Exorcism

If this were not a very blatant rip-off of "The Exorcist" (which it very obviously is) it might be a halfway decent movie. Not a GREAT movie, but not too bad. But

instead, we get some scenes that we've seen before and were better the first

time around. A young, rich beauty (is there any other kind?) unknowingly

participates in a Satanic ritual and becomes possessed by the spirit of her late father, who died in an insane asylum. Things get moving with a head-turned- around-backwards murder (sound familiar?) and proceed onto the inevitable

demonic fried-egg eyeballs and scabby, vomit encrusted special effects make- up. There's nothing very new or original here. That said, it's still not the worst movie I've ever seen. It suffers from bad dubbing and a lame ending, but there's a few genuine scares, some groovy hippie coolness and lots of naked girls

dancing around, if you're into that sort of thing. Fans of the demonic possession genre may enjoy it, but die-hard fans of The Exorcist may be somewhat

disgusted. Four stars out of ten.

Paul Naschy claimed to have started writing the screenplay for "Exorcismo" long before "The Exorcist" came out. It is difficult not to conclude that he finished writing it afterward. There is a scene in which the possessed young woman interrupts a party with some Satanic behaviours that immediately recalls the famous "Exorcist" urination scene.

However, the subtle difference between the two scenes is striking. You see, Eurohorror (and especially Giallo, which"Exorcismo" is not) exists largely to show rich people being horrible and living empty lives. The women in these stories are usually creatures of pure hatred.

The scene with young Regan surprising the well-to-do party guests was truly disturbing, as we had an innocent child doing decidedly non-innocent things. The scene in "Exorcismo" when the not-as-young possessed girl makes a scene at the snobbish party, you're thinking, so what? She's only doing what women always do in European horror flicks.

At first I thought they just didn't have the budget or the know-how to make the girl look "possessed", so they just had her act horribly to the other characters, apparently unaware that all women in Eurohorror act that way anyway, so there's nothing shocking about seeing it here.

The movie does, eventually, make with some contact lenses and make-up, and give the possessed girl someone else's voice, but it's too late. There's just not enough going on in this movie to hold your attention for more than a moment. You're either thinking about how much better "The Exorcist" is than this movie, or you're not thinking about this movie at all.

A young woman participates (unknowingly) in a satanic ceremony and gets possessed by the spirit of her late father.

The big issue with this film is whether or not it ripped off "The Exorcist". Some say it did, and can point to such scenes as the "reverse head" murder as evidence. Writer (and star) Paul Naschy claimed he had written the script earlier and it just was not filmed at the time.

Troy Howarth sees something of a middle ground, and suspects that Naschy had read the book but not seen the movie. As such, certain elements would have been lifted. Now, not having read the novel, I do not know hoe much it differs from the film, but assuming there is a great deal of overlap, it does make sense that uncredited source material might result in a similar movie.

The truth of the matter, though, is that it makes no difference. Whether it is a ripoff or just a similar theme, the movie is a lot of fun. A priest acting as a detective, a 1970s possession, and lots of good, clean European cinematography.

Sure, this is not the classic "The Exorcist" is, but it might just be more fun. We never get anything nearly as scary, and the Satanic elements make it in many ways more interesting than a simple possession.

Exorcismo (1975)

** 1/2 (out of 4)

Leila (Grace Mills) goes to a "love in" with her boyfriend and soon afterwards she begins acting strange towards her family. Over time her attitude grows more aggressive and before long her family asks Father Dunning (Paul Naschy) to look at her. Before long he realizes that she fell into a Satanic sect and has become possessed.

EXORCISMO is a Spanish horror film that's yet another cash-in on the success of THE EXORCIST. Naschy, who co-wrote the screenplay, says this was written before he saw that film but who knows what the truth is. Either way, for the most part this here is a mildly entertaining horror film that starts off well enough and ends on a good note but there are some questionable moments stuck in the middle.

