Terminal Island

Minor drive-in classic concerns the replacement of capitol punishment with exile to a guarded island. Men and women alike must fend for themselves in this rugged terrain(which looks like paradise to me).

TERMINAL ISLAND takes full advantage of it's many opportunities to present titties and sexual situations. If, for some strange reason, that doesn't manage to hold your attention, there's equal portions of violent action for good measure...it's a more professionally appointed example of it's type, and should manage to please many folks outside the trash-cinemaphile radius.

A sleazy, cheesy champion of drive-in splendor. 6/10.

Remember Escape From New York? Eight years previously, in 1973, Terminal Island did the exact same idea. Not nearly as well, but hey - being first count for something, too! TI is an exploitation film when being an exploitation film was cool. As such, it has certain shortcoming inherent to the genre, such as street talking tough black guy, the psychotic white chauvinist pig, and the heroic woman, overcoming oppression with sagacity and perserverence. I can live with those stereotypes, but I can't bear the background music leftover from a 1970's porn movie!

Marta Kristen finally gets to play the part of an action hero - quite a leap from the laid back Judy Robinson role she is best known for. She fights and blows things up and knows how to create gunpowder from nature. Very cool.

For an exploitation flick that seems to make itself up as it goes, TERMINAL ISLAND begins creatively enough, much like the same years' WESTWORLD with random interviews about the title location...

In this case, based on the actual California death penalty being overturned (making The Manson Family eligible for parole soon after), random people are asked what they think of the prison island alternative, like ESCAPE FROM NEW YORK after while based on the infamous Devil's Island, where murderous convicts are left to their own devices...

Providing a terrifically intense/lovely lead actress in DAN AUGUST black secretary Ena Hartman, with enough blaxploitation/woman-in-prison Pam Grier-esque gusto to completely rule her own feature...

But a real life injury curbed her starring role... plus there are more men on the island, including a monotone, horribly misplaced Tom Selleck as a passive doctor and his future MAGNUM PI chopper pilot Roger E. Mosely, better suited as one of the bullying alpha-males using the women like sexual slaves...

But by the time this urgent plot-line develops, providing Hartman a dilemma she must overcome, quickly, she and other starlets... including spacey brunette Barbara Leigh and intense blondes Phyllis Davis and scene-stealer Marta Kristen (in the Roberta Collins-style tough girl role)... are rescued by black gentleman Don Marshall, leading into what what feels like another movie altogether...

Two actually, within two separate camps: the bad and the good, and neither really connect...

Although former Roger Corman collaborator Stephanie Rothman directs in an intense enough manner so that the survival sequences are partially intriguing...

Making TERMINAL ISLAND several half-decent islands to themselves - despite ultimately becoming atoll on the audience.

... doesn't really do anything interesting with the premiss, IMHO.

Escape From New York took a similar idea and did much more with it; there are also echoes of Lord of the Flies in what they *do* decide to do with the plot but, again, the latter did this better.

Also, despite it being cited as some sort of feminist allegory, the early nominal centre of the film (Carmen) gets rapidly sidelined once the women are freed from the main group, whereupon it's mainly two "guy gangs" - one nominally good, the other unambiguously bad - against each other, with lots of bad acting and cheap effects.

Not recommended.

After the Supreme Court outlaws the death penalty, California circumvents the ruling by sending murderers to a secluded island, where they are declared 'legally dead' and expected to kill each other off. Four intrepid ladies spend some miserable time in the hierarchical sexist work camp on one side of the island, then run off to join the liberated comrades on the other side. There's some pretty big statements waiting to happen in there, and they come through loud 'n' brassy, but they are made in the firm confines of a rockin' 70s drive-in action movie. This is a co-ed prison flick on a cheaper set, with a great bunch of weirdo characters floating around and future Magnum P. I. cast members sweetening the pot. Smart and well made too.