Poor Albert & Little Annie

In this film, Albert is a rich psycho, who goes around looking for sex, then killing the woman if they are not virgins.When he sees little 11 year old Annie, he falls in love.But,since he doesn't want to ruin her purity, he finds another woman, and Annie catches them,starting the finale.

This is a rare film to find=majority of video stores don't have it...But, its really crazy and unrelated, worth a look!

Zooey Hall, I've not seen him in any other role but, boy, was he perfect for the part of Albert. He certainly is a creepy-lookin' fellow. No wonder he's credited as playing "Joanie's Weird Boyfriend" on a Happy Days episode.

I Dismember Mama is an irksome film with laughable music throughout, even for the period. The scenes where Albert is chasing Annie has accompanying music that sounds like something from the old Adam West "Batman" TV-series. It ruins the climatic scenes. Summed up, there's not much to see, well . . . some '70s nudity.

Original title belies what is really a bad movie. Hall plays a strange psycho who hates all women who are not virgins. Then he meets a innocent 11 year old. They take a extended trip to a amusement park. We see a long series of montages of them playing on the rides. Complete with a syrupy song titled "Poor Albert". (And you thought this was supposed to be a horror movie). The climax takes place in a abandoned warehouse full of mannequins, which the director does not take advantage of. A truly pathetic excuse for filmmaking. No scares, no suspense, no creativity; just Zooey Hall trying desperately to act. The worst film I've seen and I have seen a lot.

Don't let the clever I DISMEMBER MAMA title lead you to believe that this is going to be a bull's-eye grindhouse classic. Simply stated, this is a strictly par B thriller full of hand-me-down ideas, possibly a notch higher on the sicko-meter for presenting a psychotic antagonist unwholesomely obsessed with a little girl. Beyond that, a faceless dime-a-dozen vehicle with the usual kook harboring the usual resentment of females, and the usual unlucky lasses who become his victims.

It's a visually unappealing affair, with better performances from its principal cast than the base material really deserves, and a few scenes are admittedly set up fairly well. In the bigger picture, however, this is just an unimaginatively assembled exposition of something we've all seen a thousand times before, and done a thousand times better.

4/10...passable, but you'll certainly live to tell about how you didn't bother to see it.

Rich kid Albert (Zooey Hall) is in an institute. We meet him at the beginning of the film trying to rape a nurse before he is apprehended. His doctor tells his mother that he is a lost cause and must be moved to a hospital for the insane. While being taunted by one of the male nurses there, Albert tricks him into watching one of the 'films' he's made, and ends up killing him and escaping. He arrives at his mother's house to kill her - he sees her as a whore who is not 'pure' enough. He instead comes across her housekeeper, who he taunts and kills. Yet when he meets her 11 year-old daughter Annie (Geri Reischi), they form a bond and Albert takes her away. For once he has met a girl who is pure and innocent, but the only problem are his violent sexual urges.

The original name for this film was Poor Albert and Little Annie, which is a much more apt title for a film that is relatively unexploitative and character-driven. While they are scenes of violence, they are brief and contain very little blood or gore. The film concentrates more on the relationship between Albert and Annie, and the creepy fascination Albert has with her. Albert is clearly a misogynist, viewing every woman as filth who have lost their purity. Annie is sweet and innocent, and so Albert begins a strange love affair with her. He understands his urges are wrong, but he goes with it all the same.

As interesting as I'm making the film out to be, you have to remember that this is a 70's grindhouse film marketed under the name of I Dismember Mama and was usually shown in a double bill with The Blood Spattered Bride (1972). This generally means that although the idea is certainly quite interesting, the execution is bad. Whereas the low- budget works in it's favour - the film has a grime to it that creates a feeling of sleaze - the film is peppered with long sections where nothing at all happens. The 80 minute running time feels much longer than it actually is, and although Hall in the lead is generally quite effective as the rich-boy psychopath, he cannot save the film from being a meandering missed opportunity.

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