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The Ghoul

  • 1975
  • R
  • 1h 28m
IMDb RATING
5.3/10
2K
YOUR RATING
John Hurt and Peter Cushing in The Ghoul (1975)
HorrorThriller

A former Priest named Dr. Lawrence harbors a dark and horrible secret in his attic. The locked room serves as a prison cell for his crazed, cannibalistic adult son, who acquired his savage t... Read allA former Priest named Dr. Lawrence harbors a dark and horrible secret in his attic. The locked room serves as a prison cell for his crazed, cannibalistic adult son, who acquired his savage tastes in India during his father's missionary work there. Lawrence fears that his son will... Read allA former Priest named Dr. Lawrence harbors a dark and horrible secret in his attic. The locked room serves as a prison cell for his crazed, cannibalistic adult son, who acquired his savage tastes in India during his father's missionary work there. Lawrence fears that his son will escape to prey upon the effete guests at his rural English estate during a cross-country ... Read all

  • Director
    • Freddie Francis
  • Writer
    • Anthony Hinds
  • Stars
    • Peter Cushing
    • John Hurt
    • Alexandra Bastedo
  • See production info at IMDbPro
  • IMDb RATING
    5.3/10
    2K
    YOUR RATING
    • Director
      • Freddie Francis
    • Writer
      • Anthony Hinds
    • Stars
      • Peter Cushing
      • John Hurt
      • Alexandra Bastedo
    • 51User reviews
    • 24Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Photos15

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    Top cast10

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    Peter Cushing
    Peter Cushing
    • Doctor Lawrence
    John Hurt
    John Hurt
    • Tom Rawlings
    Alexandra Bastedo
    Alexandra Bastedo
    • Angela
    Gwen Watford
    Gwen Watford
    • Ayah
    Veronica Carlson
    Veronica Carlson
    • Daphne
    Don Henderson
    Don Henderson
    • The Ghoul
    Ian McCulloch
    Ian McCulloch
    • Geoffrey
    Stewart Bevan
    Stewart Bevan
    • Billy
    John D. Collins
    John D. Collins
    • Young Man
    Dan Meaden
    • Police Sergeant
    • Director
      • Freddie Francis
    • Writer
      • Anthony Hinds
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews51

    5.32K
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    10

    Featured reviews

    6ma-cortes

    Decent Tyburn terror with shocks, tension, chills and eerie as well as gory scenes

    We are in the world of Hammer Production now subtly calling themselves Tyburn , dealing with some drivers after a local auto race begin disappearing . Violin player ex-missionary : Peter Cushing arrives back from India with a mystical Hindu servant and a horrible secret. Bright young things crash their motor outside the front gate and are whisked away in by poor man : John Hurt. The unfortunate youngsters are lost on the marshes that long time ago were used by the army as a training area. But they wind up at a worst place, at the dark mansion where stalks terrible secrets.

    This Horror film contains thrills, chills , brisk frames, blood and gore. A familiar script full of shocks, screams and surprises by John Elder and remarkable presence by the splendid Peter Cushing , as he enhanced everything he was in . Nice settings and production design, including moorland scenes completed with smoke bomb billowing away just out of camera . Cast is pretty good, the always great Peter Cushing as a defrocked clergyman, the picture improves immensely once he shows up, he was born to act in movies like this , the Hammer girl Veronica Carlson, Alexandra Bastedo , Ian McCulloch , Glenn Watford as a religious Hindú and sadly wasted John Hurt as the lunatic family gardener .

    The picture displays a colorful but dark cinematograhy by John Wilcox with full of foggy ambient . As well as thrilling and suspenseful musical score by Harry Robertson and conducted by regular Philip Martell . The motion picture written by John Elder or Anthony Hinds was professionally directed by Freddie Francis who usually worked with Peter Cushing . He was a good director and a prestigious cameraman . Freddie made a lot of terror films , many of them starred by Peter Cushing , such as : The Creeping Flesh, Craze, Paranoiac, The Skull , Witness madness , Son of Dracula, Legend of the Werewolf , Trog , The Deadly Bees , Dracula Has risen from the Grave , Tortura garden , Hysteria , Docotor Terror , Nightmare , The Evil of Frankenstein, The Brain, Doctor and the Devils , Tales from the crypt , Crypt tales . Rating : 6/10 . Passable and acceptable . The flick will appeal to Peter Cushing fans .
    7coltras35

    A ghoulish treat

    At a party in the 1920s, two dizzy couples challenge each other to a car race to Land's End. But the race ends in fog near a lonely, dark mansion where Peter Cushing offers hospitality at a gruesome price!

    A seriously underrated horror film that boasts some great atmosphere, swirling mists across the moor, the dread and an engaging story, but the pace can be slow at times. However, generally this is a good chiller that also features some gory moments, if only towards the end. Loved the 1920's setting. Peter Cushing acts superbly, like usual, and looks quite melancholic. His wife had died recently. In the scene the woman in the photo is his wife.
    The Welsh Raging Bull

    Lame shocker, but what a performance from Peter Cushing!

    This is the first film from Tyburn Productions (a supposed latter-day successor to Hammer and Amicus; they also had Peter Cushing starring in Legend of the Werewolf(1975) and Masks of Death(1984)).

    This has to rank as one of Peter Cushing's most memorable performances - his role is portrayed with such dedicated nervousness and emotion, that the viewer immediately gets his sympathy.

