The MacKintosh Man

A very stylish opening with James Mason as holier and smoother than thou top-politician making a high speech instantly gives a feeling of things not being quite how it seems. And quite rightly so, most things in the story have a feeling of being very cool and calculated. And with Huston's experience it is all handled very well. Compared to Huston's many sanctified classics this film has been seen as more of a minor work of his. But it does have things boiling underneath its cool surface and deserves a deeper look and maybe several viewings. This movie is largely not in-your-face action, but gets parts of the mood and style from earlier movie works and periods. For example the music reminds me of 'The Third Man'. And when action and violence finally occur, it gets surprisingly tense and raw in its effect.

The movie crosses interestingly several genres, like a cold war spy thriller and prison movies. Some of the scenes manage to catch something familiar from early Hitchcock, specially the runaway and chase scene on an Irish moor. The locations in London and Ireland with real local people add much to the realism and fascination of the story. Even the car chases use old beaten up vehicles keeping far away from usual top agent style.

Paul Newman as Joseph Rearden does a strong role but the cool center of the story is Dominique Sanda as an almost emotionless beauty whose appearance covers secrets and surprises. The plot holds up very well all the way to the final moments with some nasty surprises. A film worth seeing for Huston fans and others.

Not your usual late '60's, early 70's Paul Newman flick, where he was cast in more overt starring roles, a la "The Sting" or "Butch Cassidy". The Paul Newman here is more understated and anti-heroic which provides a welcome change to film goers like me who enjoy seeing the Hollywood biggies downplaying their box-office charm by taking on less glamorous, more substantive roles. This political melodrama takes place primarily in a European/British Isles setting, with an all European cast except for Mr. Newman. He portrays an agent who infiltrates a diamond smuggling ring to try to smash that ring's core. During the course of the film, he is pretty well beat up and bandied about by his antagonists, not leaving his pretty boy image much to thrive on. His contact agent, Mrs. Smith (Dominique Sanda), becomes his love interest, not as a torrid screen love affair but more of an quasi-platonic one, where the job at hand takes precedence over the romantic involvement.

The plot and story line is developed nicely by Mr. Huston, who takes us on a European tour that starts in London, then works its way to Ireland and finally to Malta. James Mason does his usual yeoman's job in his rendition of the pompous Sir George Wheeler, the right wing politico big wig who may have his own share of illegal dalliances. Although Mr. Newman is, in fact, the main character, the entire cast comes across very well as more of an ensemble effort, with no one role really outdoing another. It seems that Mr. Huston lent his directorial hand very deftly when it came to letting the film itself be the focal point rather than just one or two actors hogging the spotlight. Not a well known film, perhaps, but one that deserves viewing nonetheless, due in no small part to a most interesting conclusion.

British agent Joseph Rearden (Paul Newman) meets his superior MacKintosh and Mrs Smith who direct him to steal diamonds from mysterious mail deliveries. He gets arrested after an anonymous tip and sentenced to 20 years in prison. He joins Slade, a KGB mole in British intelligence, in a prison escape. They are drugged and brought to a vast secret organization. Meanwhile, politician Sir George Wheeler (James Mason) rails against the government and MacKintosh informs him of infiltrating the escape organization.

The first act is rather stale. John Huston directs the material in a standard manner. The trial is boring. It would have worked much better to start with Newman arriving in prison. His intelligence background should be revealed much later as a shocking twist. The pacing and plotting is rather slow and methodical. It is competently made and it has the great Paul Newman. It's well into the second half when they finally have a car chase. Otherwise, the drama is rather limited.

The Mackintosh Man is taken from the excellent novel The Freedom Trap by Desmond Bagley. The book is far, far better than the film.

Paul Newman plays Reardon, a spy who poses as a convict. He goes to prison and befriends Slade, a Russian double agent played by Ian Bannen. When Slade is sprung from prison by a secret organisation, Reardon goes with him and infiltrates their gang.

The action moves from Ireland to Malta, and there's lot of intrigue and double-crosses. You'd think with all that going for it, the film would be entertaining, but it isn't. For one thing, it has a murky look throughout. For another, it is badly scripted and leaves out far too much of the important explanatory information that makes it work in the novel. The result is intolerable, because it is a confusing mess. Owing to the script's muddled nature, the actors give downbeat performances which further hurt an already disappointing film.

While never actively bad, this thriller just isn't exceptional. The first half isn't bad (we keep wondering why Newman is doing these things, and we wonder where he's going and what's going to happen), though it somehow lacks "oomph" to everything. In the second half, it starts to get dull. You won't be clear on everything in the end, and the climax came off more as a whimper than a bang. Nowhere near the worst movie in the world, but you can give it a miss despite Huston directing and Newman starring. This didn't do very well at the box office when it first came out, and it's easy to see why.