A number of business people, keeping the Christmas Eve office party going longer than was originally intended, are beset by a fire that starts in the basement of their office building and cr... Read allA number of business people, keeping the Christmas Eve office party going longer than was originally intended, are beset by a fire that starts in the basement of their office building and creeps up at them from floor to floor.A number of business people, keeping the Christmas Eve office party going longer than was originally intended, are beset by a fire that starts in the basement of their office building and creeps up at them from floor to floor.
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The 1970s produced some fine made-for-television movies like "Brian's Song" and "Dr. Cook's Garden". However, it seems that for every good made- for-television movie like those, there was a stinker like "Terror On The 40th Floor". My guess is that this movie was rushed into production to take advantage of the publicity building for the theatrical movie "The Towering Inferno". I guess that, because the story and characters in this imitator are sorely lacking. The characters in this movie are a boring lot. I didn't care about them, and they seem pretty dim-witted. Why don't they use the fire escape stairs? Why don't they break a window and send "Help!" messages to the streets below? Those and other questions are never answered. And no doubt because of the low budget, the fire footage is infrequent and lacking in power during the few times it's displayed. The end result is a very tedious and boring effort, so it's no wonder why there was apparently no one keeping track of it to prevent it from being in its now public domain status.
The Disaster Movies of the late 1960s and 1970s seem to owe their success to the spectacle involved. If you have a really big building on fire or a gigantic ship sinking at sea or an earthquake ripping down a city, it's very impressive. But once you get past the big set piece, you still have to photograph people and stories in interesting ways or you don't really have anything.
John Ford was once asked why he took his film crews out to Monument Valley for westerns. Instead of speaking of the beauty of the location, the fact that other other sites for westerns were too familiar, he replied "To photograph the most interesting thing in the world: a human face."
Unfortunately, while there are a lot of human faces in this movie, they don't seem to be doing anything we haven't seen a hundred times and more. The lines are well read, John Forsythe speaks his lines meaningfully, Joseph Campanella plays a jerk as well as he ever did, but nothing is ever meaningfully solved. Oh, under the stress of Imminent Death and 1970s pre-disco music, people Figure Out What Is Really Important. But six months afterwards, they probably change their minds.
So all you're left with of potential interest is the fire. And you've seen a fire, haven't you?
John Ford was once asked why he took his film crews out to Monument Valley for westerns. Instead of speaking of the beauty of the location, the fact that other other sites for westerns were too familiar, he replied "To photograph the most interesting thing in the world: a human face."
Unfortunately, while there are a lot of human faces in this movie, they don't seem to be doing anything we haven't seen a hundred times and more. The lines are well read, John Forsythe speaks his lines meaningfully, Joseph Campanella plays a jerk as well as he ever did, but nothing is ever meaningfully solved. Oh, under the stress of Imminent Death and 1970s pre-disco music, people Figure Out What Is Really Important. But six months afterwards, they probably change their minds.
So all you're left with of potential interest is the fire. And you've seen a fire, haven't you?
During the unsettled atmosphere of the late 1960s and the 1970s, films dealing with people victimized by natural and unnatural disasters were all the rage, and this tale of several couples trapped at the top of a tall burning building is an undistinguished example. An obvious attempt to capitalize upon the box-office success of THE TOWERING INFERNO, this effort, titled BLAZING TOWER before sagely being changed, is set in an unidentified New York City, on the opposite coast from the former production's San Francisco. Occurring upon Christmas Eve, the script follows obligatory romantic entanglements involving three pair of illy-matched employees during a company's annual holiday party, and with a much smaller budget than INFERNO, this work made for television displays lesser lights in its cast. Television film director Jerry Jameson routinely leads many of this type of calamity narrative, and mediocre describes this affair, although the skillful editing, largely by Jameson, effectively moves the action past points of tedium. While John Forsythe and Anjanette Comer are edging toward an adulterous romance, Don Meredith and Joseph Campanella are helping themselves to proffered charms from others of the secretarial class as the holocaust approaches. While actual New York City firemen struggle manfully with the encroaching blaze, flashbacks are utilized so that we may fully appreciate the risks, romantic and otherwise, milked by the threatened sextet. It is best to overlook some flawed tactical firefighting operations as presented in order to develop a sense of suspense as to the picture's outcome, but in any case the trite romantic machinations take precedence in the scenario. The cast performance is of a piece with its non-demanding script wherein lack the seeds to garner deep interest of performers, although Forsythe is as unruffled as ever.
Seven stragglers at a Christmas Eve office party are trapped when fire breaks out in their Art Deco high-rise, and no one knows they are up there.
This darkly lit, small scale TV version of The Towering Inferno also throws in moments from Earthquake (attempts to scale the elevator shaft), and The Poseidon Adventure (lots of Christmas tree imagery - I thought at one point they were even going to use the tree itself to climb down the elevator shaft).
A news reporter on the scene helpfully explains that despite little external evidence of a fire, it is raging over several floors inside. The TV budget clearly didn't extend to burning skyscraper model shots. We do get several blazing office interiors.
It is not terrible, though the final segment drags. The actors play their parts well and I did care about the characters. There are some ridiculous bits of padding around commercial break cliffhangers and interoffice tensions resurface as colleagues argue about what they should do. The soap opera-style flashbacks are mercifully brief.
Pippa Scott's short scenes are the funniest.
This darkly lit, small scale TV version of The Towering Inferno also throws in moments from Earthquake (attempts to scale the elevator shaft), and The Poseidon Adventure (lots of Christmas tree imagery - I thought at one point they were even going to use the tree itself to climb down the elevator shaft).
A news reporter on the scene helpfully explains that despite little external evidence of a fire, it is raging over several floors inside. The TV budget clearly didn't extend to burning skyscraper model shots. We do get several blazing office interiors.
It is not terrible, though the final segment drags. The actors play their parts well and I did care about the characters. There are some ridiculous bits of padding around commercial break cliffhangers and interoffice tensions resurface as colleagues argue about what they should do. The soap opera-style flashbacks are mercifully brief.
Pippa Scott's short scenes are the funniest.
If anything else, this film and other disaster pictures shall serve as a tribute to the local Fire Departments putting their lives on the line to rescue people in such awful circumstances. This picture shall serve as such a tribute.
It's basically the story of several guys and gals who stay behind after the Christmas Office Party has broken up. Unfortunately, it is not realized that several people are trapped on the top floor until the fire has really spread.
Naturally, those who stayed behind are unhappy during this season of love for a variety of reasons and effective flashbacks show us what brought these people to their current dangerous situation.
Yes, this is the typical disaster film of the 1970s but it is done well and is nicely paced. John Forsyth, as the company's vice president, along with employee Joseph Campanella, who is annoyed that he will be passed up for a promotion, deliver fine performances.
It's basically the story of several guys and gals who stay behind after the Christmas Office Party has broken up. Unfortunately, it is not realized that several people are trapped on the top floor until the fire has really spread.
Naturally, those who stayed behind are unhappy during this season of love for a variety of reasons and effective flashbacks show us what brought these people to their current dangerous situation.
Yes, this is the typical disaster film of the 1970s but it is done well and is nicely paced. John Forsyth, as the company's vice president, along with employee Joseph Campanella, who is annoyed that he will be passed up for a promotion, deliver fine performances.
Did you know
- ConnectionsReferenced in Murphy Brown: Terror on the 17th Floor (1991)
Details
- Release date
- Country of origin
- Language
- Also known as
- The Only Way Is Down
- Filming locations
- 601 W 5th Street, Los Angeles, California, USA(Whitney Towers office building, street level exteriors)
- Production companies
- See more company credits at IMDbPro
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