How Funny Can Sex Be?

There are eight episodes in this sex comedy. The episodes are so short that they lack development, meaning, progression and are pretty boring. Although this is a "sex" comedy, and the subject is sex, the movie is practically PG-13. The subjects of the episodes are pretty repellent, with titles like "Sex in Shantytown". The actor Giancarlo Giannini plays each of the lead roles in the episodes, and his performances are really the only reason to watch this film.

Some short episodes unrelated to each other that tell relationships of love and sex with a thousand different facets, sometimes goliardic, sometimes sad.

This movie is probably one of the worst I've ever seen. It is made up of short sketches that turns around sex and some perversion but they were badly executed. In the first place there were three main actors who are the leads of every sketch but I didn't buy their performance even a little bit. Then the audio and image quality was very low, even for a '70s movie. But the worst problem is that this film should be a comedy but I almost never laugh for a joke inside of it because the comedic writing and timing were really bad. Instead I laugh a lot for the ugliness of this film. Once you see this one, it will easily become a legend, something that you'll never forget, a new standard for horrible movies. At least I didn't find the willingness to make a film to take seriously but it isn't also something merely intended to be trash. In conclusion I suggest this movie to everyone who wants to laugh on how not to make movies.

Normally the epithet "sexy comedy" is a cinematic death knell, but the cooperation of the fantastic Laura Antonelli, Giancarlo Giannini and director Dino Risi turned this into a timeless classic. And yes, it's funny and sexy. In nine segments and probably inspired, in a good way, by Woody Allen's "What You Always Wanted To Know About Sex" which was released a year earlier.

A play on words (check-mate, sex-mad, get it?), the title Sessomatto is quite accurate since most of the sketches in the movie are about sex gone berserk. I'm writing this in 2002, some 28 years after seeing the movie, so memory may fail me, but, even though this was supposed to be a vehicle for Giancarlo Giannini, I remember it mostly for the radiant beauty of Laura Antonelli. Some of the sketches definitely had some socially redeeming value and are harbingers of Dino Risi's future masterpieces (Profumo di donna, Primo Amore and, particularly, I Nuovi Mostri).