Super Fly T.N.T.

After becoming a star with Super Fly, actor Ron O'Neal decided to co-write and direct the sequel. Actually, he helped think of the story with the resulting screenplay by noted author Alex Haley. Perhaps because of the criticism of the glamorizing of drug life in the previous one, O'Neal's Priest character is totally out of the business (though that was his intent from that first film) but gets roped into a more, perhaps, worthy one in dealing with guns for a country that wants independence. Also, instead of taking place in NY City, the setting is now in Rome where he and his girlfriend, Georgia (Sheila Frazier), from the first one have settled. I'll just say while I found the movie quite dramatic concerning Mustafa (instead of Youngblood) Priest's trials near the end, I can understand why many fans of the first one weren't so enthralled. It's certainly a different flavor, that's for sure! I'm also entertained by the score by Osibisa and the fact that both Robert Guillaume and Roscoe Lee Browne, who subsequently played butler Benson and his replacement Saunders, respectively, on the hit comedy series "Soap", were also in this movie though not together. Guillaume, by the way, shows his singing talents when he does "O Sole Mio" in a restaurant scene, here.

I recently watched Super Fly T. N. T (1973) on Facebook. The storyline follows Super Fly, who has retired from the street life and moved to Rome. As he attempts to settle down and distance himself from his past, he encounters new people who remind him of his responsibility to guide others along a different path. Initially hesitant, our hero must decide whether to show others that success and happiness can be found outside of hustling and drugs.

Directed by and starring Ron O'Neal (Up Against the Wall), the film also features notable actors like Roscoe Lee Brown (Logan's Run), Sheila Frazier (Three the Hard Way), Robert Guillaume (Benson), Jacques Sernas (Helen of Troy) and William Berger (Hercules).

While this movie has all the ingredients for a worthwhile picture, they somehow aren't blended smoothly for the viewer's journey. The beautiful settings are underutilized, and although the dialogue is well-written, the self-reflection and comedy detract from the primary plot. The self-reflection could have been more effectively integrated. Additionally, while the horseback riding scenes are humorous, they feel somewhat out of place based on the character. However, the soundtrack and jive elements, as expected, add to the film's appeal.

In conclusion, Super Fly T. N. T contains some worthwhile bits and pieces but falls short as a whole. I would rate it 4/10 but still recommend watching it at least once.

Ron O'Neal isn't merely fly; he isn't even simply Super Fly. He's nothing less than Super Fly TNT, tooling around Rome in an expensive-looking car, dressing like a runway model and being asked by Roscoe Lee Brown (who's sporting a French accent) to come to Africa to save them from Whitey.

O'Neal, however, has to spend the first hour or so of the movie looking fabulous for going horse riding , before he grows bored in eight seconds at a poker game, flies down to Africa, is immediately stripped and whipped by some very white guys, imprisoned, escapes, and saves the world.

Alex Haley got paid for helping write this. I hope he thinks he got paid enough for the hit to his reputation.

This movie bored the snot out of me.

I had seen the original Superfly first. I wanted more of the same. Butt kicking, hard slapping, big bad PIMPING.

This movie has a retired Priest, (aka Superfly, the hero of the first film) living it up in Rome, approached by a wannabe rebel leader from a small West African nation, trying to get out from under the yoke of colonial oppression by THE MAN. He wants Priest to run some guns into the war-torn African nation for him.

Imagine my shock when I discovered just now that this film was co-written by ALEX HALEY, the author of the fantastic "Roots." That first came on TV when I was a kid, as one of the last of the big network television "events" before Cable TV really got wide latitude. That was along lines of The Beatles on Ed Sullivan (before my time) a Super Bowl, or the "Who Shot J.R." episode (I remember that hype too). But "Roots" was a great piece of art, and I mean EVERYBODY but EVERYBODY watched it, whatever color your skin happened to be.

This movie was a waste and a disaster, but I guess Alex Haley is where the idea of the African setting came from (idle speculation on my part).

Anyway, I guess they were trying to do something new with the character, but the concept was utterly wrong-headed from the start. The movie is also REALLY SLOW. It takes about 45 minutes before he gets to Africa! Too long! And the whole side story with Robert Guillame as a fellow American in Rome, an artist with a fantastic singing voice, was just a waste of time.

Original Superfly: 8 out of 10. This tripe: 3 out of 10.

It's still much better than THE GUY FROM HARLEM, though.

Well I thought the original was all over the place ... the sequel is actually even more so. Even if they did a location change (and I reckon since Italy was quite cheap to shoot at in the 70s they probably shot there too, not that it matters), this is quite a dull watch overall. Even with the charismatic lead.

As with the first one, I am not aware of production issues or the history of the making of. Historically it is known that it wasn't easy for African American/black people to get an acting job. So I guess it makes sense that Ron O'Neal directed this as well. Maybe he bit more than he could chew though. Even with the addition of a great character actor, there was not much to save ... Blaxploitation fans may feel different overall. And maybe I'm spoiled with something like Black Dynamite that is just pitch perfect ...