A Texas cowboy is rescued at sea by a 12-year-old boy. While he waits to return home, he decides to help out his rescuer's family.A Texas cowboy is rescued at sea by a 12-year-old boy. While he waits to return home, he decides to help out his rescuer's family.A Texas cowboy is rescued at sea by a 12-year-old boy. While he waits to return home, he decides to help out his rescuer's family.
Lito Capina
- Leleo
- (as Lito Capiña)
Kim Kahana
- Oka
- (as Kahana)
Jerry Velasco
- Hawaiian cowboy
- (voice)
Tony Regan
- Card Player
- (uncredited)
Featured reviews
The Castaway Cowboy, a western film in the Disney tradition is a family film about Texan Lincoln Costain, played by James Garner. While in California, he gets shanghaied and jumps ship just off the shore of the Hawaiian islands. While there, he works on a ranch run by Henrietta MacAvoy, played by Vera Miles and comes face to face with a major problem. The problem is that wild cattle are destroying her crops, causing her to be further behind on her bank note. And the banker, Calvin Bryson couldn't be happier because he's got his eyes on Henrietta and her farm.
The problem is, Calvin is devious and dubious and will do anything, legal or not to get his hands on the property. If that even includes a little sabotage or murder, he feels he's above the law. He doesn't count on Lincoln Costain's no holds barred Texas approach on solving problems. Eventually, Henrietta and Costain are able to convert the farm from cash crops to cattle, which in the long run will net Henrietta with more income if they can successfully pull off how to load the cows onto a boat.
This is an interesting film, it shows a part of Hawaiian history prior to its statehood in the United States, a time when it was still being colonized and before it was completely commercialized. It's also one of only two films that James Garner made for the Disney company, the other being One Little Indian.
The problem is, Calvin is devious and dubious and will do anything, legal or not to get his hands on the property. If that even includes a little sabotage or murder, he feels he's above the law. He doesn't count on Lincoln Costain's no holds barred Texas approach on solving problems. Eventually, Henrietta and Costain are able to convert the farm from cash crops to cattle, which in the long run will net Henrietta with more income if they can successfully pull off how to load the cows onto a boat.
This is an interesting film, it shows a part of Hawaiian history prior to its statehood in the United States, a time when it was still being colonized and before it was completely commercialized. It's also one of only two films that James Garner made for the Disney company, the other being One Little Indian.
Having been to Hawaii and actually going through the famous Parker ranch on the big island, I'm in a better position to comment on this film now than before.
The Castaway Cowboy is one of two films James Garner made for the Disney studio in the Seventies. He's a Texas cowboy who got himself shanghaied in San Francisco and jumped ship and washed ashore on Kaui. Right into the arms of widow Vera Miles and her son Eric Shea who are struggling to make a living as farmers.
A lot of wild cattle keep trampling up their crops. So Garner gets the idea that they ought to start cattle ranching instead. Of course the Hawaiian farm hands don't readily take to the American cowboy culture. Of course they eventually do in the end.
Cattle came to Hawaii courtesy of British explorer George Vancouver who left them on the big island. It was the descendants of those cattle with which John Parker founded his ranch. No doubt some of them made it to the smaller islands in the chain.
Of course there's a villain in the piece and it's Robert Culp. He's a banker with eyes to grab Vera Miles land and maybe Vera herself. Culp does resist the tendency to model his performance on Snidely Whiplash and he's a worthy rival of the resourceful Garner.
Of course there are paternalistic attitudes towards the native Hawaiians. But if you want to see a serious film about those attitudes than watch the film made of James Michener's novel Hawaii. This is a Disney family product and doesn't pretend to be social commentary.
The Castaway Cowboy is a good entertainment. How could it be anything else with James Garner starring.
The Castaway Cowboy is one of two films James Garner made for the Disney studio in the Seventies. He's a Texas cowboy who got himself shanghaied in San Francisco and jumped ship and washed ashore on Kaui. Right into the arms of widow Vera Miles and her son Eric Shea who are struggling to make a living as farmers.
A lot of wild cattle keep trampling up their crops. So Garner gets the idea that they ought to start cattle ranching instead. Of course the Hawaiian farm hands don't readily take to the American cowboy culture. Of course they eventually do in the end.
Cattle came to Hawaii courtesy of British explorer George Vancouver who left them on the big island. It was the descendants of those cattle with which John Parker founded his ranch. No doubt some of them made it to the smaller islands in the chain.
