Open Season

Out of the comments I have read about this movie, including the locations where the movie was supposedly shot, it appears that someone did not do their homework, or has not done much traveling. I saw this movie at a theater when it first came out, and recognized the scenery immediately. As the guys were headed out on their vacation, it showed them crossing the Mackinac Bridge, which separates lower Michigan from the upper peninsula, as they were obviously headed for Canada on their hunting trip. Whether the rest of the movie was shot in Canada is questionable, and the bridge may have been a "file shot" which is why it wasn't mentioned in the shooting locations. I have been wondering for years why this movie isn't mentioned in most of the lists of his movie credits. Good, bad, or indifferent, I for one, would like to see it again, just for old times sake. Please... would someone release this on video or DVD?!

I often like to read the comments from the back pages first and those here at IMDb are very, very disparaging of this film - much like the original critical reviews (and the still rather dismissive all-movie-guide blurb). The common reason is that these viewers were much offended by this movie. I can relate because I was offended as well when I saw it in 1974. And that horrified, sickened sensation stayed with me all the next day - so much so that I had to tell a co-worker about it, not in an enthusiastic way, but in an almost confessional way - as if I'd done something very wrong myself in having watched it. The comments at the back, I believe, are written from that emotional viewpoint. It's visceral hatred of what they've been unwillingly exposed to and I believe that may hinder appreciation for the actual quality of the film-making. They can't bring themselves to praise in any way something by which they feel so affronted.

This is testament to just how good this movie is. And by good, I mean effective. It's been three decades and counting since this nasty was sprung upon the viewing public, and though many far nastier (in graphic content and visuals) have avalanched down upon us since, few, if any, have been more gripping. You see, this is the type of movie that makes you ponder the 'nature of evil'. It's this seemingly bland, irredeemable, sociopathic evil that seems to disturb the most. No mental illness explanations ala 'Psycho' to take comfort in; no painfully, disfiguring past that has caused sadistic, homicidal madness as with 'The Hypnotic Eye' and it's ilk; no over-the-top camp sadism as with 'Blood And Black Lace' that can be watched and instantly dismissed, so ludicrously cinematic is the horror there.

No, at the risk of plagiarizing another commenter, the violence here feels too real. The acting is too good. The slowly unfolding scenarios too disturbingly believable. The final twenty minutes of the film are immeasurably welcomed by the viewer, as the film takes on an eerie but strangely satisfying turn. It provides much-needed catharsis, a relief from the tension and sadness of the first hour.

The ending ties up some loose ends nicely, leaving one with a kind of 'understanding' of what it was about. A message about what inhumane attitudes can be developed in those who have been a little too privileged, perhaps. I recently became aware that the film has an alternate ending (included in the version known as 'The Recon Game') that serves to undermine our sense of justice when compared to the version that was shown here in Canada. Perhaps tacked on as a sop to the protestations of liberal critics, it is nowhere near as satisfying a conclusion as that of 'Open Season'.

Not that this movie is available other than as a very pricey European import (some with non-removable foreign-language subtitles yet), but the North American version of 'Open Season' is the one to see first.

This film is a revelation in terms of editing technique, the use of stills right in the middle of the action (this is 1974, a long time pre-John Woo)and several passages of pretty associative editing. The photography is stunning with spectacularly framed images. There is a very thought-out way of using sound, with a change of perspective (from clos up to a wide shot and vice versa) that is counteracted by the sound - a lot of close-up conversation takes place on wide shots. and finally, because some folks think this is boring - the way the topic of the movie - the use of humans as living targets - is introduced is pretty compelling - the audience is not given a clue, or a well-worded plan - we are kept just as informed as the victims, and when seeing the movie for the first time, stuff like putting the chain on the woman in the kitchen really comes as an awful surprise - yet Fonda delivers this as if it was routine as usual (which it obviously is for his character) - thrilling stuff. They did a lot of experimenting with editing and imaging in the 70s which should not be lost. this movie should be put on dvd!

Richard Lynch often plays the villain, but seeing hero types Peter Fonda, and John Philip Law as Lynch's comrades in crime is what really makes "Recon Game" a winner. It appears the three leads had a long leash as far as improvisation goes, and their constant bantering probably strays somewhat from what might have been scripted. The film is not perfect, and there are at least a bunch of tedious moments, especially inside the hunting lodge, including a truly boring sequence involving a Monopoly game. Once the "prey" are turned loose and the hunt begins, this raw revenge flick kicks into gear. "Recon Game" compares favorably with another rarely seen hunted in the woods film, "Hunter's Blood". If you can find it, see it, and along with "Recon Game" they would make a terrific double feature. - MERK

I saw this strange film on late night cable way back in 1983 and found it oddly appealing.Obviously not filmed in the USA with dubbed dialog, weird atmosphere and the eventual appearance of William Holden as an added bonus. After searching on the internet recently I found an uncut version VHS tape for sale.* SPOILER *William Holdens character is arrested at the end which didn't occur in the edited version. The stark direction,unconventional editing techniques and haunting music make this one a seldom seen gem. I usually don't indulge in films of this type( like the repulsive, house by the lake ) but open season has enough

going for it to elevate it above other films of this genre. For Fonda/ Holden fans this film is highly recommended,others beware!