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Inserts

  • 1975
  • NC-17
  • 1h 57m
IMDb RATING
6.3/10
2.7K
YOUR RATING
Richard Dreyfuss and Jessica Harper in Inserts (1975)
A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.
Play trailer2:13
1 Video
57 Photos
Dark ComedySatireComedyDrama

A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.

  • Director
    • John Byrum
  • Writer
    • John Byrum
  • Stars
    • Richard Dreyfuss
    • Jessica Harper
    • Bob Hoskins
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    2.7K
    YOUR RATING
    • Director
      • John Byrum
    • Writer
      • John Byrum
    • Stars
      • Richard Dreyfuss
      • Jessica Harper
      • Bob Hoskins
    • 40User reviews
    • 37Critic reviews
  • See production info at IMDbPro
  • Videos1

    Trailer
    Trailer 2:13
    Trailer

    Photos57

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    Top cast5

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    Richard Dreyfuss
    Richard Dreyfuss
    • Boy Wonder
    Jessica Harper
    Jessica Harper
    • Cathy Cake
    Bob Hoskins
    Bob Hoskins
    • Big Mac
    Veronica Cartwright
    Veronica Cartwright
    • Harlene
    Stephen Davies
    Stephen Davies
    • Rex, the Wonder Dog
    • Director
      • John Byrum
    • Writer
      • John Byrum
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews40

    6.32.7K
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    Featured reviews

    reyn-1

    Ahead of its time, this small gem deserves tape release

    This unusual and imaginative tale is well-acted, funny, and a credit to Dreyfuss, Harper (Phantom of the Paradise), and Hoskins (The Long Good Friday). The comments of others will give you a sense of the plot line; the sad thing is that you may never see this small gem, which richly deserves to be released on tape. I certainly regret not being able to see it again.
    10victorsargeant

    "Off color, Risky, Edgy, Masterpiece. Bound to be a Classic"

    I am please others have found this little unknown film, to be the treasure it is....I thought I was the only one who likes this film.

    True story I hear. So there I am at the salad bar at the Hollywood Sizzler, and who is next to me, but Richard Dreyfuss, hiding under a baseball cap.

    I had to write him a note, before this rare opportunity slipped away. "Dear Mr. Dreyfuss, your performance in "Inserts" was worth an Oscar. You were brilliant. The whole cast was perfect. I loved the "Cuban Gothic" house. Thank you for taking such a professional risk. Bravo." Signed: An Admirer Paid a waitress $5 to take it over to him. He was with his wife and kids, with his back to the room. I then slipped out after he opened the folded note and read my words. Read what others who love film have written about this underground classic yet to be discovered? The whole cast went on to become big movie stars after making this little masterpiece. Bravo to the writer, cast and crew.
    KGB-Greece-Patras

    That was quite unique ! I like it!

    I think many reviewers have lost the point here. This is no excuse for porn, you guys. If you want porn, go get porn. And if you are put off by a film that entirely takes place in an apartment, stay away. But I think that this film is not one you get to see every day. Its special 'plot' and context could only create a unique film. So, its rare... where do we find it? I saw it on MGM, late at night...

    This is a pretty sophisticated film on making porn. Dreyfuss is excellent as the alcoholic director. All in all, you are likely to love it if you like smart, dialog based films, and of course if you're not offended by some nudity and decadence. But what did you expect? This guys is making porn films in his apartment!

    Provocative , a bit offensive , surprisingly shockin, yes, but unique and original as well. Note: this is no expoitation flick, even though some might view enjoy it as such...
    Dominick R

    Undiscovered gem of drama & cinema

    This films plot centers around the making of, probably one of the first, porn movies, Sadly when it was released it was pre-arthouse cinemas and pre-video, so it was lumped in with second rate soft porn flic houses around soho London. Consequently it died a lonely death. Around this time Art house cinemas were starting to emerge in University towns which is how I caught it late night in Edinburgh. I was just knocked out by it's sharp drama wrapped in a comedy that launched incredibly incisive comment. Bob Hoskins character as the wannabee hood getting irate when he discovers that Richard Dreyfuss's character, the has-been director, has removed the camera from the tripod, in shear enthusiasm, as he filmed the sexual act. 'How is that going to look!' 'It's not going to look, it's going to be looked at!' retorts Richard Dreyfuss character. The economy of the lines are brilliant! Yes this is a one room drama, which is a tall order for cinema and few have conquered it but this film does brilliantly.
    7lee_eisenberg

