The Proud and Damned

Chuck Connors is featured in this western about a group of American civil war veterans traveling in South America. After being run out of one country they wind up as the "guests" of a Columbian General intent on conquest. In a situation where they don't have a lot of choice, they agree to go to the town of San Carlos to spy out the city and report back to the General. While in San Carlos they wind up being the "guests" of the mayor played by Cesar Romero. Two subplots unfold involving women and the group, leading to predictable conflict and violence, with a surprising twist for the group's leader, played by Connors. Ultimately battle breaks out with elements of treachery and surprise. Marred by some dumb dialog, this film is recommended only for die-hard western lovers.

It is so obvious that Ferde Grofe Jr was more than inspired by Sam Peckinpah's WILD BUNCH and John Sturges' MAGNIFICENT SEVEN. It kas place in mexico where former Confederate soldiers, outcasts, cross the Mexican border before being tragically involved with a Mexican renegade geeral, brutal, blood thirsty high rate officer. Then our bunch will decide to save a poor village from the villain....Even a dumb could see what I am talking about. A typical seventies western. Counter culture best example. Melancholy, gloominess, lost ideals, friendship in bitterness....Everything I have always craved for in a movie. Ferde Grofe has never been a great not even a good director, but let's be indulgetnt and fair, he is not the worst ever either.

The Proud and the Damned is an historical-fiction western starring Chuck Conners and a relatively unknown, but not bad, cast. The film appears to have been filmed in the Chihuahuan Desert, though the setting is inexplicably identified as South America early-on.

Conners leads a group of refugee confederate soldiers traveling through a country in the middle of its own civil war. Apparently, Conners' boys have taken a few odd jobs as mercenaries en-route, and both sides in the present conflict want their help.

The film is essentially an American-made spaghetti-western, without the plot convolutions and tension (or Clint Eastwood) that made this genre so interesting. About mid-way through the story, the film meanders and seems fated to fizzle into oblivion rather than going out with a bang, but it does eventually wander back to its track. The script is occasionally bloated, but not bad. Once in a while, the film actually presents some interesting anthropological points. The acting is surprisingly OK. And the sets, scenery and cinematography are good.

It won't kill you. This is a much more entertaining western than I had anticipated. However, I will limit my recommendation to fans of western movies.

"The Proud and the Damned" is a film that was made in 1969 but not released until 1972. This means, most likely*, that the powers that be knew it was a stinker of a film and would lose money...so it just sat in limbo for three years before ultimately being released. Because of this, I had very low expectations for the picture.

The film is about a group of Confederate soldiers who decide to become mercenaries after the US Civil War ends. So, they head to war-torn South America where their services might be needed. Unfortunately, the local authorities seem to know why they are there and order them to leave the country. However, a local mayor (Caesar Romero) sees need of their services and he invites them to stay as his guests. What exactly does he want them to do? See the film...or not.

So is it any good? Well, it's not terrible...but it is, at times, terribly dull and a bit cheap. It's certainly not as bad as I expected....though I expected the worst. Cheap looking despite it's location shoot in Columbia, South America.





*In at least 90-95% of the cases, being shelved is a sure sign of a terrible film. One exception was "Arsenic and Old Lace". When the studio made it, they agreed not to release this Cary Grant film until the play ended its Broadway run. Surprisingly, it was such a hit that it, too, was shelved for a few years until the play closed.

The Proud and Damned is written and directed by Ferde Grofe Jr. It stars Chuck Connors, Cesar Romero and Andres Marquis. Music is by Gene Kauer and Douglas M. Lackey, and cinematography by Remegio Young.

1870 and five ex Confederate mercs arrive in South America and become embroiled in another Civil War of sorts...

Pretty poor offering, a pic that was completed in 1969 but wasn't released until three years later, one can only think that after viewing it, some financial backer saw it for the dud it is and refused release! The plot principal is sound, the fact it's a Western filmed in Columbia and set in South America (the place unnamed) is an interesting point of note, plus Connors and Romero at least have fans from which to launch potential for cult fandom. But hopes of a good film are dashed quite early.

Is being boring a valid criticism? Well yes it is, and this is a snore bore. The cast turn in auto-cue acting, all of them saddled with direlogue, the editing is messy, and the musical score irritating as it fluctuates between sorrowful guitar to bandido marching music, with some flamenco type jolly that's out of place as well, and what little action there is is laughably constructed. A bold turn of events in the narrative is worth a point at least, as is the outcome of it all - though it doesn't really make grounded sense - but ultimately this is one that deserves to stay obscure. 2/10