Of course there's a villain in the piece and it's Robert Culp. He's a banker with eyes to grab Vera Miles land and maybe Vera herself. Culp does resist the tendency to model his performance on Snidely Whiplash and he's a worthy rival of the resourceful Garner.
Of course there are paternalistic attitudes towards the native Hawaiians. But if you want to see a serious film about those attitudes than watch the film made of James Michener's novel Hawaii. This is a Disney family product and doesn't pretend to be social commentary.
The Castaway Cowboy is a good entertainment. How could it be anything else with James Garner starring.
James Garner ("Costain") is washed up on the beach of an Hawaiian island where he is befriended by a widow "Henrietta" (Vera Miles) and her young son "Booton" (Eric Shea). They are struggling farmers, and so he sets his mind to try to help them out. All of this much to the chagrin of local bigwig "Bryson" (Robert Culp) who has designs on their cattle and on the good lady. The ensuing adventure is actually quite clunkily put together. It mixes mysticism, romance and avarice before an ending that though innovative, I found rather impractical and even a little cruel. It is still quite a fun family film to watch, though - perhaps some of the attitudes to and of the locals might not quite fit nowadays, but viewed in the spirit in which it was made 50 years ago, it is typical of the Disney-style of message mixing adventure and morality, and is just about worth 90 minutes of your time.
I don't know why I didn't see "The Castaway Cowboy" when it was in the theaters. It came out when I was seeing all of Disney's movies. Oh well, I watched it tonight and I thought "The Castaway Cowboy" was a good movie. A lot of it was really good. It is a well acted, fast moving movie. It's not your average western and I kind of liked that.
It has the benefit of being one of the most Kauai-intensive movies ever filmed. Not only was 90% of the movie actually made on that beautiful Hawaiian island, but it's actually SET there, too -- and there are very few movies both shot AND set in Hawaii.
The photography is excellent; the score is very good (but would have been better with a little more island influence), and the use of the Kauai locations, though limited to just a few, is first-rate. Garner is fine, and Culp makes a good, if foggily-motivated, villain.
However, the attitude toward the Hawaiians is painfully paternalistic, and there's a stupid, TRULY stupid, subplot involving "sorcery" and some extremely improbable caves, full of Tahitian statuary. Very bad idea.
Historically, it's a bit muddled; much is made of the idea that no one has found a way to load cattle aboard a schooner at this time. (Somewhere around 1870, I guess.) But over on the Big Island, this problem had been licked, and the founder of the Parker Ranch was already getting rich selling King Kamehameha's "big dogs.
If the script had been better, with a less predictable story, THE CASTAWAY COWBOY could have been a little gem. As it is, it's mostly a pretty time-passer.
The photography is excellent; the score is very good (but would have been better with a little more island influence), and the use of the Kauai locations, though limited to just a few, is first-rate. Garner is fine, and Culp makes a good, if foggily-motivated, villain.
However, the attitude toward the Hawaiians is painfully paternalistic, and there's a stupid, TRULY stupid, subplot involving "sorcery" and some extremely improbable caves, full of Tahitian statuary. Very bad idea.
Historically, it's a bit muddled; much is made of the idea that no one has found a way to load cattle aboard a schooner at this time. (Somewhere around 1870, I guess.) But over on the Big Island, this problem had been licked, and the founder of the Parker Ranch was already getting rich selling King Kamehameha's "big dogs.
If the script had been better, with a less predictable story, THE CASTAWAY COWBOY could have been a little gem. As it is, it's mostly a pretty time-passer.
Did you know
- TriviaSecond and final of two collaborations of actress Vera Miles and actor James Garner. The pair also worked together the previous year on 1973's One Little Indian (1973) also a western and also at Disney.
- GoofsAt the 1:07:21 mark one of the wild cattle has a brand - an x in a circle.
- Quotes
Lincoln Costain: Where are you going, Batten?
Booton 'Little Maca' MacAvoy: Booton! Aw shucks, what's the use? I can't get the dang thing to work anyhow.
Lincoln Costain: In my outfit we only quit when it's too dark to work or time to eat. I didn't hear the dinner bell, did you?
- ConnectionsReferenced in Saddle Up!: The Castaway Cowboy (2024)
- How long is The Castaway Cowboy?Powered by Alexa
Details
- Runtime
- 1h 31m(91 min)
- Aspect ratio
- 1.75 : 1
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