The Marcus-Nelson Murders

Who loves you, baby? Took in another TV movie with the excellent The Marcus-Nelson Murders (1973). Based on the true story of the murder of two girls in NYC and the law's attempt to railroad an innocent suspect, it also serves as the debut on Lt. Theo Kojak, a character that would go on to become an iconic TV detective. Creator-writer Abby Mann (Judgment at Nuremberg) sticks close to the 1963 Wylie-Hoffert murders and the course of events unfold with infuriating intensity. Telly Savalas is unusually subdued as Kojak, perhaps still full from chewing the scenery in Horror Express (1972). Director Joseph Sargent does a fantastic job of unpacking the complex story, even doing the opening murders in POV fashion and including some Rashomon-esque flashbacks as different stories are given for the interrogation. There is a stellar supporting cast including Allen Garfield as a prosecutor; Jose Ferrer as a defense attorney; Gene Woodbury as the accused; Marjoe Gortner as a junkie; Roger Robinson as a drug dealer; Lorraine Gary as Kojak's ex; and Ned Beatty, William Watson and Val Bisoglio as the detectives who illicit the false confession. It ends on a bleak note, but proves to be a perfect launch for the burned out detective who would soon be a household name. The saddest indictment here is that this is almost 50 years old and we're still dealing with the same issues. At least Harlem no longer looks like a bombed out war zone.

I love true stories, especially this one. Based on the book by author Selwyn Raab, (a New York Times reporter) "Justice in the Back Room". This film was intense and very close to the book. The main character Louis Humes was played by Gene Woodbury who played the part perfectly as a shy uneducated black kid that was unjustly accused of an attempted rape, a murder in Brooklyn and also implicated in a double homicide in Manhattan. The newspapers in 1963 dubbed this as the Career Girl Murders. The film calls it the Marcus Nelson murders. The story rubbed me the wrong way because at the end, the narration said Humes was still in jail. It also said the prosecutor was elected an assemblyman. I wanted to know about this and read the book. Humes(not his real name) was finally cleared but the NY police tried to pin a mugging charge against him when he was in south Jersey. He was cleared of that too. Kojak is a composite of Selwyn Raab and some police officers that care.

If this had been released theatrically, it could have been a candidate for some Oscars, and likely on most "10 best" film lists for 1973. Probably can be easily said that it's at least one of the 10 best TV films ever made, and ranks right up there with DUEL. It's Telly Savales' best performance, and that means he's superb. It's the role he was meant to play and no wonder it became the popular KOJAK television series. I saw this when first broadcast in 1973, and found it completely absorbing, at a time when I was more interested in action and horror stuff, like most kids, and when I could barely sit still for anything dramatic, but Savales held my attention, and the storyline never sagged. Everything in the film is top-notch, and a later second viewing years afterward only confirmed this. You won't be disappointed!

This generation of film makers are afraid to make something like this now. Distributors wont touch it.This should not have been a TV movie. Academy award worthy across the board here. The direction, the cinematography, one heck of a script, and you can take your pick of the actors whose performances went past the heart and right for the gut. The subject matter supporting the Kojak mythology puts the film right up there with any top civil rights documentary. I first saw it as the " The 3:30 movie" on channel seven in Chicago back in 74.I didn't know what I was looking at until I studied the King event. Abby Mann later wrote and directed "King" but this script is as close as you will get to a saturated gritty matter-of -fact telling of a story that still rightly embarrasses the legal system. I always wondered why the networks never bothered to show it again. I see why...and so will you.

Effectively the pilot for the long running TV detective series 'Kojak", this TV movie is actually far more than that, being a dramatisation (with names changed) of an important case in American legal history, in establishing the rights of a defendant to have their legal rights read to them before answering questions relating to the offence.

Not that it helped the young unemployed black victim here, subject to a monstrous miscarriage of justice which sees him charged with three murders and an attempted rape he patently didn't do, who ended up serving time despite the efforts of in particular Kojak (a composite of the actual officers who bravely stood up for the accused) and an experienced defence attorney played by Jose Ferrer after the original court appointee (played by Robert Walden, later Joe Rossi in "Lou Grant") palpably fails him.

The direction eschews showiness and documents with fly-on-the-wall realism, the seamy methods of a so-called respected police force to pin a crime on the first donkey who comes along.

Fans of the TV series will be surprised to see none of the excellent supporting cast which made the show such a success in the 70's, like Dan Frazer and Kevin Dobson, although Telly's brother George, later the hang-dog Stavros gets a bit part as a newspaper reporter. Kojak himself isn't the finished article either as we see him act in ways he never would later on, such as violently losing his temper with a suspect, getting up close and personal with a past lover and even just working as a lone wolf much of the time. Savalas himself is excellent, already displaying the intensity of his character in his fine Italian clothes, although at this stage in his development catch-phrase and lollipop-less.

I read up on the "Career Girls" murders case which begot this drama and commend the makers for staying true to the story and bringing to light an unacceptable weakness in US justice. The fact that it led to a TV series as good as any to ever come of American television was just a bonus, albeit a very good one.