Journey Into Fear

An American geologist Mr. Graham, played by Sam Waterston accidentally discovers oil in Turkey. Several assassins are sent to eliminate him, but they all fail. He eventually boards a passenger boat to try to escape. However, one of the passengers is an undercover assassin.

Movie has a great cast with an extremely young Ian McShane (DEADWOOD) as Banat the hitman who does not have a single line in the movie but carries menace like Aldo Ray's character in WELCOME TO HARD TIMES. Vincent Price makes a great turn as Banat's employer named Dervos. Donald Pleasance plays Turkish undercover officer Kuvetli , posing as a Turkish cigarette salesman who does not smoke and works for a company no one has ever heard of. Yvette Mimieux plays Josette who is being pimped out by her husband Jose played by Scott Marlowe. She is the love interest or bait for the Sam Waterston character Mr. Graham. Joseph Wiseman plays Colonel Haki who is trying to protect Mr. Graham from getting killed. Stanley Holloway and Shelly Winters play a married couple. Shelly plays a racist gossipy woman named Mrs. Mathews and Stanley Holloway in his final movie appearance plays her kindly husband Mr. Mathews.

Movie has super exciting opening and start, it kind of bogs down in the middle then jumps back into action towards the end.

Ripe for a remake.

I saw this movie when it first showed on TV in 1975 and watch it now and then. The story of the "man with endless lives" never gets old. Many people try and kill him but he just escapes every time. It tries hard to be a tense thriller but just ambles along with one exciting sequence after another. When I saw it for the first time, Jose tells Sam, as he is trying to PIMP her off to him, "Yvette Mimieux has smelt a lot of balls". I distinctly remember that line in the 1975 showing but it seems to have been cut from all the recent releases. Maybe the Blu-Ray, (yes, there is a Blu-Ray coming out), release will include that spicy line. During the end explosion at the gas station, the man in the front seat of the car is Nello Pazzafini, star of many Italian action movies in the 1960s. You name it, he was in it. Click on his name and be amazed by the list of credits he has raked up. Watch this great suspense movie if you get a chance. The ship captain keeps taunting Sam with his "bang bang, you're dead" line. Someone should have made him dead.

The cast of this movie is utterly amazing. From Sam Waterston, to Zero Mostel. From Joseph Wiseman to Donald Pleasance. Vincent Price. And yet, it seemed much less than it could've been, due to some VERY poor editing...

The story, briefly, is about a U.S geologist (Sam Waterston) who discovers something about Oil that proves VERY threatening to the Turkish and Arab business people...so, we spend 90 more minutes, watching Sam in absolute terror, while several people try to kill him.

Sam Waterston is WONDERFUL in it - but all the other big names seem to be really uninterested. Price is good - but what else is new? Zero Mostel, usually referred to as a genius, is so annoying you want to knock out his teeth. Ian McShane, believe it or not, has a rather significant part, but NO LINES...strange. The very worst of it is Yvette Mimieux. If you liked her as Weena in the original Time Machine, don't even bother to watch her here. She is simply awful. She does a song in a nightclub, with a voice-over, and she makes nearly NO attempt to synchronize her lips to the words. It's downright comical.

But, she does do a good job of seducing Mr. Waterston. And, so would I!

If it wasn't for Sam Waterston, this movie would be almost comical. But Sam, you know...he's the only one who cares enough to put his heart into it...what else is new?

The main interest of the plot here is that you never really are informed of what it is all about. Sam Waterston as Howard Graham gets into deep trouble from the beginning and is persecuted hard throughout the film, without his ever understanding why everyone wants to kill him. As the audience you are as bewildered and confused as he, you eagerly wait for some explanation which never comes, and like Howard Graham you just learn to think the worst of everyone, as even the one murderer who appears visible never says anything but only waits for him everywhere. This was according to Hitchcock a capital sin in a thriller movie, who was always meticulous about keeping the audience in the clear about everything. Here you are kept confused even beyond the end. It's an efficient thriller though, there are many moments of truth of sustained suspense, and all kinds of great actors walk by as in a parade, like even Shelley Winters and Stanley Holloway as a displaced American couple. Zero Mostel in the beginning makes a wonderful impression, and so does Joseph Wiseman as a very strict and correct Turkish officer. Yvette Mimieux is a relief between all the manhunts and massacres, and fortunately she at least is innocent. The film ends abruptly in Genoa with the story unfinished, and we shall never learn what it really was all about.

Swap a train for a boat, oil for some bullets and we have a rehash of the 1943 Orson Welles version of this story - only this is nowhere near as good. It doesn't really help that the casting lacks for any great clout. Sam Waterston is weak in the lead as "Graham" - the scientist who gets caught up in a Turkish conspiracy after he discovers that there might just be oil in them thar desert. This information is proving quite dangerous for the man and he needs to get out before he succumbs to one of the plentiful - but not very efficient - assassins out to kill him. He manages to make it onto a train on which he hopes to escape - but are the passengers all they seem to be? We know from fairly early on that "Banat" (Ian McShane) is his biggest danger and therein lay my first problem. He has all the menace of a cucumber sandwich. Zero Mostel's duplicitous "Kopelkin" fares little better and though the supporting cast boasts some A-list names, they feature too sparingly to make much difference with this rather far-fetched and procedural attempt at a thriller that's just, well, very light on thrills. I did quite like the last few scenes as things flare up, but otherwise this is a pretty unremarkable television movie that you'll very readily forget.