A big-game hunter comes out of retirement to help track down a killer wolf, and begins to suspect that it isn't a wolf but an animal that can take human form.A big-game hunter comes out of retirement to help track down a killer wolf, and begins to suspect that it isn't a wolf but an animal that can take human form.A big-game hunter comes out of retirement to help track down a killer wolf, and begins to suspect that it isn't a wolf but an animal that can take human form.
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This made for TV movie is from Dan Curtis...and that should come as no surprise as Curtis made a living making low-budget horror films and TV shows--such as the original "Dark Shadows" as well as excellent made for TV films about Dracula, Kolchak (the reporter that investigates monster sightings), possessed African dolls, Frankenstein and others. Most of his work was very good though I wouldn't place "Scream of the Wolf" among his best films.
Some creature has been tearing folks to pieces and John (Peter Graves) is a hunter who's been given the task of killing whatever it is. However, he soon notices that the footprints go from a wolf-like creature to human...but he won't allow himself to believe it's a werewolf. When he tries to get help from a clearly nutty associate, Byron (Clint Walker) has a strange reaction--he's totally disinterested in killing the creature and even seems to be completely ambivalent about all the deaths!! Clearly the viewer is being led to believe that Byron is most likely the wolf-man. And, clearly, Walker's character is about as subtle as a 2x4 upside your head! He's a super freaky weirdo and Walker looks as if he had fun playing this guy. And, although Graves is the leading man in the film, your attention is drawn to Walker whenever he's on the screen. So is Byron the werewolf or is there some other explanation? And, how does this movie end up being very much like the classic film "The Most Deadly Game"?
Considering the budget for this film was pretty low and the ABC movies were made quickly, how they handled the whole werewolf aspect of the story was an interesting idea that worked very well. Not the best movie of the week I've seen but very memorable and fun...in a kooky sort of way. Well worth seeing...and a lot better than the surprisingly low overall score of 5.1 (as of this review).
Some creature has been tearing folks to pieces and John (Peter Graves) is a hunter who's been given the task of killing whatever it is. However, he soon notices that the footprints go from a wolf-like creature to human...but he won't allow himself to believe it's a werewolf. When he tries to get help from a clearly nutty associate, Byron (Clint Walker) has a strange reaction--he's totally disinterested in killing the creature and even seems to be completely ambivalent about all the deaths!! Clearly the viewer is being led to believe that Byron is most likely the wolf-man. And, clearly, Walker's character is about as subtle as a 2x4 upside your head! He's a super freaky weirdo and Walker looks as if he had fun playing this guy. And, although Graves is the leading man in the film, your attention is drawn to Walker whenever he's on the screen. So is Byron the werewolf or is there some other explanation? And, how does this movie end up being very much like the classic film "The Most Deadly Game"?
Considering the budget for this film was pretty low and the ABC movies were made quickly, how they handled the whole werewolf aspect of the story was an interesting idea that worked very well. Not the best movie of the week I've seen but very memorable and fun...in a kooky sort of way. Well worth seeing...and a lot better than the surprisingly low overall score of 5.1 (as of this review).
Director Dan Curtis had an impressive track record after developing the memorable character of Carl Kolchack, played wonderfully by Darren McGavin, in both "The Night Stalker" and "The Night Strangler", and also the one-off "The Norliss Tapes" with Roy Thinnes.
Unfortunately, he doesn't have the same success here, though it does start off strongly with an innocent motorist being killed by a mysterious creature(a werewolf, perhaps?) Several more murders occur, until the twist at the end which is...underwhelming, to say the least. Peter Graves and Clint Walker face off as uneasy friends on opposing sides, since Walker's big game hunter is coldly indifferent to the deaths. He plays it menacingly, but his character(as well as Graves') come off quite flat, and there is little else to distinguish this film and make it memorable. Too bad.
Unfortunately, he doesn't have the same success here, though it does start off strongly with an innocent motorist being killed by a mysterious creature(a werewolf, perhaps?) Several more murders occur, until the twist at the end which is...underwhelming, to say the least. Peter Graves and Clint Walker face off as uneasy friends on opposing sides, since Walker's big game hunter is coldly indifferent to the deaths. He plays it menacingly, but his character(as well as Graves') come off quite flat, and there is little else to distinguish this film and make it memorable. Too bad.
