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IMDbPro

Inserts

  • 1975
  • NC-17
  • 1h 57m
IMDb RATING
6.3/10
2.7K
YOUR RATING
Richard Dreyfuss and Jessica Harper in Inserts (1975)
A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.
Play trailer2:13
1 Video
57 Photos
Dark ComedySatireComedyDrama

A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.

  • Director
    • John Byrum
  • Writer
    • John Byrum
  • Stars
    • Richard Dreyfuss
    • Jessica Harper
    • Bob Hoskins
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    2.7K
    YOUR RATING
    • Director
      • John Byrum
    • Writer
      • John Byrum
    • Stars
      • Richard Dreyfuss
      • Jessica Harper
      • Bob Hoskins
    • 40User reviews
    • 37Critic reviews
  • See production info at IMDbPro
  • Videos1

    Trailer
    Trailer 2:13
    Trailer

    Photos57

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    Top cast5

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    Richard Dreyfuss
    Richard Dreyfuss
    • Boy Wonder
    Jessica Harper
    Jessica Harper
    • Cathy Cake
    Bob Hoskins
    Bob Hoskins
    • Big Mac
    Veronica Cartwright
    Veronica Cartwright
    • Harlene
    Stephen Davies
    Stephen Davies
    • Rex, the Wonder Dog
    • Director
      • John Byrum
    • Writer
      • John Byrum
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews40

    6.32.7K
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    Featured reviews

    7smatysia

    A decent, and different film

    I knew absolutely nothing about this film before viewing it recently. Richard Dreyfuss, is, of course a very famous actor, although this movie was near the beginning of his career. It is sexy, but the furor over X ratings back in the day was much overblown. (No pun intended) The MPAA made a big mistake using X as a rating, because the porn industry immediately invented XXX. NC-17 is a better idea, but it should maybe be used for things other than sex, such as graphic violence. It is weird you can't show much frontal nudity, even without graphic sex, but you can show dismemberment and disemboweling to teenagers all day long. Anyway, this was a nice, and quite odd character study, mainly in Dreyfuss' and Jessica Harper's roles. And the young Veronica Cartwright was interesting, too. A decent, and different film.
    reyn-1

    Ahead of its time, this small gem deserves tape release

    This unusual and imaginative tale is well-acted, funny, and a credit to Dreyfuss, Harper (Phantom of the Paradise), and Hoskins (The Long Good Friday). The comments of others will give you a sense of the plot line; the sad thing is that you may never see this small gem, which richly deserves to be released on tape. I certainly regret not being able to see it again.
    ubiquit2s

    Nearly 30 years later, it still sticks in the mind

    I first saw this film alone. The following night I took my friends, and that weekend I named my band after it. In Cambridge in 1977, this film became a small cult. The allusions to silent days were intriguing to a burgeoning film buff, with Clark Gable, that kid from Pathe, forever trying to get through the door, junkie reminiscences of Wally Reid, and many more nods and in-jokes that I would undoubtedly smile at now from knowledge, not ignorance.

    The performances were, as I recall, uniformly good, with Dreyfus - whom I had only seen previously in American Graffiti - a revelation. This was also the first big screen role I can remember from Bob Hoskins, and after her small but memorable role in Love and Death, Jessica Harper brought just the right degree of irritating sexiness to Cathy Cake.

    Annoyingly, despite the limitations of scale, and the occasional staginess, I don't think John Byrum has ever made a better film!
    10victorsargeant

    "Off color, Risky, Edgy, Masterpiece. Bound to be a Classic"

    I am please others have found this little unknown film, to be the treasure it is....I thought I was the only one who likes this film.

    True story I hear. So there I am at the salad bar at the Hollywood Sizzler, and who is next to me, but Richard Dreyfuss, hiding under a baseball cap.

    I had to write him a note, before this rare opportunity slipped away. "Dear Mr. Dreyfuss, your performance in "Inserts" was worth an Oscar. You were brilliant. The whole cast was perfect. I loved the "Cuban Gothic" house. Thank you for taking such a professional risk. Bravo." Signed: An Admirer Paid a waitress $5 to take it over to him. He was with his wife and kids, with his back to the room. I then slipped out after he opened the folded note and read my words. Read what others who love film have written about this underground classic yet to be discovered? The whole cast went on to become big movie stars after making this little masterpiece. Bravo to the writer, cast and crew.
    9maeander

    The tag line is right.

