Scream Bloody Murder

Originally released under the less hook-like Scream Bloody Murder, Claw Of Terror opens with a young farmers lad Matthew starting up the family bulldozer and running over his father, as well as his own hand. Cut to ten years later, and Matthew is now a weird loner with a claw for a hand, who sees red whenever his mother Daisy is kissing someone else, and it doesn't take long - he comes home from the hospital to find Mr Parsons is sleeping in the big bed with Mommy. The honeymoon doesn't last long: Matthew gives Mr Parsons a few whacks with the ax, mama falls on a rock, and before you can say "rigor mortis" he's hitched a ride with newlyweds. But, as he's plagued with visions of his dead mother in increasing stages of decay, THEIR honeymoon doesn't last either. And this is in the first twenty minutes of the movie!

Claw Of Terror doesn't waste celluloid plunging you, the unwitting viewer, into a Freudian whirlpool of psycho-sexual deviancy. He's befriended by red-haired Vera, a hooker with a heart of gold, who becomes his Mommy substitute - not surprisingly, as she's played by the same actress. She lets Matthew call her Daisy and starts to believe his outrageous lies about his rich family, which he feels he must prove. Ingratiating his way into a mansion, he slices his way through the household; strangely enough, the one killing in the movie he is squeamish about is the family dog! He proceeds to romance his prostitute Mommy substitute with a closet full of dead bodies, and then - and only then - do things start to get weird.

On one hand there's an utterly unsympathetic portrayal of a deviant serial killer, and an almost unbearable streak of cruel humor underpinning the carnage. Matthew of course gets the best lines like "I get groceries and art stuff and kill people - but do you appreciate it? No!" On the other hand... there's some incredible imaginative photography you don't usually see in B-grade horror, with fantastic distorted angles, almost as distorted as the minds who dreamt up this celluloid nightmare.

Scream Bloody Murder (1973)

** 1/2 (out of 4)

Matthew (Fred Holbert) is a deranged young man who has a serious mother issue. He kills his father with a tractor but when he goes to get off of it he ends up getting his hand caught in it. Now with a hook on his hand, he gets out of the hospital and is enraged when he learns that mommy has married a new guy. He soon hits the road slashing up various men and women who he feels are bad.

SCREAM BLOODY MURDER isn't a perfect horror film or even a good one but there are certainly enough interesting moments to make it worth watching if you're a fan of the genre. It should go without saying but Matthew here has bigger mommy issues than even Norman Bates and watching his madness was part of the entertaining and especially early on in the picture where this thing is basically a slasher way before that term would become popular.

The first forty-minutes or so basically has Matthew meeting a variety of people and eventually getting upset at them for a variety of reason. This causes him to lash out and kill whoever he is upset with. None of the violence is overly graphic or bloody but the scenes are certainly effective with some clever editing. The second portion of the film has him falling for a prostitute (Leigh Mitchell) who he wants to try and make "good" but when she doesn't want to play that he decides to kidnap her and hold her hostage.

Holbert's performance isn't one that I'd call good but there's a certain rawness to it that makes it work in this low-budget tale. The performance almost seems like a real person and thought the weakness of the performance actually helped a little. Mitchell was good in her role as the prostitute and the two of them worked quite well together. The biggest issue with the film is the entire second half as there's just not enough drama or suspense to make up for the lack of killings. Still, SCREAM BLOODY MURDER is an interesting little gem that is worth watching.

What surprised me the most about this movie was how gory it was. For 1973 this is a very bloody movie. The plot is simple. The main character is crazy and for reasons in his own deranged mind goes around killing people. It's a B movie, lots of mistakes and plenty of unanswered questions but you have to expect that from a B slasher movie. It's very simple and easy to follow, no in depth characters. There are some pretty disturbing scenes and I do not recommend the squeamish, children, or those prone to nightmares to view this film. If you're a fan of blood and guts B movies here's an early one that you should see. For the mainstream movie viewer, I would advise passing on this one.

The action begins with a young boy climbing onto a field tractor and running his dad over, then losing a hand himself when he jumps off and runs over his own arm. He's sent to a sanitarium and emerges as a young adult with a hook hand (Fred Holbert) years later, but with major mental problems. He goes on a grisly killing spree and ultimately keeps a prostitute (Leigh Mitchell) prisoner in a house. As far as sick and depraved psycho slasher movies go, this one delivered the goods and was uncompromising in most of its gore scenes. For what it's worth, PHANTASM's Angus Scrimm has a very small role as a doctor late in the film, and he's just terrible. I got a kick out of seeing a movie marquee that was playing "Charlton Heston in The Omega Man" in the background of one outdoor scene. **1/2 out of ****

First off the bat this is a ZERO budget production from all points down but, in truth, thats never hurt a movie in my opinion anyway.

This was made in 1973 and you can pretty much feel the influence of certain other movies which had made such an impact from 1968 onwards, it strives for that Last House feel and almost succeeds in some cases. The opening is pretty cool (love that squashed Dad effect!) but the actual storyline seems like its pretty jumpy and zooms along from start to finish, which is where it gets interesting.......

Anyone expecting gore galore better hit the road Jack because what we have by the end is some great scenes of 'Woman In Peril'and, yeah, she is treated pretty poorly but why the hell are you watching a movie called Scream Bloody Murder in the first place if you can't take some FAKE abuse? This film is like watching something on fast forward just to get to the money shot, taking in an ending which recalls both Maniac (1980) and a sublime Carnival of Souls (1962), its a shame people haven't got the gall to make stuff like this anymore because its got more originality than most of the celluloid waste thats forced down our throats these days. Check it out if only for Angus Scrimm in an early role.