Breakheart Pass

Breakheart Pass is a wicked tough, badass Charles Bronson action vehicle steeped in the macho charm on the 1970's, and filled with ever changing photography as a train hurtles across the Nevada and Idaho mountains during a snowy winter. Onboard is John Deakins (Bronson), a dangerous outlaw being transported as prisoner to a remote, well guarded fort somewhere deep in the wilderness. Deakins isn't who he seems though, and neither is anyone else onboard for that matter. When a murder occurs, he takes it upon himself to wage a bloody crusade on everyone else in order to find the truth about what's going on, and the truth about their frozen voyage. Bronson is nails tough, doing some deliriously sketchy stunts and engaging in blessedly R rated, pretty intense violence for 70's standards. The cast is stacked, other passengers include Ed Lauren, David Huddleston, Richard Crenna, Charles Durning and Ben Johnson as the ruthless federal marshal in charge of Deakin's transport. A rock solid genre picture, thrilling, decked out in western production design and filled with savage, bullet ridden, bone breaking set pieces.

Alistair MacLean spent most of his novelist days writing wartime suspensers or twisting, turning thrillers. The one book that he wrote which doesn't fit either of those descriptions is Breakheart Pass, a western set aboard a train. This film version of it is surprisingly enjoyable, and features the added bonus of an expressive, colourful characterisation by Charles Bronson.

The train is travelling to a fort in the Wild West with medical supplies to cure an outbreak of a nasty disease. However, some of the soldiers aboard the train are mysteriously disappearing, and anyone who's ever seen a film like this will figure out straight away that there's a murderer on board. Furthermore, the train must make its journey across hostile Red Indian terrain, where a fearsome ambush or a sabotaged stretch of track is only a spear throw away.

Bronson plays a mysterious outlaw who is held prisoner on the train, though there are plenty of clues that he may not be exactly who he says he is. Other well delineated characters are played by Richard Crenna, Jill Ireland, Archie Moore (yes, the boxer!), and Ed Lauter. One truly amazing sequence involves a rooftop scuffle between Bronson and Moore.... indeed most people who have ever seen the film remember it for that sequence more than any other. All things considered, Breakheart Pass is one of the better adaptations of a MacLean novel, admittedly not quite in the same league as Fear is the Key or Where Eagles Dare, but definitely worth seeking out, especially on DVD.

The movie is a little too long, the plot isn't the greatest, and it "drags" here and there, but all the actors are excellent - Richard Crenna and Ben Johnson in particular. Charles Bronson does what he does best - be Charles Bronson. It has good stunts, and plenty of action - what you expect from a Western. To me the main item of interest is that Yakima Canutt, the first great movie stuntman, and later a great stunt coordinator, was the 2nd unit director. It was his last movie. He died the next year - 1976. He started in silent movies, worked with John Wayne on many occasions, and staged the chariot race in the nine-Oscar winning "Ben Hur." It's fitting that his last movie was a Western.

entertaining but ludicrous western mystery, starring charles bronson at the height of his career, with beautiful outdoor scenery, a familiar cast and an uneven but at times memorable score from jerry goldsmith.

bronson plays an alleged arsonist and murderer who is being escorted to trial by a state marshall, on board a train that's also on a rescue mission to an army camp beset by disease. nothing is what it seems, and there are plot twists galore, several of which make no sense. most ridiculous development sees murder suspect bronson allowed to roam the train at will, as he figures everything out.

but the taciturn star has his roughneck charms, the railway sequences through the wintry, mountainous terrain are lovely, and there's an incredible, lengthy fight atop the rolling train that is eyepoppingly good -- no special effects here -- and escalates to a jaw dropping climax as the train rolls over a high wooden bridge.

nothing special, but an entertaining diversion.

A good time is guaranteed when one sits down to watch this exhilarating blend of action, Western, and suspense - largely set on a train. Based on the novel by Alistair MacLean, and scripted by the author himself, it has an engaging plot with twists and revelations along the way.

Charles Bronson delivers a fine performance as John Deakin, a wanted man who is brought aboard a train headed to Fort Humboldt, which is supposedly experiencing an outbreak of diphtheria. We'll find that things are not as they seem, and the characters cannot be taken at face value, either.

The phenomenal supporting cast is a pleasure to watch; there are so many good actors in one place here. Ben Johnson, Jill Ireland (looking quite beautiful), Richard Crenna, Charles Durning, Ed Lauter, Bill McKinney, David Huddleston, Roy Jenson, Robert Tessier (who curiously seems to be dubbed by Paul Frees), and Sally Kirkland are all present and accounted for; the young trooper Rafferty is played by Paul Newmans' son Scott.

The action is first-rate and the movie, just like the prominent mode of transportation, races forward. Tom Gries directs first unit, with the legendary Yakima Canutt handling the second unit and the stunt coordination. Among the highlights are an intense fight between Bronson and boxing champ Archie Moore (who plays the dubious chef Carlos), and an incredible train crash. And it's all done in the classic tradition without the modern tendency to rely heavily on special effects.

We already know we're going to have some serious fun with the opening credits, courtesy of Phill Norman, accompanied by a majestic, powerful, catchy main theme by Jerry Goldsmith, which this reviewer can still hear in his head as he types this. The movie gets right down to business, with a good solid story that has no need for filler, and which moves right along to a nicely executed action climax. The movie's got something for a variety of tastes, and makes for mighty fine escapism, which manages to remain fun on repeat viewings.

Eight out of 10.