Diagnosis: Murder

This film was basically meant for TV with the quality of the cast and a largely well known in the US British cast and a script by Ivan Goff, Ben Roberts and Philip Levene and was originally intended for showing on TV in the US and a theatrical release in the UK but it only got the latter.

An obnoxious police inspector named Lomax (Jon Finch) investigates sleazy and mysterious psychiatrist Dr.Stephen Hayward (Christopher Lee) suspected of having killed his wife Julia who is nowhere to be found and may not even be dead.

But a serious of anonymous notes state straight out that he murdered his wife. Someone is determined that the police become fixated on the rude, indignant and downright creepy shrink. Hayward doesn't win a lot of sympathy and for most of his life never really cared to. But being a jerk and being a murderer are not synonymous.

Placing Hayward under surveillance 24/7 and combing every inch of his property the cops find nothing. Ordered to drop the investigation the real plot begins to peel away.

Dr.Hayward's mistress/secretary Helen (Judy Geeson) does some investigating on her own with unexpected results. Whether she will reveal what she knows goes beyond simply worrying about her own complicity. She shares something in common with Lomax and through that he has insight into what is really happening.

They are both having affairs with married people but his morality interferes with his relationship and hers does not. The juxtaposition is thus not between killer and detective but rather between detective and accomplice. In that respect it reflects the kind of police work that is often done but seldom properly dramatized.

Finch was too young to portray the cynical, edgy alcoholic police inspector but the quality of the performance takes some of the edge of the casting choice. The mystery is appealing on a lot of levels but the brisk run time suggests they had room for more and didn't use it.

The movie poster used to market this film suggests they wanted audiences to think that it was horror which it is not and which it at no time resembles. It is more mystery/thriller but audiences of the day had come to know Christopher Lee mostly as a horror film star and producers evidently wanted to exploit that. The irony is that Sir Christopher was looking to carve out a niche beyond horror around the time this was made.

Jon Finch, Judy Geeson and Tony Beckley would have done their share of horror titles before this one became available on home video which probably confused a lot of audiences who rented it thinking it was horror when it fights the niche of mystery/thriller more properly.

"Diagnosis: Murder" is a most unusual film for Christopher Lee. Instead of playing a monster, a Satanist, a maniac or Sauron, he plays a seemingly 'normal' guy. Of course, he isn't! You see, Dr. Hayward's wife is missing...and the police soon realize that he might be their number one suspect, as Hawyward has been having an affair. This is also interesting, because his story, in some ways, parallels that of the investigating officer.

Overall, this is a mildly enjoyable police drama and is worth seeing...particularly if you want to see the very prolific Lee playing something different!

By the way, if you do watch the film, note the opening credits...they are pretty creative and cool.

"Diagnosis: Murder" constantly feels like an extended episode of "Midsomer Murders", or any other random Krimi/crime investigation TV-show, but nonetheless a very good episode and – more importantly – one starring the almighty Christopher Lee in another terrifically sinister role. Although I can't find any info or articles to confirm, the film often gives the impression of actually being the pilot of a TV-series that eventually never aired. Some of the sub plots, notably the one revolving on Inspector Lomax' relationship with a married woman, indicate there was a lot of extra subject matter to embroider with the same lead characters, but alas, the TV-show never came. "Diagnosis: Murder" is an engaging little murder-mystery, opening with truly frightening of a woman under the attack of an unidentifiable man with a shotgun. The woman turns out the wife of eminent psychiatrist Dr. Hayward, and he reports her missing immediately after the assault. Hayward promptly becomes the prime suspect in the case, especially because Insp. Lomax receives anonymous letters accusing appointing the pompous doctor as the culprit. The investigation initially leads nowhere, but Insp. Lomax is somehow convinced Dr. Hayward knows more about the disappearance of his own wife. The first and most major revelation of the plot comes quite early in the film (so early even that the synopsis on IMDb spoils it … so don't read!) but luckily the screenplay provides more than enough extra twists and hidden sub plots to keep the wholesome compelling until the very end. Moreover, the movie even ends somewhat mysterious and open for new material, which once again raises the impression the film is a forerunner of a series. "Diagnosis: Murder" obviously isn't gory, but it's an involving story-driven thriller with an uncanny atmosphere throughout. The rural British filming locations are adequately chosen (especially the secluded lake) and director Sidney Hayers could rely on a terrific ensemble cast. Christopher Lee is impeccable as always, but here he receives excellent support from John Finch, Tony Beckley and Judy Geeson. "Diagnosis: Murder" is extremely obscure and almost impossible to track down for some reason, but well worth tracking down if you're into typically British thrillers.

Christopher Lee plays a strange psychiatrist who's wife goes missing and who's the subject of letters mailed to the police saying that he has killed his wife. The police dive into the case with zeal and find that things concerning the case just don't really add up.

This is a really good thriller with a many nice twists. I like that you're over half way into the movie before you have any idea what's really going on, and once you do know, things don't take a predictable path to the end.

This is a small gem of a movie thats well acted by all concerned. The actors actually give their characters a life that isn't typical for what seems to be, but really isn't, a by the numbers mystery. Jon Finch, as the detective makes an excellent foil for Christopher Lee by simply refusing to do what he's suppose to.

My sole complaint is that the ending wasn't 100% clear, then again based on IMDb's running time the version I saw was missing about ten minutes so something may have been cut (or more likely I wasn't paying enough attention) . Definitely worth seeing, or in my case re-seeing.