If you've seen enough of these EXORCIST-rips then you know that all of them add a few touches of their own. The screenplay here pretty basic stuff, although the love in is something new and there are a few other new things including something involving a dog. I thought the film actually worked quite well in a sleazy type of way and especially early on with all of the nudity. The ending of the picture is also quite good as the possession aspect goes full steam and we get a pretty good exorcism sequence.

As I said, the biggest flaw with the movie is the middle section. For some reason the sleaze factor pretty much dries up and we've got around forty-five minutes worth of bland footage where not much is going on except for characters talking to one another. I do feel that Naschy gave a good performance and it was nice getting to see him in a straight role that didn't require make-up or messing around with women. Molina was also attractive in her role and added some fun.

EXORCISMO isn't the greatest film that you're going to see but it does offer up some mild entertainment that makes it worth watching if you're a fan of Naschy or the genre.

Maybe I am biased, because I am a great fan of the late Spanish Horror/Cult icon Paul Naschy, but I do not understand how this film is so widely hated. Even my fellow Eurohorror enthusiasts seem to agree that "Exorcismo" (1975) is awful; while this is doubtlessly an incredibly cheesy, silly and trashy slice of Eurosleaze, and furthermore probably the most shameless and obvious of the many European rip-offs of "The Exorcist", I personally still found it to be entertaining enough. I'll be the last one to deny that it lacks suspense and creepiness or that the plot is illogical and stupid, or that the film overall could have used a lot more gore and exploitative elements, and that it has some lengthy parts; personally, I still didn't get bored.

After a car accident, the pretty young Leila (Maria Perschy) changes her behavior drastically. When her brother approaches Father Dunning (Paul Naschy) for help, telling him that it is the bad influence of his sister's boyfriend that has changed her behavior, the priest does not believe him at first. When a person close to Leila turns up dead with the head twisted by 180 degrees, things are getting suspicious...

As mentioned above, the film is probably the most shamelessly obvious rip-off of "The Exorcist" there is, so there is no need to discuss how the plot line lacks originality. There are many elements in this film which may be seen as crappy by some, and as amusing by others. I tend to the second category. The characters are eccentric and their actions often make little to no sense. A Woman who is in her 30s has a son who is in his 30s. Leila's brother and her boyfriend both look extremely weird; the latter lives in a room with silly-looking masks hanging down from strings attached to the ceiling and cupboards on which quotes like "All you need is to f***" are painted. The investigating police-officer is a superstitious freak who thinks the fact that a murder victim was drugged at the time of death is proof that the crime was a ritual murder. The role of a priest is probably not the first one that one might think of as fitting for Paul Naschy, but it actually fits him kinda well (though I tend to like the guy in any role he plays). Naschy is, of course, the main reason to watch this film. Furthermore, there is a lot of stylish sleaze and (as usual for Naschy flicks) tons of gratuitous female nudity. The female cast members are nice to look at: Lovely Grace Mills plays the possessed girl; her mother is played by Maria Perschy, who had previously worked with Naschy in "El Jorobado de la Morgue" ("The Hunchback of the Morgue", 1973) which is probably my personal favorite Naschy-flick, and "Los Ojos Azules de la Muñeca Rota" ("Blue Eyes of a Broken Doll", also 1973), which is also very good. The female cast furthermore includes María Kosty, whose face (as well as her body) is known for her roles in a variety of Spanish Horror and Exploitation features. Everybody keeps complaining about how awful the makeup in this film is, but I actually found it to be decent.

Overall, I can fully understand anyone who calls this film pure crap. It is, without a doubt, cheap and incredibly silly trash; but, personally I still found it entertaining and even enjoyable. This sure isn't for everyone, and apparently not even for all fellow Naschy fans. However, elements such as possession, gratuitous female nudity, satanic orgies, amusing cheesiness and Paul Naschy as a priest are enough to make a film entertaining in my book. 5/10