The Story of Adele H

A woman with a serious affliction, an overwhelming, all-consuming, mad obsession; starts to stalk her so called love, takes wide boundaries and she shoves, with grave consequence, and a dour deep depression.

It's a pitiful tale of a woman who is not in control of her actions or her words, whether that's inherited or due to her upbringing, her father's fame or the loss of her sister so young, who knows. Wonderfully performed by a youthful Isabelle Adjani, I'm not sure it travels into contemporary times as well as some of the directors other fabrications, and for a relatively short presentation, it drags its feet to an end that you anticipate not long after the ship has docked in Nova Scotia.

Isabelle Adjani plays the title role, that of Adele Hugo, daughter of the great French writer, a woman obsessively in love with an English army lieutenant who doesn't want her. The scene is Halifax, Nova Scotia, during the time of the American Civil War. She has followed Lt. Pinson (Bruce Robinson) from her home in exile on the island of Guernsey to be with him even though he has rejected her. Adjani's sensuous beauty and her intense and passionate nature command the screen and we are drawn to identify with her as she spirals toward madness as her abject pleas of love are unrequited. We watch as she debases herself in every way possible in a desperate attempt to gain Pinson's love, even to the point of giving him to other women. She is psychologically pleased with this because she thinks it shows that her love for him transcends sexuality. Of course the nature of obsessive love is always entirely selfish. If you really love someone who doesn't want you, you have to let them go. But of course she cannot.

Francois Truffaut directed and did a fine job of getting the most out of his young star. The maddening nature of obsession is well depicted and the story is focused and unfolds at a deliberate pace. Noteworthy is the setting itself, a cold and remote clime so that Adele is in isolation from her home, family and friends with little to do or think about every day except her obsession. It is easy to see how something like this can lead to complete madness.

Memorable is a little story within the larger tale, that of the fraudulent hypnotist whom Adele thinks might be able to turn Pinson's indifference into love.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

I loved this film, not only because I live in the city in which the story happened. Films based on personal diaries are always fascinating ('Heavenly Creatures') and this one is also haunting, due partly to the sepia tones. Adele lives in a bubble of despair, rarely venturing out from her tiny room. Her story is a sad one, painful and full of longing and Truffaut captures Adele's sense of isolation, of being out of this world, perfectly. You won't cry, the film is not manipulative, but you will empathize, you will feel her pain.

This is a period movie that takes place in the 1860s in Halifax, Nova Scotia. It concerns an unrequited love between Adele H., the daughter of Victor Hugo, and a member of the English military stationed there. It is directed by Francois Truffaut. At the film's beginning, there is some narration about the involvement of the French and British in the American Civil War, but the Civil War plays no part in the movie.

I enjoyed the feel of this film. French actress Isabelle Adjani superbly plays a woman whose love is rejected and who inches down a slippery slope to madness. The costumes and scenery ring true, and the movie conveys the feel of the Canadian Atlantic province. It was also interesting to learn this sidelight about Victor Hugo.

Most of all, I enjoyed this film because it raises the question of whether its main character is crazy to begin with or whether, being possessed of such a strong love, it was a natural progression to madness when it was rejected. It raises, but of course does not answer, what causes such a potent love to arise and what is the consequence of its extinguishment.

A genuine horror film of the spirit---the filmmaking is excellent and a bit of a thematic departure for Truffaut as there is little to no leavening humour in this film. In most of his works there is at least a touch of ironic drollness but this film is basically serious-minded all the way through with devastating results.

"Haunting" is the best way to describe Adjani's work in this, one of her first film appearances. Her best moments are wordless; in her eyes is the essense of spiritual dissipation and emotional emaciation. Before our eyes, she is devoured by love, and not in the conventional sense. Without the film ever leaving the secular world, Adele Hugo descends to Hell and Truffaut finds the horror of her journey in the most mundane settings and gestures. A movie that stays with you.

A lacerating but very rewarding experience!