In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn in the occult world.In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn in the occult world.In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn in the occult world.
Brendan Dillon
- Prison Chaplain
- (as Brendon Dillon)
Russ Grieve
- Prison Guard
- (as Russ Grieves)
William 'Billy' Benedict
- Hotel Desk Clerk
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"The Dead Don't Die" is a genuinely creepy and inventive 70's made-for-TV gem that regretfully ended up in total oblivion, and this in spite of the involvement of several really highly acclaimed names in the horror industry, like writer Robert Bloch ("Psycho", "Torture Garden"), director Curtis Harrington ("Whoever Slew Auntie Roo?", "What's the Matter with Helen?") and a long series of veteran cast members (Ray Milland, George Hamilton, Ralph Meeker, Reggie Nalder,
). Even more impressive than the names is the screenplay's ability to actually evoke real frights and maintain a continuously unsettling atmosphere. This is story-driven suspense without fancy make-up effects or spectacular stunts, but definitely with a handful of unforgettable jump scenes like, for example, the electric chair execution near the beginning and a corpse emerging from its coffin somewhere halfway through the film. George Hamilton stars as a former sailor called back home to attend the execution of his brother Ralph for a murder he swears he didn't commit. Don vows to clear Ralph's name and find out who really committed the crime his brother got punished for. Searching in sinister places and encountering uncanny people, Don discovers that his brother wasn't actually framed for murder but merely 'selected' for execution by an expert in the occult who wanted Ralph to serve in his army of the undead. The plot isn't exactly plausible, but nevertheless convincingly brought by cast and crew. The events supposedly take place in the 1930's and Curtis Harrington masterfully recreates the grim atmosphere of that decade with exact period details (like vehicles and costumes) and a cheap looking type of cinematography lacking color. Then there's also a copious amount of slick details that are just plain bizarre and indescribably eerie, like a dance hall full of near dead couples and one cute lady spontaneously combusting! Ray Milland is terrific and reliable as always, while Reggie Nalder is one of the creepiest actors who ever lived. "The Dead Don't Die" comes very much recommended, if you can find a decent copy of course.
Made in the heyday of the TV movie-of-the-week, "The Dead Don't Die" can be best thought of as "They Shoot Horses, Don't They?" meets "Night of the Living Dead" meets "Chinatown." Written by Robert Bloch and directed by Curtis Harrington, who a couple years earlier had made a truly strange, old-fashioned horror MOW called "The Cat Creature," this film features a host of reliable Golden Age Hollywood actors in cameos, including Joan Blondell, Ralph Meeker, Milton Parsons and William Benedict. It also gives creepy Reggie Nalder a good role, and he's almost as frightening here as he was in "Salem's Lot," but without the extreme makeup. Some eerie zombie scenes and an effective score add to the film's pluses. The minuses, however, start from the top. George Hamilton is badly miscast as the hero who seeks to find out who really murdered the wife of his brother, who was tried and executed for it, but was, of course innocent. The character is supposed to be a tough sailor, but Hamilton gives more of an imitation of a hungover Bruce Dern, saying his lines with the conviction of a script girl. Ray Milland as a sleezy dance-marathon promoter, whom Hamilton manages to convince that he's sees dead people, including his brother, also phones it in. Linda Cristal as a French femme fatale with a Spanish accent at least tries. The period detail is superficial, with the men's hair styles and costumes straight out of the 1970s (as are Billy Benedict's modern eyeglasses). Given the particpation of Bloch and Harrington, the plodding, talky script and flat TV-style direction is particularly disappointing. This seems to have scared a lot of people in 1975, but now, even at 72-minutes, it seems to go on forever. And anyone who can't figure out who the villain of the piece really is must be a genuine zombie.
I remembered seeing this movie when it first aired (on NBC, I think), and I seemed to remember it being above average for a TV movie. So I found a copy of it for under $5 and watched it again, nearly 30 years later. Wow, what a difference time and experience make. The premise is an interesting one, and the film relies more on subtlety than shock value. But, man is it slow. I found myself losing interest in it a couple of times. This is a movie that screams to be remade.
This is a fun one. I remember being scared as hell. In an attempt to solve a murder mystery, George Hamilton finds himself in a town inhabited by zombies. He even has a love scene with one of them!! It would be cool to see a remake. There has never been a zombie movie movie quite like this one. Hope i find it on a video shelf some day.
Pretty good horror film from Robert Bloch (Psycho) and Curtis Harrington (Ruby). This one's a doozy. George Hamilton plays a guy whose brother is executed for a crime he didn't commit. There's a spooky execution scene, and then George has to find out the truth. Upon investigation Hamilton discovers zombies. Set in the '30s or '40s ( I can't remember ) this is a particular creepy TV movie I originally saw in 1975. Reggie Nalder (Salems' Lot) plays a zombie. The scene in a funeral parlor with Nalder rising from the dead is really cool. Ray Milland also stars and is his slimy best. Pretty good and shocking for a TV movie.
Did you know
- Quotes
Perdido: Mr Drake! I have been waiting for you!
Don Drake: Perdito?
Perdido: Perdito is dead! His body is merely an instrument through which I speak. The dead are my children!
Don Drake: [Appalled] Children? Who are you?
Perdido: Who am I? I am... Varrick!
[Reaches up from coffin and grabs Drake by the throat]
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- Also known as
- Die Toten sterben nicht
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