The Vault of Horror

"Vault of Horror" (1973) is one of seven horror anthology pictures released by Hammer rival Amicus over an eight-year period. It had been preceded by "Dr. Terror's House of Horrors," "Torture Garden," "The House That Dripped Blood," "Asylum" and "Tales From the Crypt," and would soon be followed by "From Beyond the Grave." As in its immediate predecessor, the vignettes here were all inspired by tales that had appeared in the fondly remembered EC Comics of the 1950s. "Vault" wastes little time with its obligatory framing story, as five men, strangers to one another, are shanghaied via elevator to a luxuriously appointed subbasement chamber and, over drinks, discourse on their respective nightmares. In "Midnight Mess," a brother (Daniel Massey) kills his sister (real-life sister Anna Massey) over an inheritance but must later face the neighborhood's very unusual nighttime denizens. In "The Neat Job," a compulsive neatnik (Terry-Thomas) subjects his new wife (Glynis Johns, 50 here and still adorable in this, one of her last theatrical films) to more aggravation than Felix Unger ever dished out to Oscar...until poor Glynis can't take it anymore, that is. In "This Trick'll Kill You," a husband-and-wife team of magicians (Curt Jurgens and Dawn Addams) steals a magic rope in India, only to have things go terribly wrong afterwards. In "Bargain In Death," two men (Michael Craig and Edward Judd) attempt an insurance scam involving a faked death and premature burial, leading to quite a messy situation indeed. And in "Drawn and Quartered" (great title, that!), future Dr. Who portrayer Tom Baker plays an artist living in Haiti who uses voodoo to take vengeance on his enemies. All five of these stories are compact, occasionally humorous but nonetheless quite grisly affairs, more than competently directed by Amicus veteran Roy Ward Baker. The film's conclusion will surprise only the most naive viewers, but remains wholly satisfying. In all, a pleasing quintet of shudders. Oh...this is the only film of the seven mentioned above that does NOT feature the talents of the great Peter Cushing. But since he did appear in "The Creeping Flesh," "The Satanic Rites of Dracula," "And Now the Screaming Starts" AND "From Beyond the Grave" that same year, I suppose all can be forgiven! "All the things that make life worth leaving," the trailer for "Vault" proclaimed in '73. Indeed, indeed....

An uneven anthology of EC horror comics stories from Amicus, this time directed by Roy Ward Baker who had worked on 'The Avengers' and was responsible for some of the best Hammer movies ('Quatermass And The Pit', 'The Vampire Lovers', 'Dr Jekyll And Sister Hyde'). Baker had already made 'Asylum' for Amicus the previous year. It was a similar anthology, only based on stories by Robert Bloch. 'The Vault Of Horror' has an even better cast of actors than 'Asylum', but is slightly less enjoyable for me. Maybe it's because there's five stories instead of four, and is therefore a bit rushed in places, but a lot of it has to do with the uncertainty of the tone. Gruesome black comedy is easy to pull off in a comic book, but not so easy in a movie. Well, not in this movie anyway. It's starts off strangely, almost like a Bunuel film. Five strangers (Donald Massey, Terry-Thomas, Curt Jurgens, Michael Craig, Tom Baker) enter a lift which unexpectedly takes them down to a basement. They get out and see a table waiting for them, so they sit and begin to recount nightmares that haunt them. Massey's involves looking for his missing sister, Terry-Thomas plays a newly married neat freak, Jurgens a magician looking for new ideas in India, Craig a man with an ingenious insurance scam and Baker a painter who uses voodoo to punish his enemies. All the stories have their moments but the final one starring Tom Baker (just before he became Dr Who #4) is the most effective. The film is full of well known faces in supporting roles including Denholm Elliot, Glynis Johns, Edward Judd, and even a surprise appearance from Robin Nedwell and Geoffrey Davies from the "Doctor" TV shows, playing yes, medical students. I can't honestly say that 'The Vault Of Horror' is all that good, but I enjoyed it for the most part, and if you approach it not expecting all that much you should have some fun.

Since I first saw photos of it when I was a little kid, I wanted to see this early 1970s horror movie from the same British who brought us TALES OF THE CRYPT. When I was like 7 or 8 years old, I was a little chilled by the photo of the man hanging upside-down and a vampire has connected a tap-fawcet to the unfortunate bloke's neck! Sadly, this scene happens in VAULT OF HORROR (1973) exactly as it did in magazine oldies like FAMOUS MONSTERS OF FILMLAND and THE MONSTER TIMES: It's a still shot! That's right, a single photo of the fanged villain and his victim! It's done this way for dramatic effect and seems to work, but I had already seen the exact same thing in printed form!

However, this is not to say I was disapointed. This series of stories is very interesting, with intriguing characters throughout. The ending is predictable to anybody who's already seen TALES OF THE CRYPT, but there's a nifty gore seen earlier in the film where a guy's hands get chopped off. As is often the case with British horror, the emphasis is more on drama than sheer terror-- but it's all pretty entertaining.

It's no surprise to horror fans that HBO's Tales From the Crypt was a huge success -- the UK's Amicus Productions was cranking out 4- and 5-story anthologies in the late 60's and early 70's. Utilizing veteran actors and cameramen who knew how to beautifully combine camp and horror, Vault of Horror was one of the best.

But you'd probably never know it, if you live in the US. Every version ever available on tape or on TV is cut, badly enough to almost totally destroy any payoff. A "Tale from the Crypt" is more dependent than most on a shocking ending; chop out the deliciously gory ending, or water it down, and you've got a big build-up to nothing. I first saw VOH in its hacked-up, PG version, and thought it pretty limp. It's so unfair: the last-minute hacks of a studio butcher (!) can render any carefully created piece of work into tepid mush, making the filmmakers appear incompetent.

Where can you find the uncut version in the US? Legally, nowhere. You'll need a friend in the UK who can lend you a copy, or possibly a Japanese import. This movie begs for release on DVD.

**UPDATE** The uncut version is finally available on DVD from Vipco (Britain). It won't play on most U.S. players, but may be played with some PC software such as WinDVD.

The Vault of Horror (1973) was another Amicus adaptation of the stories that were originally published in comic book form during the fifties. These stories came from the minds of publishing guru Bill Gaines and his staff of brilliant artists and story tellers. E.C. during the fifties was a hugely successful independent comic book company. But due to concerned parents and the crack down on comic book publishers by conservative politicians "who were protecting the children" created the Comic Book decency code that moralized all future comic books.

These brilliant stories first appeared in the VAULT OF HORROR series. Unlike the first film, the main character narrator is missing, other than that, it's the same omnibus style of film making. Odd stories with even mondo bizarro endings. Five tales that'll make you crave for more! Stars Terry-Thomas, Denholm Elliot and Glynis Johns. Watch out for the European cut. It has more blood and gore than the tamed U.S. release.

Highly recommended.