    The female photographs used in the movie are of his real wife Helen, who had passed away in 1971. The tears that Peter Cushing sheds in this film are for real and it did affect the rest of the cast quite deeply.

    Aside from this, the plot stumbles along with yawning gaps of pointless dialogue and actionless scenes, until the Ghoul is revealed at the end. It's not really worth the wait!

    Watch it only for a dedicated professional at work who steals all the scenes and makes a poor film seem passable.
    9josephbrando

    A Must-See For Hammer Fans

    "The Ghoul" was produced by Tyburn Films - one of the British Horror Companies that spurted up in response to Hammer Studio's worldwide Gothic horror movie success. This one should be of immediate interest to anyone who likes those films as it stars Hammer veteran Peter Cushing, Hammer starlet Veronica Carlson and is written and directed by Hammer stalwarts Anthony Hinds and Freddie Francis.

    Ghoul begins at a roaring 1920's party where four bored guests decide to go drag racing and wind up at a strange mansion in the forest where a former priest (Cushing) resides with his creepy Indian housekeeper (brilliantly portrayed by Gwen Watford), and sadistic groundskeeper (a very early role by John Hurt). Now, I'm sure some of you may be raising your eyebrow and thinking "that tired story again?" - but as anyone who likes these kinds of movies knows, its all about the execution and this one's got it nailed down perfectly.

    There are some gory surprises, nice Gothic stylings, and excellent performances nestled inside of this very vague, very familiar story. Alexandra Bastedo, is particularly wonderful as one of the feisty teenagers, ethereally beautiful Carlson is always a joy to watch and Cushing gives one of his finest turns ever here. Anyone who likes Hammer movies or Gothic horror in general would be well-advised in seeking out this lost treasure that for some reason, in spite of its stellar cast and production crew, has escaped a genuine DVD release in any country.
    8HumanoidOfFlesh

    Creepy British horror flick with great central performance of Peter Cushing.

    England during the 1920s.At a party, two bored men challenge each other to a car race to Land's End.But one of the cars breaks down.Daphne Wells-Hunter walks to the nearby country estate to find help and meets Dr Lawrence,a former missionary to India,who lives in seclusion there. But then she is killed by the bald,cadaverous man that Lawrence keeps locked in an upstairs room and her companion is pushed over the cliff in the car.Their friends come looking for them and refuse to believe Lawrence's explanation that it was an accident.Interesting British production from Tyburn Films,founded by Kevin Francis.Not much is ever explained about cannibalistic ghoul hidden on the attic.The atmosphere of strangeness amid the mist-flowing moors is certainly well evoked and Peter Cushing gives a memorable performance as always.I have seen this film for the first time as a kid and it really creeped me out.8 out of 10.

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    Related interests

    Mia Farrow in Rosemary's Baby (1968)
    Horror
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    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The photograph of Dr. Lawrence's wife is a photograph of Peter Cushing's own wife. She died suddenly in 1971 and Cushing mourned for the twenty years he survived her, often commenting that his only real joy in life was contemplating being reunited with her after death.
    • Goofs
      At c. 27 minutes we see Peter Cushing tuning his violin but he is not playing the open strings that we hear. Furthermore, later shots of his violin playing are extremely badly mimed.
    • Quotes

      [after Dr. Lawrence mentions his wife's suicide]

      Daphne Welles Hunter: I'm sorry, I shouldn't be so inquisitive. It must be very painful for you to talk about it.

      Dr. Lawrence: The pain is there, whether I talk about it or not.

    • Alternate versions
      The Ghoul was originally certified by the UK BBFC at 93m following cuts to (a) remove the third close-up of the knife embedded in Geoffrey's face (b) remove a knee to the groin delivered by Veronica Carlson to John Hurt. However, the subsequent theatrical version was only 87m following some last minute snipping by the distributors. The full 93m version, with BBFC cuts restored, was subsequently released on UK video on the Taste of Fear label. The differences are as follows:
      • the opening party sequence is extended by about 2m 30s via several additional dialogue extensions that largely serve to explain Carlson's character. In particular the conversation between her and Ian McCulloch when she is sitting in the car is nearly a minute longer and the subsequent three way conversation by another car involving Stewart Bevan is extended by about 40s.
      • About 35m into the film, directly after Peter Cushing asks Carlson whether there is anything she would like before dinner, the extended version has a new sequence lasting about 2m 30s in which Carlson is escorted upstairs to her bedroom and takes a bath (fans of the lady should note that her left breast is briefly visible). This sequence is missing entirely from the theatrical print.
      • After Bach's tocatta and fugue strikes up on the soundtrack the extended version has an extra 1m showing Carlson emerge from the bedroom, clothed again, and go down the stairs where she then peeks in on Cushing in his chapel. In the theatrical version it's a bit odd that Cushing is surprised by her given that in the previous scene they'd been together in his drawing room.
    • Connections
      Referenced in House of the Long Shadows (1983)
    • Soundtracks
      Nocturne No. 2, Op. 9 in E-Flat Major
      (uncredited)

      Written by Frédéric Chopin

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    FAQ14

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    Details

    Edit
    • Release date
      • June 1, 1975 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Night of the Ghoul
    • Filming locations
      • Heatherden Hall, Pinewood Studios, Iver Heath, Buckinghamshire, England, UK(opening party sequence)
    • Production company
      • Tyburn Film Productions Limited
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 28m(88 min)
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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