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6.1/10
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A computer programmer decides to become a thief. And when he starts making waves an insurance investigator hounds him. He also meets a woman who becomes his accomplice.A computer programmer decides to become a thief. And when he starts making waves an insurance investigator hounds him. He also meets a woman who becomes his accomplice.A computer programmer decides to become a thief. And when he starts making waves an insurance investigator hounds him. He also meets a woman who becomes his accomplice.
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In 1973, the best chess programs running on the fastest supercomputers could barely play a passable game of chess, much less challenge a master level player such as the Austin Pendleton character would be (newspaper chess columnist for the Houston Chronicle).
I've seen this film twice, and I like it quite a bit. It's possibly the best performance O'Neal has given, Oates does a nice turn, and it has Jackie Bisset. The plot is okay, but the performances really give this film its punch. "Thief..." may not be for everyone, but it's worth a shot. The film may seem a bit dated and slow, so viewer beware.
Ryan O'Neal was so clever and seductive in this movie, I wanted to go to bet with him too. The focal point of the movie is the fascinating love story -- not between O'Neal and Bisset or between O'Neal and Jill Clayburgh -- both of which were quite entertaining, but the cerebral symbiotic linkage between Warren Oates and O'Neal. This has to be Oates' best performance of all time. Young Ned Beatty and Charles Cioffi are very good --leading a quite capable supporting cast. Very enjoyable movie.
Ryan O'Neal's performance in "The Thief Who Came to Dinner" (1973) reflects mature professionalism. The story is agreeable enough: Computer programmer Mr. Straight abruptly quits his job to become a jewel-thief.
Walter Hill authored this script before beginning his directorial career. Here, his work takes on a more ironic tone than the stone-cold nature of his other accomplishments ("The Driver," "The Warriors," the screenplay for Peckinpah's "The Getaway"). But when Hill works tongue-in-cheek, as in parts of "The Long Riders" and all of "48 Hours," the results can be crafty and diverting. Here, the jokes don't always work, but one can still appreciate the intelligence behind them.
"Thief" was directed by Bud Yorkin, known primarily for his association with TV producer Norman Lear ("All In The Family"). As a moviemaker, Yorkin falls down on the job. He has a pedestrian talent for setting up visual gags, but there's no payoff. Where the film calls for laughter, there's only a chuckle. Not that "Thief" needed a comic genius behind the camera, but this movie should have been a whole lot better.
Walter Hill authored this script before beginning his directorial career. Here, his work takes on a more ironic tone than the stone-cold nature of his other accomplishments ("The Driver," "The Warriors," the screenplay for Peckinpah's "The Getaway"). But when Hill works tongue-in-cheek, as in parts of "The Long Riders" and all of "48 Hours," the results can be crafty and diverting. Here, the jokes don't always work, but one can still appreciate the intelligence behind them.
"Thief" was directed by Bud Yorkin, known primarily for his association with TV producer Norman Lear ("All In The Family"). As a moviemaker, Yorkin falls down on the job. He has a pedestrian talent for setting up visual gags, but there's no payoff. Where the film calls for laughter, there's only a chuckle. Not that "Thief" needed a comic genius behind the camera, but this movie should have been a whole lot better.
I have loved this movies for years and wish it were on DVD. Ryan O'Neal gives his career best performance as the amateur thief who decides that this way of life is more exciting than what he did before. The Houston location is interesting and the capers themselves are hair-raising. The addition of the chess motif and the relationship between Warren Oates and O'Neal was almost touching. The ending makes you see how much the O'Neal character liked the detective played by Oates.The film also contains one of my favorite lines of dialog as well. When Bissett asks O'Neal what it is like to rob a house, he answers :" It's like a heart attack with a lot of fear thrown in"
Did you know
- TriviaJacqueline Bisset took over the role of Laura from Charlotte Rampling, who bowed out because of pregnancy. [VARIETY, Mar 15, 1972]
- GoofsTravis is pulled over by police and is asked for the car's registration. In the 1970s, Texas did not require that the registration be kept in the car, and officers did not ask for it. Hollywood got it wrong because in California drivers were required to present their "registration".
- ConnectionsFeatured in Gazap Rüzgari (1983)
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- Webster ist nicht zu fassen
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- $679,839
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