Lady Cocoa

Cracking blaxploitation feature stars singer / performer Lola Falana as the title character, a sexpot being released from prison so that she may testify against her racketeer boyfriend Eddie (James A. Watson Jr.). Watching over her are a corpulent, seen it all veteran cop, Ramsey (Alex Dreier), and a former patrolman, Doug (Gene Washington). Cocoa must of course dodge various attempts made on her life while making life miserable for Ramsey and Doug. Because whatever Lola wants, Lola must get, of course.

This is actually a pretty lively and amusing comedy that eventually segues into conventional action and suspense. It gets a lot of its juice from the give and take between the two main characters. Doug doesn't like the assignment, or Cocoa, at first, but we all know it's merely a matter of time before he succumbs to her charms (and assets). Football great Washington and Ms. Falana set off an appreciable amount of sparks in the lead roles; Dreier lends gravitas and experience in his role. The supporting roles are amusingly cast; that's director Matt Cimber himself in the role of honeymooning newlywed Arthur, and Millie Perkins ("The Shooting") as his bride. Washingtons' peer 'Mean' Joe Greene plays one of two unrelenting hit men. Exploitation mainstays George 'Buck' Flower, John Goff, and Richard Kennedy appear as a gambler, 'Sicilian', and put-upon waiter respectively. Watson is smooth as the villain behind everything.

Ultimately, Mikel Angels' screenplay is just a little too predictable (save for one twist involving Perkins). Fortunately, the movie still manages to be fun, with good location photography, a nice action sequence with a runaway car *inside* a casino, and a music score by Luchi De Jesus that puts a few amusing spins on that old standard, 'Pop Goes the Weasel'. Ms. Falana herself co-adapted it with De Jesus for the brassy theme song, belted out by the super sexy lady over the opening credits.

Lolas' bimbo shtick may become wearying early on for some viewers, but those who stick it out will be rewarded with what turns out to be a solid entry into this genre.

Eight out of 10.

Granted, I had never heard about the 1975 movie "Lady Cocoa" as I stumbled upon it here in 2025. And with it being a movie that I was not familiar, and me believing in giving every movie a fair chance, of course I opted to check out what writer Mikel Angel and director Matt Cimber had to offer.

Sure, "Lady Cocoa" was a watchable enough movie, though it was a rather monotonous and bland viewing experience. Writer Mikel Angel didn't really give director Matt Cimber much of anything outstanding to work with. The storyline just never really latched unto me.

Needless to say that I was not familiar with the cast ensemble in the movie, though the acting performances were fair.

Watchable, sure, but it was a forgettable movie experience, and one that I will never return to watch a second time.

My rating of "Lady Cocoa" lands on a generous four out of ten stars.

The only redeeming element of "Lady Cocoa" is Lola Falana, playing the title character: she is beautiful, sexy and has a wonderful smile. Other than her, the film is a bargain-basement production with a totally static plot - for more than an hour, the story is confined into one hotel. And don't think this works in favor of any suspense, either; the fact that the two hit men who are on the heroes' trail never utter a single word might have been intended to make them look unique, but their actions only make them look inept and ineffective. Things are made even worse by the worn print, scratchy sound and often inaudible dialogue of the DVD version that Brentwood came up with: a pure disgrace. (*)

I recently watched Lady Cocoa (1975) on Tubi. The storyline follows a young woman in prison because of the misdeeds of her ex-boyfriend. When she's convinced to testify against him, she's released and placed in witness protection. Her ex sends hitmen and thugs to keep her from ever making it to her court date.

This picture is directed by Matt Cimber (The Black 6) and stars Lola Falana (The Liberation of L. B. Jones), Alex Dreier (The Boston Strangler), James A. Watson, Jr. (Dorm Daze), and Gene Washington (Black Gunn).

This is a low-budget blaxploitation film, and it feels like it. The cinematography, acting, and writing are uneven at best, with some scenes landing as brutally bad. That said, it does have a fun soundtrack, and the "Pop Goes the Weasel" track is fantastic. The animated opening is pure classic '70s style and a highlight. Lola, as the lead, unfortunately misses the mark-and the writing doesn't do her any favors.

In conclusion, Lady Cocoa is a barely watchable blaxploitation entry that still holds a bit of charm for fans of the genre. I'd score this a 3/10 and only recommend it with the appropriate expectations.

Another extreme cheapo blaxploit.... Mean Joe Green, who I primarily remember for his enthusiatic endorsement of Coca-cola in the 80's, plays a hit-man flunkie for a pimp/drug dealer, and though because of his semi-celebrity status he is given top billing, he was apparently not trusted to pull off even one speaking line. Not one word the whole movie. Pretty incredible. This is basically crap - hard to watch unless you enjoy very bad slow movies. Lola Falana seems to be quite the firecracker, but this story of her one day of freedom before she testifies on her ex-boyfriend (the aforementioned pimp/dealer ) for the FBI doesn't hold anyone's interest.

To me there was some real confusion (mainly due to bad editing, scripting and directing) on whether or not the fat old cop was straight or corrupt.