A man whose ancestors executed a witch is turned into a werewolf by modern-day descendants of the executed witch.A man whose ancestors executed a witch is turned into a werewolf by modern-day descendants of the executed witch.A man whose ancestors executed a witch is turned into a werewolf by modern-day descendants of the executed witch.
- Waldemar Daninsky
- (as Paul Nashy in the Atlas International version)
- …
- Kinga Wilowa
- (as Fabiola Falcon; as Faye Falcon in the Atlas Inernational version)
- Roulka
- (as Vidal Molina)
- Maria Wilowa
- (as May Oliver in the Atlas Inernational version)
- Bela
- (as Jose M. Martin; as Joe Martin in the Atlas Inernational version)
- Elizabeth Báthory
- (as Maria Silva)
- Maurice - Waldemar's Valet
- (as Fernando S. Polack)
- Ilona
- (as Ines Morales)
- Gypsy in Waldemar's dream
- (as Jose Yepes)
- Woman killed by Daninsky
- (as Ana Mª Rossie)
- Doctor
- (as Sandalio Hernandez)
Featured reviews
In medieval times knight Irenius Daninski (Paul Naschy) rid the world of a coven of devil-worshipers when he killed their leader in battle, and had his witch wife burned and their followers hanged. Before being burned at the stake however, the devil-worshiping lady put a curse on Daninski's family, vowing to be back for revenge... Several centuries later, the kind-hearted Waldemar Daninski (also Naschy) lives in the castle... More than its predecessors, "El Retorno De Walpurgis" gives a little background information about how the Daninsky-curse came to existence. The film is quite typical for a Naschy-flick. On the one hand the story is often extremely cheesy, but on the other hand it has moments of great style. As far as I am considered, a Naschy flick is always worth watching, as they mostly provide a great atmosphere, and practically always provide two elements that all my fellow Exploitation-enthusiasts should appreciate: Loads of sleaze and female nudity, as well as stylish (if sometimes cheesy) gory outbursts. And this is definitely the case with "El Retorno De Walpurgis". The film is filled with gore scenes, which are quite nicely done for a budget that was supposedly quite low, and all the female characters have exhibitionist tendencies, most memorably the stunningly beautiful Maritza Olivares and Fabiona Falcón. The fact that the werewolf-makeup is not exactly frightening does in no way lessen this film's cult-value. Low-budget Spanish Horror-exploitation from the 70s is a supremely entertaining kind of cinema, and Paul Naschy is its king. While this "Retorno De Walpurgis" may not be a must-see, it is definitely a highly entertaining film that my fellow Eurohorror buffs should enjoy! Paul Naschy Forever!
From the impressive opening scenes (in which we get a beheading, a cut throat, several hangings and a burning at the stake) right through to the end credits, this fun film delivers the goods gratuitous nudity, some none too convincing gore and hammy acting from all involved.
Waldemar Daninsky (Naschy) falls foul of a curse (placed upon his family by a coven of witches centuries before) and becomes a werewolf when the moon is full. His only hope of salvation is to die by the hand of his true love.
Curse of the Devil boasts pretty good production values and at times is very stylish in execution; at other times it is unintentionally funny. Whilst never up to the standards of a Hammer horror, which it resembles at times in plot and content, fans of this kind of stuff will find enough to enjoy for it to warrant a viewing.
The film gets off to a good start. The story explaining how Daninsky (Naschy) became a werewolf is well done. Much like Hammer's Curse of the Werewolf, the backstory presented in Curse of the Devil is nice as it provides a reasonable (well, as reasonable as horror movies can be) explanation behind lycanthropy. Too often, horror movies expect us to accept a person is a werewolf without any explanation other than they were bitten by a werewolf. It's as if it's always been that way, so just accept it. I really appreciated and enjoyed this portion of the film. These early scenes also have a nice Gothic feel to them and an attention to detail that really adds to the atmosphere.
But then Daninsky changes into a werewolf and the whole thing goes downhill. It's the same old story we've seen numerous times. And, if you've seen many Naschy films, you'll definitely feel like you've seen it before. If Naschy is anything, he's consistent and predictable. From what I've seen, his films rarely stray from the tired and true path. But more specifically, there are a couple of things about the werewolf scenes that bother me. First, how is he able to sneak up on everyone? Wouldn't the sound of a hulking, snarling werewolf be a tip-off that something's not quite right? Second, the "special effects" are abysmal even when taking into account the time period in which the movie was made and any budget limitations. Most of the werewolf victims in Curse of the Devil look like people who have, for whatever reason, poured marinara sauce on their faces. It's not very effective.
As I always seem to write when discussing a Naschy film, I'm not giving up. Even though I've yet to find that Naschy film that clicks with me, I'll keep going in hopes that sooner or later one will.
