Garm Hava

This is an outstanding film and should be considered a landmark in Indian cinema. The subject matter is the 1947 partition of British India, into India and Pakistan. The story is about a Muslim family in Agra, and the central figure is that of Salim Mirza (Balraj Sahni in his memorable last role). The film deals with the state of Muslims in the Hindu India immediately after the partition, when the situation is full of anger and passion (hence the name Garam Hawa, meaning Hot Winds) resulting from people uprooted out of the political decision to divide the land based on religion. While his brother, sister and the older son decide to move on to Pakistan, Salim Mirza stays in India to live and fight for his rights as a citizen. Along with him is his younger son, who had just finished college at the time of the partition and he joins the activists demanding proper & just government of this new born democracy. The film is no doubt influenced by Satyajit Ray's work (and of De Sica) in use of actual locales, using many non-professional actors and staying away from the trade mark Hindi-film song and dance numbers. Balraj Sahni is the main stay and delivers a superb performance, although the supporting performances are equally wonderful. M.S. Sathyu as the director deserves to be remembered just on the basis on this single effort. Color cinematography is very good and the background of Taj Mahal in Agra and the old Mughal city of Fatehpur Sikri has been well used. Music by Sarode maestro Ustad Bahadur Khan adds to the value of this production. This film, with English sub-titles, is now available on DVD in US and Canada. Definitely a must-see.

Based on an unpublished story by famous Urdu writer Ismat Chugtai, is one of the few movies dealing with state of Muslims who stayed back in India post partition. This film captures the struggle and anguish of the Muslim people who found themselves in strange situation where they in their own country were treated as outsiders. Salim Mirza, played brilliantly by Balraj Sahney, is one such Muslim who stays back in India. He with his family has to fight to find their identity and respect in this new country with changed realities. He can only watch as his world is slowly ripped by tragic aftermath of partition. Sikandar, played by Farooq Shaikh, is Salim Mirza's unemployed son who is often on his face told that he might have a better chance in Pakistan. The fabulous story, great performances (especially of Balraj Sahani) and the sensitivity of the content makes it a must watch. Garam Hawa was initially banned but eventually it won a national award for national integration and was even screened in Pakistan.

All in all a genuine presentation of a sensitive social issue! right from the director upto the actors have done exceptional justice to characters and the plot. A must watch i'd like to say...in order to understand the sociological effect of the Partition in its true sense. in fact the difference of principles between the two characters - Halim and Salim Mirza reveals much about the contemporary ideological flow. Again a huge chunk of kudos goes to the director Mr. Sathyu for his superb plot treatment esp. the elements of humor (in the form of dialogues of granny which also acts as sarcastic material) that he has blended up with the overall sensitiveness of the plot talks about his strategic acumen!!

The film continues the thread throughout that post independence any Muslim who migrated to Pakistan had an easy, successful life. The subtle barbs are unmissable when they show that anyone moving out of the country with contempt are proven right, and even those who reluctantly moved, did well after settling in Pakistan ( got scholarship to Canada, and lots of orders from the army etc). And those staying back lose their homes, businesses, even their children are jobless and get cheated and commit suicide. Whate is the intent of such a film than misguiding the Muslim youth our countrymen to feel a regret, and as if a missed opportunity. To feel alienated and having to fight for an equal treatment. The film ends in that note to complete its tale of woe. A completely wrong message and to hail such films as landmark and must-watch is to only rub salt on the wounds of those who want our countrymen to feel wronged and disloyal. The film itself has great performances, good editing and direction, hence I rate it a 6 on IMDB.

All those involved with this movie have done a service to Indian people, who are interested in history, partition, Hindu-Muslim relations etc. It does not matter whether this movie was declared hit, semi-hit or average, but it has left an incredible mark on one's psyche. It moves oneself to see those Muslim people who chose to stay behind in India, with their plight and dilemma. It definitely plays a big role to arouse sympathy and a soft corner for Muslim brethren who chose to stay in India, despite all the odds against them. All those associated with the story like Ismat Chugtai, Kaifi Azmi & Shama Zaidi have given an unbiased portrayal of that time. The story seemed to be too real. One loves to see the Muslim family in the movie sitting together and having their meals, where everybody participates in the discussion of the circumstances. Like the story, acting was natural all across the board, the only regret being, one expected some memorable songs, at least one or two, which were not there. Music is like dessert to an Asian mind, which adds to the lasting taste of the meal. With good music, this movie might have been declared a commercial hit too.