Black Samson

"Samson" (Rockne Tarkington) is the owner of a nightclub in a black part of Los Angeles who does his best to keep crime down and things under control. However, this doesn't please two rival criminal organizations-one white and the other black-from wanting to move in and take over. This is especially true for one particularly psychotic mobster named "Johnny Nappa" (William Smith) who refuses to heed Samson's warnings and simply won't take "no" for an answer--and things become quite tense after that. Now rather than reveal any more I will just say that this was a pretty good "blaxploitation" film in large part due to the performances of the aforementioned William Smith and Rockne Tarkington. Likewise, having a beautiful actress like Connie Strickland (as Johnny's girlfriend "Tina") certainly didn't hurt either. In any case, I thought this was a pretty good film and I have rated it accordingly. Slightly above average.

White Director/Stuntman Chuck Bail directed this forgotten Warner Bros. film that features Rockne Tarkington (well-known for starring on 70's kid show BANANA SPLITS:DANGER ISLAND) as Samson, a nightclub owner (who owns a lion) who doesn't want any drugs on his neighborhood. William Smith is terrific as a evil Johnny Napa, who wants to own the neighborhood and starts a war with Samson. Character actor Titos Vandis (who is Greek)is miscast as a italian mobster, but seems to chew up the part prettty good. The film does look cheap, and it's intresting Warner Bros. gave Tarkington a lead when it's reported that he turned down ENTER THE DRAGON (a part which went to Jim kelly). The ending is pretty good, so I recommened this film to any action fans looking for 70's actioner. Actor/Stuntman Tornatore later directed Rockne is ZEBRA FORCE and worked with him on TRAINED TO KILL U.S.A.

If you are into unintentional comedy, classic one liners or a ridiculous plot then this movie is for you. This along with Dolomite should be in the Blackploitation hall of fame!! Rockne Tarkington's performance is electric as the staff wielding, lion owning barowner Samson. He truly is the man. Add to to this William Smith's over the top Johnny Napa, Samson's hysterical hoochie mama and one badass mortician and you have the makings of an epic battle. The stakes?? Control of the ghetto!!. The tension builds until a final conflict replete with matresses being thrown off a roof, ultimately settles the score! A true period piece if there ever was one. Thumbs up! Way up!!

Bar owner Samson (Rockne Tarkington), armed only with his wits, strength and a cudgel, fights to keep his neighbourhood crime-free, much to the irritation of vicious mob under-boss Johnny Nappa (William Smith). The film is essential a wish-fulfillment fable as Samson single-handily dispatches numerous hapless mob underlings and, even by the standards of the genre, the ending is a bit implausible. The film has a bit of a brutal edge and lots of swearing but the numerous fights are typical bloodless PG brawls. The cast is fine, there are some fine 70s fashions on display, and Samson's woman Leslie (Carol Speed) is topped by an impressive afro. The role of the lion is unclear, but the big cat does add some novelty to the film (and makes for a great poster). Not one of the great blaxploitation flics but watchable for fans of the dated but funky genre.

Regardless of your views on the nature of blaxploitation films themselves, the average viewer expects silly one-liners, comically inept and invariably racist antagonists, and a breezy plot which allows for the genre tropes to star. Black Samson offers virtually none of these, and instead presents you with ceaseless cruelty.

The film starts out looking like another fun-to-watch-with-friends romp, but quickly takes an ever-dark and ever-sadistic turn and never once looks back. Gone are the cartoonish racist villains; instead, we have believable, human monsters that exude hate (kudos to the actors, but unfortunately in the wrong genre for such savagery). Gone is the lighthearted pacing and tempo; instead, we have a story that plays more like a Greek tragedy. Where you'd normally find comic vehicles, instead scenes play out as if from a snuff film.

Black Samson is not a bad film by any means; if anything, it's one of the most sincere efforts of cinema normally attached to the blaxploitation era. However, those looking to goof on a film might find themselves sorely disappointed in how human and bruised the characters are presented.