Stone

If you're looking for the all purpose Coca Cola Universal film then this isn't it. This is a film rooted in context.

Basically this kind of film was shunted aside in the hunt for respectability of Australian film which shunned actual Australian contemporary Austraian life in favour of a white blossoming dressed vision of a genteel 100 years ago. Analyse this as you may but this vision dominated for another decade at least. MAd Max just squeaked in here.

The bikes themselves were very much of their time yet still very exciting even now. The bikers though clunky are not entirely off the mark. The plot itself has its own charm and if there is any question of its legacy 40,000 riders showed up for the 25th anniversary Stone ride.

Again this is nothing for the great Universal film like Titanic but it is still a very tasty slice of 70's Australian culture.

This film is a bit of a classic for Australians, particularly those of us in Sydney who remember the day the biker convoy scene was shot. Though the story is a little dated and corny after all these years, it's worth another look, if only for nostalgia value.

Back in '74 the tag line for STONE was "Take the Trip!" By the time the critics had finished savaging this bikie saga, not that many people DID and STONE was headed for cinematic 'Boot Hill.' A funny thing happened though - somewhere along the line it was never fully erased from the collective public conscience and in due course the "legend of Stone" was created - to such an extent that now it is regarded as the "Bikie's bible" and sits proudly in the "70's Hall of fame" of Aussie film-making.

It's not even a GOOD flick, either in script, acting or production values. What it DOES offer is high voltage energy and action sequences, mind you the flick is way overlong and quite tedious at times. The plot, such that it isn't, has cop Ken Shorter (at the time riding high on account of his role in YOU CAN'T SEE AROUND CORNERS) infiltrating a bikie gang to see who is knocking off their members with gay abandon. Now Shorter was about as realistic an underground cop as Mark Wahlberg would be playing Harry Potter. What the film DOES offer now in retrospect, is a cast-list not far short of the who's who of seasoned Aussie actors and actresses, all pretty much unknown then. Strictly 70's film-making it paved the way for such as MAD MAX and must be acknowledged for that. Check out the Funeral scene on the Gosford Freeway! - heady stuff!

For me personally, I will always retain a soft spot for this film. I knew Sandy Harbutt and Helen Morse (then his wife) quite well during the making of this film as they purchased my beloved 1952 Riley 2 1/2 litre sedan from me, for the princely sum of $740. (You could add a zero to that today and then DOUBLE it!) Like that beautiful car, the film now remains a classic of its time!

The seventies hold a special place in time for me. 1974 was all about (in no particular order) Motorcycles, beer, LSD, marijuana, underground comics (freak brothers), Hawkwind, my girlfriend Karen and of course Stone (the movie).

Outlaw Motorcycle clubs were a lot different in Sydney back then, riding motorcycles (and drinking beer) was our only purpose in life. Back then only an idiot would ride a Harley and the dream bike was the Kawasaki Z1 900 that had only just been released. So imagine a film like Stone blasting it's way onto the screen resplendent with custom painted Kawa 900's! We were mesmerized, personally I remember seeing it 6 times at the local cinema.

Watching it today opens the gates to memory lane, those that use the F3 freeway north of Sydney will appreciate the shots of the road in the funeral procession scene; the road was brand new then! And the shots of the lower North Shore and Pittwater are truly a piece of Sydney's history. Note the absence of traffic.

Forget the acting, when you're 18, off your nut on drugs and that Z1 starts up with the baffles removed at the beginning of the movie, it's mind blowing!!! Non bikers can turn off here :O) Midnight's black Kawa 900 was my favorite, come to think of it, how many indigenous Aussies had a real part in a movie before this? Not many I'd say...

I've now been riding bikes for 35 years now and Stone still holds a special place in my heart. 10 outa 10 for Sandy.

Cosmic flash, and there ya go...

Mick.

I heard of this film about 6 months ago when Tarantino said that "it's the best Aussie exploitation film" i had to see what it was about. I am only a young guy but i appreciated the whole funeral scene on the F3, made me feel like i was actually there and could feel the bridge between the old generation who knew of this film to my generation who know nothing of this film. Sandy Harbutt used whatever he could find to make this film on such a budget could hardly be done now. Action stunts, a tad of gore, nudity and language are expressed in the film as a tad silly and over the top but it's suited for the time-frame the movie was shot in, isn't that what Exploitation is all about? Violence, Sex and Gore/Language? Barely any plot to move a story like this going? Well i thought of it that way since i am into my Cult/Exploitation and Horror, but it's good to see old Aussie films like this gem truly exist for people like us to see. A friend of mine from work knew who the spray painter of the cars was in this movie and still knows him today, so i got more of a profound idea of where this movie was shot, in NSW. Go out and see this film, low on plot and acting but high on emotions and nostalgia, Great work Sandy Harbutt.

Rated R18+ (still) For Violence, Gore, Language and Nudity