The Perfume of the Lady in Black

I'll be the last person on this earth to deny that "The Perfume of the Lady in Black" isn't a breathtakingly beautiful and stylish viewing experience. Quite the contrary, I agree that Francesco Barilli's film is a masterwork of subtly built up suspense and it's also one of the best films ever forcing you to empathize with the leading character. This film contains numerous astonishing camera shots, genuinely creepy musical tunes and hugely impressive decors, but this material greatness makes it all the more difficult to forgive that there's not a lot of coherence or plausibility in the story and that Barelli leaves far too many questions unanswered at the end of the movie. "Perfume etc.." is similar to and clearly inspired by the earliest work of Roman Polanski; most notably "Repulsion" and "Rosemary's Baby". Exactly like in those two cinematic milestones, the plot introduces a seemingly weak and vulnerable female protagonist that suffers from nightmarish hallucinations and haunting memories of her childhood. She, Silvia Hachermann – played by Mimsy Farmer, soon isolates herself from the outside world and notices how her social surrounding, including her boyfriend and friendly neighbors, turn against her. Does these events relate to the voodoo-talk she had with some friends? Or the mysterious circumstances regarding her mother's premature death? Or maybe it's all happening in Silvia's mind alone. Perhaps I was expecting too much of an old-fashioned Italian giallo whereas this film is clearly an occult/psychological thriller, but the slow development of the plot and the absence of a perceptible kind of malice honestly bothered me just a tad bit. After a full hour into the movie, still nothing grueling has occurred and Silvia's inevitably disastrous fate can't be guessed until the very last seconds. The climax comes as a total shock, for sure, but not exactly a satisfying one since absolutely nothing in the development of the plot hinted at such a macabre switch in tones. Nonetheless, "The Perfume of the Lady in Black" is a curious gem of Italian horror cinema, with an overload of talent in front as well as behind the cameras' lenses. It's a demanding film that requires the full attention of all your senses and even then it's likely to confuse you several times. Recommended to well-trained fans of Italian cinema.

This odd piece is often touted as a giallo movie but there's no police investigation, no unknown black glove wearing killer. Instead it's a tale of a beautiful young paranoid woman (played well by Mimsy Farmer) who starts to hallucinate & people around her start to die. Rosemary's Baby and Repulsion spring to mind. As is typical of Italian movies of this time it's brutal, looks beautiful and comes with a great soundtrack. This film is notorious for having an ending that is as bizarre as it is gruesome. I'm not going to give anything away, other than perhaps it's one of those films where it's left to the viewer to make up his/her own mind what it's all about. I'll certainly be watching this again.

The Perfume of the Lady in Black (Francesco Barilli 1974) is a beautiful and fascinating film. Like a previous reviewer, it took me 2 projections before I could fully grasp what Barilli had wanted to do and mostly accomplished with this film.

The problem comes from the fact that this if often advertised as a Dario Argento-like Giallo, and it's anything but that. While it's easy to see the visual and atmospheric influence this film had on Argento, The Perfume is much closer to an Antonioni film than it is to other Italian scare flicks. Watch it with this approach in mind and you will be literally hypnotized.

Kudos to the main actress who delivers a great performance in a role that had no precise definition on paper!

Upon first viewing, I did not know what to make of this movie. It is certainly interesting, but non-linear and difficult to understand. "What is going on?" I thought. A second viewing made it clear to me: this really is a near-masterpiece of giallo/thriller-cinema! From the haunting melody during the titles until the totally surprising and shocking ending, you will be mesmerized, confounded and thrilled. Mimsy Farmer walks around in semi-interested fashion for most of the time, but that is very much in tune with the whole story. A highly effective performance. The other castmembers are adequate, nothing more. Beautifully and imaginatively directed by Barilli who holds you attention even during scenes that could easily have been boring in their complete uneventfulness. And most scenes are accompanied by one of the most effective scores in a giallo ever heard. Properly marketed and aimed at the right audience, this film could be a future cultfavorite. A must-see for the adventurous moviegoer!

Sylvia (Mimsy Farmer), an industrial scientist, is troubled by strange hallucinations related to the tragic suicide of her mother.

After the success of "Rosemary's Baby" (1968), the Italian horror world began to embrace Satanic and occult stories. This is one of them. Director Francesco Barilli took a cue from early Argento and made a giallo with some dark undertones. He previously wrote a script for Umberto Lenzi, but had not directed a feature himself.

The cast may not be well-known outside of Italy, but have appeared in Lenzi, Argento and D'Amato films. One even appeared in the notorious "Salo", and a few starred alongside Daria Nicolodi in a picture. So there is plenty of connection here.

This film is beautifully shot with excellent color and better than average acting. It deserves more recognition than it gets. Wikipedia and IMDb are relatively silent on the film's creation, and even Italian horror historian Luca Palmerini has little more than a sentence to say about it in his book...