get the lyrics to rhyme even after translating to English.

This film is a fascinating artifact to watch, and I use my language carefully there. This is perhaps not a film with as much current meaning and significance as other pieces of German cinema, but when watched as an artifact of how it might have felt to live in East Germany in the 70s (not to suggest that Paul and Paula themselves are necessary the model), it is a fascinating and interesting watch. Of course, within this, I do not seek to reduce it simply to a piece of history, it is art, entertaining and beautifully done, but I do think one needs to watch from the perspective of an East German in the 70s.

What does this entail? It entails watching not for a simple critique of East Germany and socialism. It entails watching not for a love story. It entails watching not to fulfil some preconceived notion of what is right and what is wrong. Instead, one must seek to go beyond these simple conclusions. I'm not the one to say what this film means, and that is precisely my point. When this film was released East Germany was far behind its Western counterpart in terms of economic development. Socialism was not achieving what it desired. It's easy in that light to jump to conclusions right away about what the film means. Instead of doing that, ask why Erich Honecker, leader of East Germany, would have personally allowed this film to be shown? Ask why this film was (and still is to many) beloved by East Germans. My point is, this film is more than one thing, equally critical as it is optimistic, equally a love story as it is a Shakespearian tragedy, and equally compelling as it is confusing.

Give it a watch, you may not like it (I only gave it a 7), but it is incredibly rich.

This picture, which has been shown in East Germany for only a week until political censors understood its impact on the people, is a very realistic East German view of life in post war East Berlin. It's mainly about the romance of Paul, a privileged but unhappy secret service agent, and Paula, an underprivileged and single girl with children. Since it is one of the very few movies which portraits honest details of real life in East Berlin at that time, it now serves as a reminder of emotions and feelings for a lot of East Germans. Despite the heavy use of symbolism (pretty old houses are blown away for the construction of uniform socialist buildings) it still doesn't draw a too pessimistic picture and leaves space for dreams and hope. I really love this movie, and I would recommend it to anyone who wants to catch a glimpse idea of how life was at that time in a socialistic system. The film is available with English subtitles which gives foreigners the chance to understand it, too.

Die Legende von Paul und Paula captures the spirit of the changes and upheavals of the late 1960ies / early 1970ies upheaval like no other film. Outstanding acting and the on-screen chemistry between Angelica Domröse and Winfried Glatzeder (basically they're the Brangelina of early 1970ies East Germany) make up for the movie's slow and somewhat inane first third, and some dated flourishes such as the Sergeant Pepper-style scene on the barge. The movie manages to convey that the GDR wasn't the worker's paradise many like to remember it as, without ever being in-your-face type of critical.

Unlike some reviewers have hinted, the movie was never banned in the GDR, although it can't have been popular with the party big whigs. In fact it was even the most popular homegrown movie on the other side of the wall.