Thunderbolt and Lightfoot

I found 'Thunderbolt And Lightfoot' in the "action" section of my local video store, and a quick glance at the cover and blurb might make you think you're in for a buddy action comedy, like Eddie Murphy et al made in the 1980s and Jackie Chan is making now. This is not entirely correct. While it is essentially a buddy movie and there is "action" in it, it is much more character-driven and episodic than most movies in the genre, and has more in common with forgotten 1970s gems like 'Scarecrow' or 'Fat City', than your typical Clint Eastwood fare from this period. Michael Cimino, who co-wrote the ecological SF sleeper 'Silent Running', and wrote the first (and best) movie in Eastwood's 'Dirty Harry' series, debuts impressively as director here. Eastwood himself is very good as enigmatic thief Thunderbolt, even better is Jeff Bridges who steals the movie as his young protege Lightfoot. Some people dislike this movie because it appears to meander along for no particular reason, but I really enjoyed the interaction between Eastwood and Bridges, who really seem to be having a ball working together. The plot eventually comes together with a robbery involving the two and character actors George Kennedy ('Cool Hand Luke' and Eastwood regular Geoffrey Lewis ('The Way Of The Gun'). I still really wouldn't call this a caper movie (ala 'Rififi', 'The Killing', 'The Anderson Tapes', etc,etc.), it's not as straightforward as that. The robbery plot is almost an excuse for a bunch of enjoyable scenes between the actors, who are all excellent and really play off each other in an entertaining way. Also keep an eye out for bit parts by Gary Busey ('Big Wednesday'), Catherine Bach (Daisy Duke!), Dub Taylor ('The Wild Bunch') and others, especially an unforgettable bit with the legendary Bill McKinney ('Deliverance'), one of the highlights of the movie. There's no way I'm going to argue that 'Thunderbolt And Lightfoot' is a forgotten classic, but it is a lot of fun to watch, it is unpredictable and interesting and features some fine performances, and that is a lot more than you can say for most subsequent Hollywood movies of this type. Recommended to 1970s buffs and anyone who enjoys Jeff Bridges.

This film has a few weak spots in the script, but I sure like it. A heist movie, with a mean Kennedy in it. Jeff and Clent never made another movie, and they could be like Redford and Newman; they have movie chemistry. TBS edits this film too much, its recomended watching on video. Worth renting 7/10.

I really liked this movie. Cimino keeps the story simple, funny and pretty involving: A young hotshot (Bridges) inspires a has-been bank robber (Eastwood) to take another crack at the bank which nearly brought him down the last time he hit it, and along the way they are both sabotaged and helped by Eastwood's former buddies (Kennedy and Lewis).

In my humble opinion, Jeff Bridges is ace as "Lightfoot" in this movie. There simply would be no movie without him, or, well, it might, but it would've been boring as hell. Eastwood plays Eastwood, maybe a bit softer around the edges than Harry Callahan, and does his part well. Still, he is kind of drowned by Bridges, Kennedy and Lewis. They do other stuff besides just being tough and professional, and God bless the script and them for it. Bridges is so incredibly good in this, he jumps around, he tries to wind up Kennedy and tries to lure some enthusiasm out of Eastwood; I can not imagine anyone else but Bridges as Lightfoot. He steals the movie away (he's also does some drag-stuff here, classic). The scenes with the lady in the house, the tussles with Kennedy, the brunette and her friend, the lady on a bike with a hammer. You have a lot to look forward to here.

Cimino's picture is about a criminal who is tired and who just wants to take it easy, but a young dude, full of romantic ideas, tempts him back into the game. Along the way, the violence and mayhem that made Eastwood leave it all back then catches up with them and they have to fight for their lives.

The movie is a must-see for fans of Eastwood, Cimino, Kennedy and Lewis - but it belongs to Jeff Bridges.

I think this movie gets lost in all the commercial Clint Eastwood vehicles,it far surpasses most of his 70's attempts. This is mostly due to Cimino's script and Bridges acting and honest words.This is far more than a buddy picture,rather one of the greatest love stories on film(all homosexual connotations aside),taking the male relationship in film to new levels because of the contrast of characters and there immediate like for one another.Skipped is most of the bickering used in lessor buddy flicks instead great interaction between the two and Clint still gets to shine as one of the coolest tough guys of the 70's.Great cinematography coupled with beautiful backdrops and a fine supporting cast make this a must see.

I remember watching this movie for the first time in the early eighties. I was still in elementary school but I still vaguely recall a scene where a young woman on a bicycle gets ambushed by Red Leary and gets away by clawing his cheek. Exciting stuff when u see a breast pop out on screen for the first time! If i'm not mistaken this would have been right before the scene where Jeff Bridge's character meets up with Red to go pick up the large caliber weapon. Where's the scene in the US DVD release? Other than the missing scene the movie was fun to watch again 30 years later. The cars and the print shirts, Jeff Bridges is simply awesome as a hippie drifting in the 70s. Clint Eastwood moves through the movie with a shattered shin and bad shoulder and still able to kick everyones ass when he has to. Awesome!