Westworld

I remember when Westworld first came our. We stayed in our seats to watch it a second time. It was exciting, interesting, and sexy in its own way. Forty years later it is still a good watch. It is fun to see what they thought technology would be in the days before micro-computing.

So watching it now, it is a little tired. What was once novel is now a trope. But the story is great, the show moves along at a good pace, and I would recommend watching it. After all, it is a classic.

Michael Crichton wrote and directed this precursor to "Jurassic Park" that, while showing some of it's age, is still effective and was undeniably influential. The story concerns a unique and expensive vacation resort called Delos in which customers can choose from one of three "worlds"--Roman World, Medieval World or Western World (as it is referred to in the film.) Here, customers can indulge their fantasies of conquest (violent or sexual) among a host of ultra-realistic robots who are programmed to promote the experience while not allowing the participants to become hurt. Benjamin stars as a newcomer to the place with his buddy Brolin along for his second visit. Brolin shows Benjamin the ropes at Western World (how to shoot villains, seduce dance hall girls, etc...) One of the bad guys they encounter is icy Brynner who they dispose of more than once. Eventually, things start to come unglued as the men note that things aren't working as properly as expected and promised. The controllers of the park are unable to prevent the robots from hurting or even killing the guests! The film begins with that once-cutting-edge, but now amusing, sense of high-tech awe as the guys enter the park. Benjamin is an acquired taste and borders on annoying for much of the film. More at ease is Brolin who doesn't have a great deal to do. The most striking performance is that of Brynner. He has almost nothing to say, but he doesn't need to talk. His steely stare and mechanical gait wind up being quite relentless and terrifying. The highlight of the film is his non-stop pursuit of Benjamin. ("The Terminator" owes a lot to this section of the film.) There are several other supporting roles, but, aside from Van Patten, the actors create little interest in their exploits. "Star Trek" fans will note the presence of Barrett as a robot madame. There were rumors of a remake with Arnold Schwarzegger, but Arnie's already done the indestructible robot thing and no one's going to outglare Brynner. His bid as Governor seems to have quashed these plans anyway.

Westworld was the blueprint for what was later Jurassic Park. Here, Michael Crichton first envisoned Disneyland, if the Hall of presidents ran amuck. It provided many of the inspirations for later sci-fi films, like Terminator. It was a great blend of action, horror, and comedy.

Richard Benjamin and James Brolin are the heroes of the film, but Yul Brynner is the star. He portrays a robot, based on his character from "The Magnificent Seven." Brynner is the relentless killing machine who fights until the end. With almost no dialogue, he conveys fear with little more than expression and body language.

The film explores old themes, the dark side of technology, but it was ahead of its time in depicting the dangers of computers and automated systems. The effects are dated, but the story holds up well. The sequel, Futureworld, tried to add political intrigue, with less success. Definitely one for the sci-fi fan or collector, or cult movie lover.

You can see the roots both in the plot and the special effects in Michael Crichton's Westworld that can later be found in the incredibly popular Jurassic Park series.

Like Jurassic Park the protagonists of Westworld are a pair of wealthy American yuppies who are going to a futuristic vacation resort. The place is called Delos and like Disneyland with its separate theme parks of Fantasyland, Adventureland, Frontierland, and the World of Tomorrow, Delos has three different resort type places to visit, Romanworld, Medievalworld and Westworld.

Our two intrepids have chosen the Westworld experience. They get to mix and mingle in an old west frontier town, or at least a Hollywood type version of same and get the feel of western life. Included are gunfights and bar brawls such as you see in any good Hollywood western. This is what Richard Benjamin and James Brolin have chosen for themselves.

For reasons unexplained in the story, the whole thing breaks down in all three theme worlds and in the case of Westworld, a very nasty gunslinger robot has shaken loose from his programming and is on the hunt for human targets. Will man with all of his weaknesses defeat an apparently indestructible machine?

You can also see some of the themes in the later Terminator films that Arnold Schwarzneggar popularized. Here the relentless hunter is played by Yul Brynner in the familiar black western garb that he made popular in The Magnificent Seven.

The VHS copy of Westworld advertises itself as the very first use of computer graphics. If that's the case this is one unique experience for that reason alone and should not be missed.

Michael Crichton is a versatile man whose career as a novelist would seem to be satisfying enough without trying his hand at the movies. After all, most of his books have been adapted for the screen. This was his first attempt at directing a big feature. He showed in "Westworld" an affinity for the film medium.

Mr. Chrichton employed computer technology that was in its infancy at the time. The result is a movie that is entertaining even after more than thirty years after it was released. Most of Mr. Crichton's books deal in science fiction.

The best thing in the film is Yul Brynner, without a doubt. His presence dominates everything. As the Gunslinger, he shows intelligence and tenacity in dealing with those that dared to cross him. Richard Benjamin is also effective as the young lawyer who is fascinated by the things he finds in Westworld. James Brolin's character seemed to be on auto pilot as he didn't register much emotion throughout the entire movie.

The film merits a look.