Four hundred years ago, an ancestor of Daninsky executed a bunch of satanic witches who swore a rather drawn-out and unfrightening curse upon him. One day, Waldemar is out hunting a wolf and is shocked and saddened when he shoots it and discovers that it is a man. Apparently he didn't know he was hunting a werewolf (why was he using silver bullets then?), and he also didn't know that the person he killed was a descendant of the previously mentioned witches. As a result of this, the witches finally take their revenge upon him, sending one of their minions to curse him on the night of the Walpurgis ...
This yet another stand-alone movie which doesn't appear to fit in with the rest of the Waldemar Daninsky saga. However, it can be thought of as an improved remake of his first movie "Mark of the Wolfman", and it kind of works as a historical prequel to the other movies as well. It's certainly one of the more entertaining Daninsky movies ... the opening sequence is one of the funniest things I've ever seen (unintentionally, of course), but mostly due to the awful dubbing rather than anything else. Yes, awful dubbing. Awful, awful. Bleurgh. In fact, all pretty much all the problems here seem to be caused with the dubbing. I believe that in it's original language this may in fact be (shock horror) a GOOD horror film. Often these movies can feel like a bit of a chore to watch, but not this one! The period costumes and settings are realistic and cool. There's a very nice castle, for all you archaeologists out there. Most of the women once again wear those flowing sheer nightgowns which Jacinto Molina seems to love so much ... and they, of course, throw themselves at Waldemar screaming "deflower me! deflower me!" The acting seems decent all round, but you can't really tell due to the terrible, terrible dubbing. Director Carlos Aured worked with Molina on several movies, but this was the only Waldemar Daninsky movie he directed -- he did later do some uncredited work on Alice Cooper's "Leviatán". His directing is pretty good for a Daninsky movie, although the editing and placement of the scenes is a little off sometimes.
"Curse of the Devil" is one of the better Daninsky movies of the seventies, and certainly among the more entertaining. And it has a great ending, too.
** (out of 4)
Disappointing entry in Paul Naschy's Waldemar Daninsky series has his character falling victim to a curse put on his family centuries earlier. It turns out Satan worshipers cursed him so now each time the full moon rises he turns into a werewolf. It seems his only saving grace will come from the beautiful woman who loves him. CURSE OF THE DEVIL, also known as RETURN OF THE WEREWOLF, doesn't have too much going for it thanks in large part to a rather slow pace that never really leads to any excitement and a screenplay that seems to try and do too much. The best parts of the story deals with the curse being put on Daninsky but after this there's just a bunch of stuff thrown in that often doesn't make too much sense or adds up to very little. This includes just about everything dealing with the axe and machete carrying maniacs who pop up every now and then. Another negative thing is that the filmmakers were obviously working on a very low-budget but they don't do much with it. Most of the werewolf transformation scenes look pretty cheap and none of the attacks are staged very well. The actual look of the werewolf is quite good as there's a lot more hair this time out and there are several scenes where the blood just gets caught in it for a rather nice effect. The death scenes aren't all that memorable but I'm guessing a lot of this is due to the small budget. Naschy is in fine form as usual and there are some beautiful woman around him who constantly get naked but outside of this the supporting players really don't add too much. There's some nice atmosphere in a few scenes but in the end there's just not enough that works here.
Did you know
- TriviaSeventh in a series about werewolf Count Waldemar Daninsky, played by Paul Naschy. This film ignored the events in all of the earlier "Hombre Lobo" films and began a whole new origin for the Wolfman.
- Quotes
Irina Wilowa: They don't believe me, but this Janosz man, he is something more than a man, something infinitely worse than the greatest of criminals. I was born in these lands and I know well everything that can happen. Your poor sister was killed by a loup-garou, a werewolf.
Kinga Wilowa: A werewolf?
Irina Wilowa: All those crimes were committed on a night of a full moon, and the wolfsbane has flowered.
Kinga Wilowa: Ah, I've heard those old stories. Nothing but superstitions.
Irina Wilowa: They are immortal beings; nothing can destroy them.
Kinga Wilowa: Yet I've heard they're vulnerable to silver weapons.
Irina Wilowa: Only if that weapon is blessed beforehand and wielded by a woman who loves them enough to risk her life.
Kinga Wilowa: Any woman in love would risk her life to save her love.
- ConnectionsFollowed by Night of the Howling Beast (1975)
- How long is Curse of the Devil?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- La noche del asesino
- Filming locations
- Castillo de Guadamur, Toledo, Castilla-La Mancha, Spain(Daninsky's castle in opening scene)
- Production companies
- See more company credits at IMDbPro