11 Harrowhouse

Now I don't share the views of that other critic. Many of Grodin's movie characters have similar traits.(See him in Catch-22) Really this is a worthwhile film and a good show. He seems to have left out one of James Mason's darker performances,as he sticks it to his stiff employer! Trevor Howard is delightful as a psychotic,eccentric billionaire.(How much money does the guy need?) The film is narrated by Grodin in a matter-of-fact way that adds to the dry humor. All of the actors pull off their characters well...

P.S. I watch a great deal of movies.

I am biased- I love this movie.

In the theaters when I was a kid it was so much fun thanks to the added commentary over the movie by Charles Grodin. It was dry and hilarious and brought the story to life. Years later, on a video I found at a store the narration was gone and the movie seems flatter.

It is a diamond heist movie filled with unique characters and it has a lighter tone than the novel it was based on which was not only darker and tougher but had a very different ending.

The mostly English cast is great, Candice Bergen is gorgeous, Grodin seems like an odd choice but by the end turns out to have been right for it, Michael Lewis' score is wonderful, and I laughed a lot (as did the rest of the audience in 1974). On top of that the caper plot is very clever and overall I think it is worth your time- if you like such things.

Charles Grodin, who co-wrote is almost always self-conscious, and it's self-consciousness that ultimately sinks this otherwise entertaining diamond heist caper. The excellent starring and supporting cast can't quite prevent the audience from being confused as to whether this is supposed to be a smart parody or a complicated thriller. The director was the excellent film editor of "Jazz On A Summer's Day", "Lilith", "The Miracle Worker", etc

One with the Grodin narration, and one without. I suspect many of the negative reviews refer to the highly edited TV-version. Unfortunately, I'm not sure if the commercial VHS tape offered is the edited version, so caution is advised.

As a fan of heist films, I only recently learned of this rare film and had an opportunity to obtain the widescreen laserdisc presentation. And while it's true that this isn't a top-notch comedy or thriller, it's certainly better than you would think given the majority of less-than-flattering reviews here.

There are clever heist tricks - many of which have not been used again since this film. You know how much Hollywood likes to "borrow" clever ideas and use them over and over to the point where they become sad clichés. Well, you have to admire the use of cockroaches and chocolate cake to defeat an ultra-secure vault! How many times have you seen that done before? Or since?

If you're a fan of the heist genre or a Grodin devotee - this is a 'must see'. Otherwise, I'd wait 'til it gets a DVD release.

This is an entertaining caper film given a little extra special something by Charles Grodin's deadpan voice-over. I'm alarmed to note from other comments that there's a version without the voice-over at large, wreaking untold damage and stopping the film gaining the cult rep it would surely otherwise enjoy. This is a desecration and those responsible must be hunted down with hounds.

Grodin is by turns funny and cool as hell as a small-time gem dealer forced to mount an ingenious large-scale heist against London's biggest diamond monopoly, the snobbish and deadly cabal at 11 Harrowhouse, enjoyably personified by an ice-cold John Gielgud and Peter Vaughan in full troll mode. James Mason is touching as the only decent man in the organisation and Trevor Howard on great form as the shady/barking-mad aristocrat who finances the robbery. Candice Bergen is adorable as Grodin's smart, beautiful, feisty paramour and accomplice.

In some ways the film is of its time (1974), mostly in a good way. In fact the only potentially laughable/winceable groovy-London moment is when Bergen casts the I-Ching while speeding along in her sports car; even that struck me as pretty cool actually. The schmaltzy piano-bar soundtrack works wonderfully, I think. London itself - buildings, vehicles, Pools-playing cockney security guards - looks gorgeously down-at-heel and I never watch this film without a twinge of nostalgia.

Catch it if it's ever on TV and you're in the mood for escapist fun - do make sure it's the version with the voice-over, though.