Chupke Chupke

Chupke Chupke - 1975

Here is a cute comic romantic story by Hrishikesh Mukherjee to chill your mind and heart. In 1975 where it was the era of big action drama films, Chupke Chupk made a humble effect and soothes the mood. One of the most effective things in Hrishikesh Mukherjee's films are creating a simplicity level for the audience out of that confusing stories which is a perfect example of creative writing and paying attention to the audience. All characters are playing a cute side of them with acting another side as well which is very well executed and not just comedy but the romance is also up to the mark created with the sense of good music.

The wikipedia defines FARCE thus: A farce is a comedy written for the stage or film which aims to entertain the audience by means of unlikely, extravagant and improbable situations, disguise and mistaken identity, verbal humor of varying degrees of sophistication, which may include sexual innuendo and word play, and a fast-paced plot whose speed usually increases, culminating in an ending which often involves an elaborate chase scene.

Was it Hrishi Da's intention to create a farce in Chupke Chupke? The situation was unlikely, the set-up improbable, there was mistaken identity, lots of verbal humor in many different languages, there was sexual innuendo and some quite explicit goings on for a Hrishikesh film. In fact except for the chase seen all other elements were in place.

A few things that I found particularly hilarious: 1. The fixation on the Jeeja Saali relationship.

2. The hilarious use of Botany - and particularly Corolla! LOL! Jaya wanted the Botany Prof to teach her about the corolla, and it took him all night to study that up! And everyone would walk about with a flower in their hand.

3. The students who were most fascinated by corollas and by the handsome professor were ALL women. Was this Hrishi Da's wink wink nudge nudge at Botany being a pursuit for women? In fact a classy British store has a women's cardigan line called BOTANY! 4. Dharm was simply awesome. "Main jab ghabra jaata hoon to haklaata hoon, aur haklaata hoon to Urdu bolne lagta hoon!' His comic timing was perfect.

5. Amitabh was excellent too - his over-hyped nervous impersonator who studies up corollas all night and then starts off in a booming Shakespearean mode "There are ten types of.." only to be cut off by Jaya as she tell him she studied that part already! The film ended on a slightly unsatisfactory note but I don't know how else it could have culminated. All in all I gave it a 8/10, a lot of laughs and fine acting by the lead due. The ladies did very well too.

Hrishikesh Mukherjee known for his simple and yet excellent movies gives us a comedy which is so delightful, it is remembered even today

The film has several hilarious moments, especially between Dharmendra-Om Prakash and will make you die laughing especially their Hindi vs English scenes

The film has all ingredients well balanced, comedy, romance and it makes for an entertaining film something we miss from today's comedies especially Rohit Shetty type of rubbish comedies

The first half has several hilarious moments which make you die laughing while even the second half have several hilarious moments and you'll keep waiting for more

Direction by Hrishikesh Mukherjee is classic Music by S.D.Burman is superb, Sare Gamapa sung by Kishore/Rafi is superb while Ab ke Sawan is superb and rest are superb

Dharmendra shows his range as a comedian and does a brilliant job, often known for his action roles, Dharmendra was superb in 70s in all genres sadly post 80's his comedy became terrible But here he excels Amitabh in a supporting role excels in his comic part perhaps his first comic role,his expressions and dialogue delivery are flawless Both appeared together in SHOLAY and their chemistry is fabulous Surprisingly both diverse films in the same year Amitabh and Hrishikesh made several classic films like ANAND(1971), ABHIMAAN(1973), MILI(1975), ALAAP and BEMISAAL(1982) Sharmila is a natural and does a brilliant job Jaya Bachchan too leaves a mark in a smaller role Om Prakash is hilarious in his role, his role is the important part in the film and he excels in his part Amongst rest Asrani in a small role does well and rest are okay

Chupke Chupke is masterpiece by Hrishikesh Mukherjee, I love his style of story telling be it Bawarchi, Rang Birangi, Naram Garam, Golmaal, Khubsoorat, Buddha Mil Gaya, all of which are great movies. All his stories have very simple storyline, powerful cast, lots of human emotion and patriotism towards Indian culture and languages.

Dharmendra is truly amazing, and so is Amitabh Bachchan and rest of the cast supports them well. Since most of the dialogs are in pure Hindi, some people may find it difficult to follow. Hrishikesh Mukherjee through his movies and characters always pointed to some aspect or the other of the lives of Indian people, and hence all his characters always feel very real and get deep inside your skin and you become a part of the act.

The practical joke played by a Botany professor on his brother-in-law is the focus of the movie, as pointed out by other commenter. Chupke Chupke is a film in which the dialogs combine with the situations to collectively impart the comic momentum to the movie which persist till the very last minute, very very entertaining film, highly recommended for the entire family. If you liked this movie, then do give the movies mentioned at the beginning a shot, you would thank me later. :) also highly recommended.

A newly married professor implements an amusing plan for getting introduced with the family of his elder brother-in-law under false pretense. It is approved by his wife and actively supported by a few friends. The couple doubly enjoys the secrecy. They continue the whole plan of joking tricks until it becomes enough. Otherwise, they enjoy the desperate love relation in a climate of adventurous hiding.

A prolonged play of secret humor--the broad connotative meaning of the title-- does not lose its relish due to the compact screenplay, the excellent performances of the casts, proper editing, wonderful music by Sachin Deb Barman and a few other supportive constituents of the film. Though the social composition of the characters, the social nature of turns and twists of the sequences focus on the educated urban Indian middle class, the lucid narrative seems to communicate a stable flow of comedian pleasure to all viewers. The final revelation of the true identities among the characters is accelerated because of the maturity of a new love relation. The narrative seems to challenge softly some insensible social norms. It also expresses its deep conviction about love and honesty of individuals and obviously its trust on the creative capacity of intelligent and humorous individual.

Any regular Indian film lover would enjoy the nice acting of at least four film stars--Dharmendra, Sharmila Tagore, Amitabh Bachchan and Jaya Bhaduri-- in simple social images and appreciate director Hrishikesh Mukherjee for another successful experiment. The film makes the spectator reminiscent of the genre, which rarely used the very close and the very long shots and rapid cuts. In spite of a theatrical design of the screenplay it could provide the actors and the actresses with the greater scope of establishing their performing talents. The use of bright light and sustained delight of the romantic characters in the family drama--initiated by an unconventionally sensitive, urban, academic personality--makes the film a bright entertainment.