The Farmer

So it was not until later that I realized what an testosterone packed, ultra-violent film it was, (I just assumed "all" American movies had taken the lead from Sam Peckinpah, since I'd been overseas...Wrong!:0) yet "The Farmer" was well done and you cared about his mission and survival. I'd shave all the hair off my left one to have this movie on DVD!!! It is an overlooked gem of it's genre' and "rules" on the viceral level (i.e., you want to see the Farmer take out the bad guys, similar to the buzz engendered in the original Bronson's "Death Wish", but much less repellent). It even has some historical accuracy in reference to the treatment of returning war veterans (I remember respecting that touch at the time). Not to be missed by action fans...

Shortly before returning overseas as a Marine, I saw this film at the base theater.I can count on my fingers the films which stand out as being the most memorable over the years to me.The Farmer was not only action packed but also embodied all of the noble traits and causes an honorable warrior could possess and champion.This was a great vicarious fantasy and it is a shame that there seems to be no way to get this film re-released.The film was also strong in that it addressed a number of social and moral issues.Without a doubt, The Farmer still evokes a visceral reaction when remembered. This was a very well thought out plot and at the same time very easy to follow. Of course when revenge is a prime motivating force...we can all identify with this silver star winner and his resolve.Semper-Fi and lets try to get this great film re-released.

In the immediate wake of WW2, a decorated soldier returns to his small rural farm, now in a state of disrepair and facing imminent foreclosure. After saving the life of a smalltime racketeer in a road accident, and latterly taking up with his pert young lady-friend, a string of increasingly brutal intimidations perpetrated by local gangsters pushes him to his breaking point. Throwing his humble virtuosity over his shoulder, he proceeds to wage bloody war against the town's iniquitous mob kingpin and his degenerate scumbag lackeys.

Following its limited and somewhat controversial 1977 release, THE FARMER remained virtually unseen and largely forgotten for decades. With the advent of social media, occasional mention of the film led to increased interest, and THE FARMER became widely noted as a lost, or at least uncommonly unattainable picture. After a few ensuing screenings and an unauthorized Youtube upload of poor quality, the film finally received a proper Blu-ray release, and it was well worth the wait.

As one of many vigilante justice/vengeance pictures made after the unexpected runaway success of DEATH WISH(1974), THE FARMER is certainly among the cheapest and most graphic of the lot. GARY CONWAY, possibly most noted as a beefcake actor in 60s B films, provides an appropriately staid performance as the archetypal decent man, driven by villains to decidedly not-so-decent, but ultimately condign acts of violence. Lovely ANGEL TOMPKINS is equally suitable as his brassy but principled love interest, and their support players perform accordingly. The late-40s period styling(cars, apparel, interior furnishings, etcetera), is surprisingly well appointed for a low budget film, the exception being a brief scene shot during an actual street parade, wisely presented as a consecution of rapid jump-cuts to minimize the observable 1977 fashions of the crowd.

The first few expository minutes are a bit patchy, and an iterant folk ballad is overused, but THE FARMER is a film easily forgiven of its various shortcomings. It's a tense, excessively violent, and occasionally poignant film imbued with a cynical postwar noir mien, variably redolent of pulp paperbacks by writers such as Jim Thompson and David Goodis. Now that it's readily available, I suspect the film will medialize an enthusiastic viewership, and hopefully receive some long-withheld acknowledgements.

7/10...better late than never.

I recently watched The Farmer after it was, very briefly, posted on YouTube. I had been wanting to see the film since I read a negative review for it twenty some years ago. The print was rather poor, but beggars can't be choosy.

I have seen all six Death Wish movies, both Exterminator films, both Get Carter movies, plus about a dozen other revenge films. My favorites are Rolling Thunder and the original Get Carter, the ending of which The Farmer borrows (with admittedly a slightly different outcome). I like revenge movies, but The Farmer was just so-so.

The plot has Kyle Martin (Gary Conway), a Silver Star winning WWII veteran, returning from the war to find his family farm about to be auctioned. He needs money fast. The farmer's life changes after he rescues a gambler (Michael Dante) from a car wreck. The two men take a shine to each other. Later, when the gambler is blinded by the local (Atlanta?) criminal machine, the gambler offers the farmer a deal. He will give Martin enough money to save his farm if the farmer kills the goons.

The shootouts and revenge scenes were grim, bloody, and exciting, but those were almost all in the last half-hour. What wore me down was the first half of the movie with its arty montages of farm life as Gene Clark plays in the background. Plus, in spite of having four writers, the film did not do that good of job at setting things up. All the bonding time the farmer and the gambler apparently had to justify the latter calling on the former to become a hitman is not in the film. Also missing is all of the set-up for the romance between the farmer and the gangster's moll (the lovely Angel Thompkins), who seems all too happy to give up her fast life to chase chickens around a farmyard.

The filmmakers seem unsure of what kind of movie they are making. The Gene Clark songs and much of the opening suggests a period rural drama. It is also a gangster film and, at the end, a revenge film. Its odd structure reminds me a little of another film, Framed with Joe Don Baker, which begins as a movie about gamblers, becomes a prison flick, and also ends a revenge movie. However, the structure of Framed seems deliberate while The Farmer feels a bit confused about what it wants to be.

Is The Farmer worth watching? Yes, providing one has reasonable expectations. However, had the film been released on VHS tape by Columbia in the early 1980's, I don't think its cult would have been as strong. Had I saw The Farmer as a young man, around the same time I saw Young Warriors (a revenge film I champion), I might have more nostalgia for it, but I think I still would have preferred Young Warriors. Regardless, The Farmer has come a little late in my film viewing life for it to stand out.

Upon returning home from his service in World War II, Kyle Martin (Gary Conway) finds his family farm in foreclosure, with no way to pay off the debt. Things appear to take a positive turn in a serendipitous way, only to result in Martin being drawn into problems with local gangsters.

THE FARMER is a revenge film with a bit of a twist. Martin is offered big money to take vengeance for someone else, but he's in no hurry to do the deed, until those he's supposed to kill make it personal.

The build-up is rather slow, but the final 30 minutes are worth the wait. Mr. Conway is convincing in his role, as is Angel Tompkins as his love interest.

There's a nice twist ending that you might not see coming...