The Beast Must Die

Tom Newcliffe (Calvin Lockhart) is a man of wealth who has enjoyed hunting just about every animal possible. He has invited a group of friends to his house for a hunting party. But this is no ordinary hunt. Newcliffe has it in his head that one of his friends is a werewolf. He's not sure which friend he will be hunting, but over the three night full moon cycle, he's sure the werewolf will show himself. Unfortunately for Newcliffe and the rest of his party, a werewolf proves to be the most cunning and dangerous game he's faced.

I'll never list The Beast Must Die among my favorite films, but it's certainly enjoyable enough. The concept is original. I can't remember seeing anything similar. Much of the film is presented not so much as a horror movie, but as a mystery. These elements of The Beast Must Die worked for me. I found myself playing along as I tried to decipher the clues to the werewolf's identity. And in the end I was able to pat myself on the back for at least being half right. The Beast Must Die even gives the viewer a chance to stop and thing things over before the identity of the werewolf. William Castle would be proud of the Werewolf Break. Sure, it's gimmicky, but it's a fun, interesting touch.

There are a few things I would have liked to see done differently. I've never been much of a fan of werewolves that are more wolf than man. The werewolf in The Beast Must Die has no human characteristics. It's a wolf (okay, it's really a dog, but you get the idea). Also, I wasn't overly impressed with the lead actor Calvin Lockhart. He's just a little too over-the-top and outrageous to be effective.

One of the good things about the AMC channel is the later you watch it, the weirder the movies get. This one came on at about 1:30 in the morning, and as soon as the creepy narration announced "This is a detective story... where YOU are the detective," I knew I was in for something cool. The narration is followed by an offbeat opening where a black guy (dressed in all black) is running through the woods being chased by a bunch of military types, against a jazz soundtrack. Turns out he's testing out his new security system, and sure enough, there's no way to avoid getting caught on these premises.

After the weird opening, the movie settles down into a pretty straightforward plot. It's really a combination of 'The Most Dangerous Game' and 'Ten Little Indians' (the "guess the culprit" gimmick is practically stolen from the latter movie). A wealthy hunter has gathered a group of guests, one of whom is a werewolf, in order to hunt the ultimate game. But finding out who the werewolf is turns out to be trickier than expected...

The cast is actually quite impressive, and odds are you'll be less interested in figuring out who the werewolf is than figuring out where you've seen all these people before (I'm still racking my brain on Anton Diffring). Of course, every movie like this has at least one unintentionally funny part, and in this one it's Peter Cushing's Dr. Lundgren, the Werewolf Expert. Cushing is a fine actor, but he almost becomes a running joke here, because every time someone asks him about werewolves he goes off on this long spiel describing werewolves in scientific detail that must be heard to be believed. Thanks to this movie, I now know that lycanthropy is caused by a defect in the lymphatic system, and that silver can't harm a werewolf unless there's pollen in the air (?), etc.

This a B-movie, for sure, but a pretty good one. It's well done and suspenseful, and it will keep you interested until the very end. Very much worth watching. 8/10 stars.

This low-budget horror film had an innovative concept, mixing rather successfully a traditional Agatha Christie-type murder mystery with a "gory" werewolf flick; the result does hold your attention but is marred by wooden acting (except for the excellent Peter Cushing) and a few overextended chase scenes. As another reviewer noted, no real clues are given to us to help us figure out the identity of the werewolf, so it's strictly a matter a guessing, but there is some fun in the game... (**1/2)

Others commenting here seem to have been distracted by the "game" aspect of the movie, which was, of course, a gimmick added after the movie was finished.

Although the story really required a larger budget, this well-cast, intelligent horror thriller is well worth watching. The story is reasonably suspenseful, the direction good enough most of the time, and it is unusual in depicting the central villain as someone who LOVES being a werewolf. It's based on a good novel, which was given reasonably respectful treatment.

The film concerns on Tom Newcliff (Calvin Lockhart) , a wealthy businessman , great hunter and sportsman living with his wife (M.Clark) and his foreman (Anton Driffing) at a luxurious mansion . He has pursued and hunted all kind species with exception a werewolf . Thus , he invites a group of six men (Peter Cushing , Charles Gray , Michael Gambon..) and women related with weird killings about the eating of human flesh and nobody can leave the location . One of the occupants turns into werewolf at the full moon and stricken a rare pollen flower . Then , he undergoes a dental and hirsute transformation at night and going on a murderous rampage every time the moon is full . Tom investigates the guest who converts in night beast and trying to chase him , increasing his enormous collection at his isolated lodge .

The movie is a detective story in which you are the detective . The question is not ¨who is the murder¨? but ¨Who is the werewolf¨? . After all the clues have been shown we will get a chance to give your answer . The picture is a crossover of Blaxexploitation's protagonists , Agatha Christie whodunit (Ten little Indians) , horror mythic about werewolves and even gimmicks -William Castle type- on its intervening period when give to public some seconds for resolving the strange enigma . The transformation of man into werewolf is simple without special effects . Calvin Lockhart as obstinate and relentless hunter is top-notch ; besides , being surrounded by a highly capable secondary cast . Special mention for Peter Cushing ,as always he is excellent as specialist of knowledge on Lycanthropy . The screenwriter provided a very serviceable and well-knit screenplay with suspense and tension , giving full rein to director Paul Annett's natural talent .