All the Kind Strangers

All the Kind Strangers was one of the fifty films that came packaged in a box-set titled "Nightmare Worlds", and it was one of the rare films that wasn't science-fiction. Yet it probably has just as reason for being in the box-set as sci-fi flicks; it's got the premise, at the least, and from the description (wedged in with another movie on the one side of a two-sided disc) sounds like a cross between the Little Rascals and Deliverance. At least, that would be the first impression had it reached its potential. As it stands, All the Kind Strangers does keep a hold of its creepiness for a while, as Stacy Keach (playing well as a leading role, which he usually doesn't do) is a photo-journalist who picks up a little kid carrying a big bag of flour back to his home. Just a normal thing, it seems, to help the little critter out. But then it's a long trek through the backwoods, specifically through a creek, and then to a house where there are seven kids and one "mom", who really has been sort of kidnapped by the kids. He's kidnapped too, and made to be their dad as their parents are five-years gone. Dogs line the premises, and the pain kid Peter (John Savage) carries a shotgun. What to do?

There is actually probably a very good movie, even an extremely controversial one (maybe on par with Deliverance if not more-so) with the ingredients here. There's a whole power-structure element in place, the psychological unrest as Peter really is the head of the household- the kids don't know any better, least of all for wacky John (Robby Benson, maybe the most tongue-in-cheek kid actor of the 70s)- and how the kids, including Peter, *do* listen to Keach's 'dad' if he's forceful enough. And there's even subtext thrown in that is never quite cleared up with a mute girl in the bunch (obviously, as Frank Miller once wrote, grew up and filled out) who keeps on eying and making subtle advances towards her new father. This would actually be challenging in better hands, but unfortunately it's A) a TV movie, and B) in an odd way meant as a dark twist for the Little Rascals kid's club. So it ends up playing it safe with material that, in the end, becomes preachy and tacky as the kids all decide that it's better to give in instead of having a ready-made mom and dad at the helm.

Other things like the cars all drowned in the lake (and the fact that who-knows how many people have died is left up in the air), and little technical things with the production (i.e. do the kids really pay for the gas, and if not how come there are lights on in the house? do kids take care of candles that well?) Not to mention the length issue; at 74 minutes the holes are fairly abundant in the plot. But there are strengths here that do come out, even if seeing John Savage might inspire a "I believe in God" bit from Hair, as the acting is more than competent, and given how low the production values are the director gets a good amount of chills from the kids (awkward might be the way to say it) and chase scenes. It could make for a remake in good hands, exploring and altering some of the details. As it stands, it's an OK effort with an undercurrent that's sort of unique.

A couple traveling through a backwoods area are held by a a group of orphans who want them to become their parents.

Unfortunately, the kids have a habit of killing adults who refuse that particular honor.

TV movie from the 70s when harder, more adult film work was possible.

Stacy Keach at the height of his coke habit.

It's a pretty good movie.

TV doesn't make good anything any more so cherish this.

It's very well made and directed. The 70s were a good time for TV movies

The story here is about backwoods children who lure unsuspecting adults to their house in the deep forest where they imprison them and force them to be their parents. Those who do not shape up are killed. It's an interesting idea and its played out pretty well. It has an effective off-kilter atmosphere, even if it never really gets very tense. The acting was decent enough with some good players like Stacey 'The Long Riders' Keach, Samantha 'The Brood' Eggar and a young John 'Salvador' Savage.

I do have a fondness for 70's TV movies to be fair and I did see this one when I was very young on UK daytime television sometime around 1980. I couldn't actually remember it though so it was interesting to see it again all these years later. I might be in the minority possibly but I also liked the title song. It was a very early 70's idea to include these types of breezy folk-pop songs in movies and I am always a bit of a sucker for this kind of thing and it does add a certain cozy charm here.

This is just a made-for-TV movie, but it is creepy fun. It is also the rare scary movie that you can safely watch with your kids, without traumatizing them. In fact the movie carries quite a strong family values message. There is no explicit gory violence, so those who watch movies looking for that would be disappointed. The thrills here are mostly of the anticipatory kind. I think kids from about 8 to 14 will find much in this movie that they can identify with and that will make them uneasy about how they would react in the situation. There is very good work from Stacy Keach and John Savage and a young Robbie Benson is as good as he ever gets.

"A family of seven children are living without parents is (sic) a swampy backwoods area all by themselves. Some of the children get the idea that it would be good to have parents or guardians to look over them so, they take in two strangers and make them the parents they so desperately want. The couple finds that getting away from these children will be more difficult than they imagined," according to the DVD sleeve's synopsis.

Creepy TV movie featuring game performances from: Stacy Keach (as Jimmy Wheeler), Samantha Eggar (as Caroline Henderson), John Savage (as Peter), and Robby Benson (as John). Mr. Keach sets the tone, with a perfectly balanced characterization of a strong and steady man, who must focus on sanely escaping from the trap he drove into. Keach is as good as the role gets. Ms. Eggar and Mr. Savage respond in kind. And, Mr. Benson wisely plays his character as endearingly dimwitted, which is exactly how to handle the scripted part; his singing of the title song "All the Kind Strangers" hits a sour note, however. The lower credited kids are good.

Burt Kennedy's direction and Clyde Ware's script set a good pace. Indeed, the events on-screen seem to add up to more than what actually happens; which is not much, actually. Mr. Ware writes quite tightly; for example: note how smoothly the biscuit argument between Savage and Tim Parkison (as Gilbert) fits into a later event. And, Savage's digressions about life off the farm fit, also. Moreover, Arlene Farber (as Martha) is directed to show some attraction to Keach; this, and the pick-up of young Parkison, helps multiply the underlying uneasiness.

****** All the Kind Strangers (11/12/74) Burt Kennedy ~ Stacy Keach, Samantha Eggar, John Savage, Robby Benson