The Last 4 Days

This film depicts the capture and execution of Benito Mussolini, just two days before Adolf Hitler's own suicide. It's a pitiful, pathetic end for the once strutting fascist dictator. You almost - *almost* - feel sorry for him.

Il Duce is fought over, passed around, abandoned, and captured as multiple factions pursue conflicting agendas. The Nazis want to get him out of Italy. The regular German army wants to be rid of him. A few loyal fascists want to continue fighting, but most of them abandon him. Some partisans want to put him on trial while others want to execute him immediately. And the Americans want him handed over to them "for prestige". As cinema goes, this is not exactly Oscar-winning material but the story itself is fascinating, and the historical value helps make this obscure film worth viewing.

I finally had the privilege of seeing THE LAST 4 DAYS a few months ago, and I was blown away by how amazingly well done it was. The film stars the great Rod Steiger as Benito Mussolini, who faces his last 4 days of life. The film features great Ennio Morricone music, superb direction and great performances all-around by an allstar cast.

Rod Steiger is INCREDIBLE as Mussolini. He faces his last days on earth having to make several major decisions as his life and nation fall apart around him. I can't describe his performance; it's just powerful and incredibly believable. Franco Nero is great, too, as an Italian partisan officer who is assigned to kill Mussolini. Lisa Gastoni is excellent as Mussolini's wife, who like any loyal wife, wants to be with her husband through the thick and thin. Henry Fonda is very good in a small role as Cardinal Schuster, who tries to help Mussolini but ultimately fails. Watch also for: Giuseppe Addobbati, Andrea Aureli, Bruno Corazzari, Marco Guglielmi, Tom Felleghy, Luciano Pigozzi, John Stacy and finally Giacomo Rossi-Stuart as an American officer assigned to apprehend Mussolini.

The direction is tight and spectacular. Carlo Lizzani brings every aspect to the movie to life. The paranoia and confusion of Italy falling apart to stunning life. There is not a wasted frame in this movie, and the pace is set perfectly. The editing is also very good, -- especially in the scenes where Mussolini is jumping from flashback to current time -- are shocking realistic. Ennio Morricone's score is haunting and really penetrates you.

I saw this movie as a copy of a copy of the Lightning Video. The print is relatively clear, especially for a 3rd generation copy, and I don't believe anything has been removed. If there is any missing footage, it doesn't show in the editing. The credits are letterboxed about 1.85:1. See an original video; don't be lazy like me and settle for somebody else's dub. The visual quality is essential to the theme of the movie.

An amazing drama of a leader that not many people know much about. The film gives a true insight into the last days of his life, and we see him as more of a man than as a diabolical Fascist leader. For being so professional and stunning in every way, I give it a 10 out of 10.

This is a great movie showing what a histrionic character and opportunist Mussolini was, double crossing until the end between the Italians, the Germans and the British, worried only about himself and not caring about the devastation he brought in his country and trying to escape to Switzerland where to live a comfortable life. Well depicted also his emotional life with her lover Petacci - which probably he exploited to the end for her devotion and total love. I was sorry that the story of the documents he was carrying with him, with all the letters exchanged with Churchill - and that would compromise Churchill if brought to the public - was totally ignored - probably too delicate a topic to be dealt with in this kind of commercial movies.

It is interesting that Rod Steiger has attempted two ambitious epic-roles in his career - Napoleon in Waterloo, and now Mussolini in Ultimo Atto - both European co-productions outside the normal auspices of Hollywood. Although it may be decidedly the minor of the two, the subject matter of the film still captivates the viewer as it chronicles the last few days of the Italian Leader.

Mussolini: Ultimo Atto portrays the demise of Italy's one-time Dictator from a leader of emperor-like proportions to that of a desperate fugitive. Mussolini is hunted by four separate groups each with different ideas of his fate. Hitler wants him to fight until his final breath, the Allies and the new Italian government want him to stand trial for war crimes, and the Italian partisans want to shoot him on site.

Rod Steiger plays Mussolini credibly (from what I know of him) and Henry Fonda is also notable in his role as a Cardinal.

Carlo Lizzani's Mussolini: Ultimo Atto isn't much of a "movie", it has all the cinematic flair of a TV docudrama, with stiff dialogue and zero visual imagination. But where it succeeds is in tearing down the Fascist myth.

Instead of the blustering Duce of propaganda, we get the real Mussolini: a pathetic, dithering coward stumbling through his final days, hiding, lying, and clinging to scraps of dignity he never had.

History books tell you how it ended; this film shows you why it was inevitable.

Not fun, not stylish, but effective in its grim way. And honestly, seeing Mussolini reduced to a whimper instead of a roar feels like the only satisfying ending he deserved.