    Mr. Holland meets Phoenix meets Eddie Valiant

    The same year that he starred in "Jaws", Richard Dreyfuss played a very different role in John Byrum's "Inserts". This focus on a director whose trouble adjusting to the arrival of talkies has resulted in him directing porno flicks is quite shocking. I guess that the point is that the dreams that people had of going to Hollywood and becoming stars - whether in front of or behind the camera - were in vain.

    Jessica Harper's role as the moll interested in porno reminded me a bit of her aspiring singer in Brian DePalma's "Phantom of the Paradise". Bob Hoskins as the producer reminded me very much of his detective in "Who Framed Roger Rabbit" (incidentally, both movies focus on old Hollywood and mention the construction of freeways). As for Veronica Cartwright, this movie combined with "The Birds" and "Alien" makes her one versatile actress.

    All in all, this movie won't be for everyone, but I liked it.

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    Related interests

    Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)
    Dark Comedy
    Peter Sellers in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
    Satire
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    Comedy
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    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Veronica Cartwright said in interviews and convention appearances that she considers her role of Harlene among her best acting work. She has quoted: "It was such a liberating experience to do that movie and it kicked off a lot of stuff for me. I was a waitress at that time and one day this guy says 'Excuse me, can I ask you a question? Aren't you in that movie Inserts?' and I go, 'yeah' and he says 'what the fuck are you doing here?!' I was earning a living! But I went home that night and thought, what was I doing there? So I quit my job the next day."
    • Goofs
      Sitting at piano, Boy Wonder plays song Moonglow, written in 1934. The movie takes place at least three or four years earlier (characters repeatedly talk about a then-unknown actor named Clark Gable, already a big star by time song was written).

      NOTE: "Moonglow" is not explicitly referenced as such, and is virtually identical to 1929's "Sweeter Than Sweet", so this may not be a goof.
    • Quotes

      Boy Wonder: The day Wally Reid died, I was having lunch with Griffith, Gish and Hayes. Somebody came in and told us what happened, and Gish started crying, right away. She said, "Poor Wally. Poor Wally. What am I going to do now?" Had to leave the table, she was crying so hard. Old Will Hays, of course, got up to go after her. She used to bring that out in people. And as he left, he turned to us and he shot this out like spit, and he said, "Good riddance. Good riddance to bad rubbish." After they were gone, Griffith turned to me, and he was smiling. I'd never seen that son of a gun look so happy in my life. You know what he said? He said, "God bless him. God bless that poor son of a bitch for not dying in the middle of my picture." And then he ate Lillian's dessert.

    • Crazy credits
      The end credits are shown in black-and-white, against a backdrop of a silk cloth. It is also grainier and scratched in spots compared to the rest of the film. It is very reminiscent of the credits of vintage 30's melodramas.
    • Alternate versions
      Although the print submitted was the longer version, the original UK cinema release was cut by the BBFC to edit the pre-credits sequence and some footage from the sex scene between Harlene and Rex. The 1987 Warner video was uncut.
    • Connections
      Featured in Playboy: The Story of X (1998)
    • Soundtracks
      Moonglow
      Written by Will Hudson, Edgar De Lange and Irving Mills

      Played by Joe Venuti and his orchestra

      recording courtesy of RCA records

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    FAQ14

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    Details

    Edit
    • Release date
      • February 13, 1976 (United States)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Nahaufnahmen
    • Filming locations
      • Lee International Studios, Kensal Road, Kensal Town, London, England, UK(Interior of Boy Wonder's home)
    • Production company
      • Film and General Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $350,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 57m(117 min)
    • Color
      • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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