    "A degenerate film with dignity" is the tag line for this comedy...and it is...a comedy. One thing many people might miss from this movie is the humor. At times it is bitter sweet and at times it is caustic. With characters like the mogul named "Big Mac", who wants to conquer the hamburger stand market, to the the porn actor called "Rex the Wonder Horse", who moonlights as an undertaker; what can you do but laugh.

    It is very much a filmed stage play taking place in one large room with only a handful of actors. Yet you will hardly notice it. True to it's time frame (Hollywood at the dawn of sound), it's stands up to it's own time (1970's) and today's (2000's). Currently the porn industry does almost as much business as main stream films ("What Price Hollywood?"). In fact, Porn generates more money than Country Music. How many country music channels are there? How many porn?

    You may never listen to the tune "Moonglow" in the same way again.

    Watching it as a bitter sweet comedy, you cannot but enjoy this film. I have only seen the 117 min. version and not the shortened one. Be warned if only the 99 min. version is available.

    It's difficult to find this movie. But if you get the chance, see it.

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    Related interests

    Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)
    Dark Comedy
    Peter Sellers in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
    Satire
    Will Ferrell in Anchorman: The Legend of Ron Burgundy (2004)
    Comedy
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Veronica Cartwright said in interviews and convention appearances that she considers her role of Harlene among her best acting work. She has quoted: "It was such a liberating experience to do that movie and it kicked off a lot of stuff for me. I was a waitress at that time and one day this guy says 'Excuse me, can I ask you a question? Aren't you in that movie Inserts?' and I go, 'yeah' and he says 'what the fuck are you doing here?!' I was earning a living! But I went home that night and thought, what was I doing there? So I quit my job the next day."
    • Goofs
      Sitting at piano, Boy Wonder plays song Moonglow, written in 1934. The movie takes place at least three or four years earlier (characters repeatedly talk about a then-unknown actor named Clark Gable, already a big star by time song was written).

      NOTE: "Moonglow" is not explicitly referenced as such, and is virtually identical to 1929's "Sweeter Than Sweet", so this may not be a goof.
    • Quotes

      Boy Wonder: The day Wally Reid died, I was having lunch with Griffith, Gish and Hayes. Somebody came in and told us what happened, and Gish started crying, right away. She said, "Poor Wally. Poor Wally. What am I going to do now?" Had to leave the table, she was crying so hard. Old Will Hays, of course, got up to go after her. She used to bring that out in people. And as he left, he turned to us and he shot this out like spit, and he said, "Good riddance. Good riddance to bad rubbish." After they were gone, Griffith turned to me, and he was smiling. I'd never seen that son of a gun look so happy in my life. You know what he said? He said, "God bless him. God bless that poor son of a bitch for not dying in the middle of my picture." And then he ate Lillian's dessert.

    • Crazy credits
      The end credits are shown in black-and-white, against a backdrop of a silk cloth. It is also grainier and scratched in spots compared to the rest of the film. It is very reminiscent of the credits of vintage 30's melodramas.
    • Alternate versions
      Although the print submitted was the longer version, the original UK cinema release was cut by the BBFC to edit the pre-credits sequence and some footage from the sex scene between Harlene and Rex. The 1987 Warner video was uncut.
    • Connections
      Featured in Playboy: The Story of X (1998)
    • Soundtracks
      Moonglow
      Written by Will Hudson, Edgar De Lange and Irving Mills

      Played by Joe Venuti and his orchestra

      recording courtesy of RCA records

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    FAQ14

    • How long is Inserts?Powered by Alexa

    Details

    Edit
    • Release date
      • February 13, 1976 (United States)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Nahaufnahmen
    • Filming locations
      • Lee International Studios, Kensal Road, Kensal Town, London, England, UK(Interior of Boy Wonder's home)
    • Production company
      • Film and General Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $350,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 57m(117 min)
    • Color
      • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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