Rising Damp

It is one of the funniest shows ever made, I can watch Rising Damp and instantly lose a bad mood, if I'm honest it's down to the sheer hilarity of Leonard Rossiter. I am aware that the show comes in for stick for being racist, Rigsby was definitely ignorant, and seemed to hate everyone in equal measure, a victim of the 70's class society, but a Racist, I don't think so. Rigsby was always the butt of the joke, always made to looks idiotic by Philip, who was intelligent, cool and charming, all that Rigsby was not. Miss Jones was a delight, so prim and proper, but underneath strong passions burn, and of course Alan, played with such innocence by the wonderful Richard Beckinsale.

So many funny episodes, Pink Carnations, The Permissive Society, Moonlight and Roses, to name a few, but all time funniest episode must be Things That Go Bump in the Night, which stands up to this day as one of the funniest things I've ever seen.

The scripts are superb, but it's the comedy timing and sense of awareness from the entire cast that gets me every time I watch it, I always moan about modern day sitcoms, and why they're not funny, maybe it's not just the scripts, perhaps it's the comic actors. If you want to watch comedy masters at work, then watch Rising Damp.

Looking back now it is clear that most of the great comedies of the 1970s were made by the BBC. The commercial ITV network often had hit shows but few seem to have stood the test of time. In addition its nature as a patchwork of different companies perhaps made it difficult for comedies to grow and find an audience. Rising Damp is an exception to this; a comedy made by one of the ITV comedies that approached moments of pure genius and is just as funny now as when it was made.

A top rate cast worked well together to create characters that are funny and believable. In addition top quality scripts make every episode a gem.

A later film version simply did not work and should be avoided.

'Rising Damp' is shown pretty regularly on TV all these years after production ceased on the series, which must be a testament to its staying power.

Set in a grimy house where landlord Rigsby and his tenants (the refined Miss Jones, object of his affections; Alan, a long-haired student of medicine who never seemed to do anything useful; and Philip, a black man of tribal descent, possibly ...) rubbed along together week by week, with new lodgers coming and going, and Rigsby continuing his relentless pursuit of Miss Jones, 'Rising Damp' was pretty much perfect.

Not dated at all when viewed recently, these are genuinely comic characters (especially the excellent performance of the peerless Leonard Rossiter as Rigsby) in amusing situations. Rather like Rigsby's cat, Vienna, we sit back and watch with interest as events unfold and entertain us.

I loved it. Laurels all round (Frances de La Tour, who is an accomplished dramatic actress on stage aside from her comedy work here, as Miss Jones; Don Warrington, still around and not looking much older, as Philip; and lovely Richard Beckinsale, who sadly died in his early thirties at the end of the 1970s, as Alan) and long may the brown door and that tinkly pub piano theme grace our screens.

'Rising Damp' was recently repeated on I.T.V.-1 in an afternoon slot, and some chump wrote an angry letter to 'Teletext', claiming that the show 'was axed due to its racist content'. Nobody bothered to correct him. 'Rising Damp' ran for four successful seasons in the '70's, only coming to an end because it had reached the end of its natural life. Yes, 'Rigsby' is ignorant when it comes to foreign cultures, but a racist? I think not. If he were, he'd never have tolerated Philip in his house, son of a chieftain or not. Besides, the complainant seems to have overlooked Frances De La Tour's wonderfully prissy 'Ruth', Don Warrington as the clever and charming Phillip, the late Richard Beckinsale as naive medical student 'Alan' and, of course, the magnificent, much-missed Leonard Rossiter as the seedy landlord 'Rigsby'. This superb cast, combined with the fabulous scripts by Eric Chappell, made 'Rising Damp' a classic, one that has not diminished with age. I pity those unable to appreciate its greatness.

Despite the fact that many posters seem to think Rising Damp was guilty of racism, the reverse was actually true. Don Warrington's character Philip was often the target of boorish remarks by Leonard Rossiter's landlord Rigsby (not really malicious by the standards of 1970s England, just ignorant: a real 1970s racist wouldn't rent a room in his own house to a black man anyway), but it's Rigsby that we find ridiculous, not Philip. Throughout the series, Philip is consistently portrayed as the most intelligent, charming, attractive, sophisticated and grown-up of all the characters, and he's certainly no deferential Uncle Tom. ... that's not racism, is it?