Only the most die hard werewolf movie fans (or bottom feeders who like to see bad films as a sort of self-inflicted pleasure-pain) will want to endure this. Even they may be disappointed. Silver fox Graves (who drives a hip car and has a hip house while hip music blares) stars as a former hunter turned writer who, after a series of grisly attacks on local residents, decides to hunt down the predator personally. The killings are the standard "hapless victim looks into camera and screams while growls are heard then blackout". This gets tiresome very quickly. One extended attack on Grave's ladyfriend Pflug (in a pedestrian performance) has a certain amount of edge to it. (Hilariously, though, this single woman lives in a house that appears to have more rooms than Monticello!) Pflug suspects Walker, an old buddy of Graves who lives in a mansion up in the woods and does a lot of odd philosophizing about human nature. Walker, still attractive and virile, gives an unusual performance full of dopey expressions and strange vocal inflections. His relationship with Graves has a homoerotic twinge, not unlike the Stephen Boyd/Charlton Heston dynamic in "Ben-Hur". Sheriff Carey rounds out the male trio of tall actors. The film aspires to a level of intellect that it's budget cheapens more than a little. Still, it's not the worst TV horror movie ever made. At least someone tried to write something with a little irony and mystery to it. One scene between Graves, Pflug and Walker takes place in a restaurant that must have a sign on the door, "No one attractive allowed!" Soap opera veteran Storm appears briefly as a victim.
A rural community is shaken by gruesome killings in the woods by what appears to be a werewolf (the tracks near the bodies shows four paw prints that soon become two, and then disappear); former hunter-turned-writer Peter Graves assists the local sheriff in unraveling the mystery. Not-bad TV-made thriller has interesting subjective camera-work along with the proverbial fog in the woods and snarling sound effects. Graves is solid, as usual, and has a few intense scenes with maniacal 'old friend' Clint Walker, but it's too bad writer Richard Matheson felt the need to cover all his bases plot-wise. The more explanations we get in the finale, the more ridiculous it all begins to seem. Director Dan Curtis also produced, in what appears to be a case for The Night Stalker. Robert Cobert is responsible for the erratic music score.
This film would have been much better if it had some balance. There were no strong supporting actors at all, with Graves and Walker providing outstanding roles and the rest just falling flat on their face.
Graves worked well as the slowly weakening ex-hunter, while Walker did an amazing job portraying the evil and creepy (and still strong) wolf hunter. However, the rest of the actors (especially Graves' girlfriend and the police chief) did a horrible job with their characters.
The fact that the kills really arent portrayed in a gory fashion makes the film feel like less a horror movie and more of a suspense/murder mystery, which bothered me a bit. Additionally, the ending, though a double twist (from not surprising to surprising to not surprising again) was a bit hard to swallow, that and it ends much more abruptly than I would have wished. Overall, not a high recommendation, but still a fairly good representation of low budget 70s fare 5/10.
Graves worked well as the slowly weakening ex-hunter, while Walker did an amazing job portraying the evil and creepy (and still strong) wolf hunter. However, the rest of the actors (especially Graves' girlfriend and the police chief) did a horrible job with their characters.
The fact that the kills really arent portrayed in a gory fashion makes the film feel like less a horror movie and more of a suspense/murder mystery, which bothered me a bit. Additionally, the ending, though a double twist (from not surprising to surprising to not surprising again) was a bit hard to swallow, that and it ends much more abruptly than I would have wished. Overall, not a high recommendation, but still a fairly good representation of low budget 70s fare 5/10.
Did you know
- TriviaActor Don Megowan (1922-1981) previously starred in The Werewolf (1956), a similarly themed movie.
- GoofsAt about 13 minutes into the movie, Byron says the Sheriff's name wrong. He calls him Bellus. The Sheriff's name is Bell.
- Quotes
Byron Douglas: Some people are saying it's a werewolf!
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