Buster and Billie

If you are at all sensitive or a person who cries at movies, do not watch this unless you have prepared yourself with a box of kleenex and only the closest of friends who you know will not make fun of you. (or watch it alone.)

I first watched this movie at a time when I was having "boy troubles" and the object of my desire happened to look exactly like Jan Michael Vincent, the star of this movie (yeah, he was hot). This just added to the pain.... I bawled my eyes out for about 10-15 whole minutes AFTER the movie had already ended and was turned off. I wept so loudly and couldn't control my crying eyes whatsoever. My housemates laughed at me, but it was an affectionate laugh. They had also been affected by the movie, but not to my extent. The story is SO SAD. SO SAD!!! The saddest story EVER!

As much as I loved the movie, I will never watch it again, even though I taped it. It is just too sad and I don't want to go through all that bawling and crying again.

This is most emotionally draining, saddest movie I have ever seen. Be prepared to cry your eyes out with this one.

Buster And Billie has come down in legend as the film where Jan-Michael Vincent bore all for art and titillated more than a few women and gay men with what they saw. But past those few seconds people who saw this film in 1974 got to see a tender and sensitive story about teen love between two opposite type of people.

Buster is the teen idol of the school, popular and handsome, and the child of some pious church going parents in his rural Georgia small town in the post World War II years. He's going out with teen queen Pamela Sue Martin and they're considered a golden couple in the town. Joan Goodfellow is Billie, a sweet girl of easy virtue raised by some real white trash parents. She's popular too in a different way as the boys her town get to bleed the old lizard with her help.

Vincent and Goodfellow in a most improbable romance fall for each other. In the best scene in the film Vincent tells his parents that she's the way she is because all she wants is people to like her. Both grow as individuals until tragedy for a lot of the cast strikes.

Buster And Billie had one element of the plot I didn't really care for. Goodfellow's parents are not churchgoers and it's implied that she's the way she is because of her lack of religious upbringing. This film was set around 1948 and made in 1974 and that still might have been something you could sell the movie-going public then. I think too much has happened in the interim that dates that portion of the film. If it is ever remade you may be sure that that part of the film's story will be toned down or even eliminated.

But both Vincent and Goodfellow are a fine pair of leads and Buster And Billie has a cult status of sorts with Jan-Michael Vincent bearing all for art.

1974! But 45 years later I still remember it & how it affected me..It was a great story, and literally broke my heart..My concept of a great movie is one that has an impact you remember for a long time..And I think 45 years should qualify..

For all his faults, JAN MICHAEL VINCENT certainly made some great movies in the seventies (be it, THE BIG Wednesday, HOOPER, THE MECHANIC, VIGILANTE FORCE) including this (little seen) gem. VINCENT plays Buster, a tough, high-school loner, who against the wishes of his (childish, rather ugly) friends, dates the local good-time girl (of whom, most of busters friends have been casually 'involved' with) But these two opposites find love, but as in all classic love tales, their romance is doomed. To give anything else away, would ruin this highly original period piece(set in 1948.) Needless to say, it does continue the ever growing trend of seventies movies, and features a downbeat ending. Long after the viewer shakes off initial images of sexist, drunken teens, several scenes of true beauty, shine through this great movie. The period details are spot-on, and there's not one bad performance (look out for a young ROBERT ENGLUND) but as with most other JMV movies, Hollywood soon moved onto bigger (although, not always better) actors, and he soon became a tragic casualty of cinema. He certainly had the 'look' (predating the 'tom cruise' boyish-good looks) but unfortunately ended up, in bad TV movies or low budget dreck (ENEMY TERRITORY aside) Too bad, because he had the makings of another JAMES DEAN (and gives a similar performance in this movie) Hunt this movie out (if you can, it's quite rare) but you'll be glad you did. Another notable aspect, is the fine (and rather haunting) musical score, including the main theme (sung by HOYT AXTON) which never fails to bring a lump in my throat, and made all the more lyrical, by the movies tragic (yet strangely, touching) ending.

A fine unseen gem, and well worth hunting down piece of 70's obscure 10 out of 10

I also subscribe to the views of other IMDB writers concerning this film. BUSTER AND BILLIE made an enormous impression on my consciousness as a film viewer. I first saw it years ago, very late at night. Being teenaged at the time, this story of unconventional love in 1948 Georgia proved to be thoroughly eye-opening. This film affected me so much that, as I did not have a copy of it, I actually advertised in a newspaper for it, and someone forwarded a dubbed copy to me!

The excellent acting of Joan Goodfellow (Billie) and Jan-Michael Vincent (Buster) made watching this film a great experience. Their belief in the love of these two characters is reflected in their acting, reactions, and the little moments that these characters share. I have to admit that I have seen the film many times, but it is never a boring or predictable experience, even though one has knowledge of how it ends.

While this film has been described as cliched and a film with only a desparate appeal to oversexed teenagers, this is simply not true. It tells a good story beautifully, with great acting, and period atmosphere. If only the films of the 1990s and the 2000s could be like this.