The Mack

Robert J. Poole deserves credit for writing clever and gritty lines. This movie was urban before people even referred to movies as urban. Pretty Tony: "You know the name of the game , your bitch chose me." Loved that exchange!!!!! The Mack showed that urban movies way back then had a broader appeal than thought by Hollywood. The whole subculture of pimping has been covered in books and movie. The Mack was far a head of it's time and place. I never understood why people would get offended over The Mack. Writer Robert J. Poole did not invent pimping. It's been there, Prostitution is the oldest profession. The Mack has intelligent writing.

In this, one of the most popular of blaxploitation films, the charismatic Max Julien shines as Goldie, a man fresh from a stretch in prison who quickly rises to the role of top pimp in the city of Oakland. Adding complication to his life are the activities of a pair of crooked racist white detectives (Don Gordon, William Watson) and the requests of top mobster The Fatman (George Murdock) for Goldie to return to the small time. What the film truly benefits from is a sterling group of actors. Julien is engaging as the cool, calm & collected super pimp. The under-rated Gordon scores as a very bad bad guy, Roger E. Mosley is effectively intense as Goldie's activist brother, lovely Carol Speed is endearing as Lulu the prostitute, as is Juanita Moore as Goldie's loving mother, and Dick Anthony Williams has a field day as flamboyant Pretty Tony. Richard Pryor's performance, decidedly more dramatic than comedic, is solid, and he proves to be a good sidekick. The film itself is fairly overlong, but as scripted by Robert J. Poole and directed by Michael Campus, it tells a decent story in an interesting enough way, and it doesn't shy away from brutality. It gives laymen an insider's perspective by consulting with a number of real-life pimps, and shows how their lifestyle affects everything that they do. They even have barbecues, softball games, and an annual Pimp of the Year contest. By the end it's managed to portray Goldie in a complex fashion, showing that he hasn't acted THAT differently from the ruthless Hank (Gordon). Yet, of course, we can't help but side with Goldie during the finale as his nemesis has clearly gone too far. It's here that Goldie has to make an important decision. An indelible influence on pop culture, particularly Quentin Tarantino, "The Mack" immerses us in this appropriately seedy world. It's good fun, with a very hip score by Willie Hutch, and captures its time and place extremely well & remains convincing throughout. It doesn't waste time getting to the action, and features some memorable lines and exchanges. It may not be for everybody - some people may indeed feel that it's glorifying those in the prostitution business too much - but it does a compelling job at portraying a very real and very old profession, and very real part of life. Seven out of 10.

Said be one of the seminal blaxploitation movies ever made I must say I will probably never become a fan of the genre. Goldie (Max Julien) has just left prison after serving 5 years in state penitentiary. On his return his is offered the opportunity to become a pimp. With hope to better his existence he agrees and quickly becomes one of the best in the business with 10 girls to his name. He improves not only his life but also that of his mother. All this success garners unwanted interest of the local drug distributors, rival pimps and corrupt cops wanting some greasing. On the other side of this is Goldie's older brother Olinga (Roger E. Mosley), who is a black activist trying to clean up the streets from drugs, prostitutes and crime.

The influence this movie had on hip hop and pimpdom is quite obvious. The costumes and the moves of artists such as Snoop Dogg are all The Mack. But in hindsight was this movie really deserving all its praise? Yes, it has some very interesting quirky scenes (especially those involving cops) and all in all remains a fun, if outdated watch. But watching it now I don't seem to be able to find the magic behind the movie. The storytelling is very disjointed and jumpy with a whole lot of sequences happening chaotically and with no purpose. The dramatic flow of the movie is severely lacking and as such I never felt pulled into the story, which left me watching it not too intently by the second hour.

Acting is definitely a big plus of the movie and everyone from the cast does a standout job. Some of the scenes are definitely worth note, but the movie as a whole stumbles and crawls all too often to really make you want to rewatch the flick.

Blaxploitation has never had a good working relationship inside mainstream cinema because it sometimes required the audience to relate with people who were pimps, pushers, hookers, and any other rabble of common street criminals. But people loved movies like "Reservoir Dogs" and "Trainspotting"; yet "Dogs" had murderous jewel thieves in the leads and "Trainspotting" was about heroin addicts in Edinburgh. So then, "The Mack" can't be any different from those two, can it?

I missed Blaxploitation when it arose during the 60s and 70s because I wasn't alive; I was born in 1985. I stumbled across "The Mack" at a local used book store that also sold videos. Sitting on a rack, was "The Mack."

After doing five rough years in prison, Goldie (Max Julien) decides to become a pimp in order to make a living, much to the dismay of his younger brother Olinga (Roger E. Mosley), who has become radicalized within the pro-Black civil rights movement during the time that Goldie has spent behind bars. Goldie then has to contend with a pair of racist, corrupt cops who hound him constantly and rival pimps.

"The Mack" is a movie that has become an enormous influence on modern hip-hop culture and is frequently referenced to in the films of Quentin Tarantino. Max Julien makes for a truly convincing "Mack" and there's even a rather subdued, yet incredibly funny supporting performance from Richard Pryor.

This movie really does capture the essence of a chaotic time period perfectly. Vietnam was going on in 1973 and some people felt that life in America was in shambles, with drugs and crime running rampant in this country. So I guess that's why people praised movies like "Death Wish," "Dirty Harry," "A Clockwork Orange," and basically any Sam Peckinpah movie that came out during the 70s.

Along with maybe "Shaft" and "Foxy Brown," "The Mack" could probably be one of the better known Blaxploitation flicks released during the 70s. I loved this movie from beginning to end. But it's a shame that "The Mack" is not more well-known in the movie-going community.

10/10

When you see "I'm Gonna Git You Sucker" and others of the like, you won't find it nearly as funny until you see this. From the Player's ball to the outrageous kills to make it to the top, you can't help but laugh.

Even the plot review on the box totally misleads you into thinking this is about a man trying to clean up his neighborhood. It isn't, but you won't care.

For fun, try a drinking game. Drink every time someone says "man". I assure you will be drunk in the first 10 minutes or else you wish you were.