Strip Nude for Your Killer

One thing I know about this film is that Burial Ground director Andrea Bianchi must have had a great time making it, as filming naked women and bloody murders looks like a lot of fun! As the lurid title suggests, Strip Nude for Your Killer is one of the more trashy examples of the Giallo tradition, and that has lead many to lambaste it as a sub-par effort; I, however, could not disagree more! The film is definitely over the top and silly, but that's the reason I watch Giallo, so criticising it for that is ridiculous. The film takes in pretty much every trash element of the style of film-making, from naked babes to a masked killer and the film is like a catalogue of less than tasteful actions and images. Strip Nude for Your Killer opens with a shot that leaves nothing to the imagination, and shows a woman having an abortion in a backstreet 'medical centre'. After she dies, her gynaecologist arranges for the corpse to be put in a bath full of water. He is killed soon after, and it doesn't take long for more dead bodies to begin piling up at the modelling agency where the unfortunate young girl worked...

It is customary for the Giallo murderer to don black gloves for his crimes, but Bianchi goes all the way again with this idea and has his killer completely dressed in motorcycle leathers! The film benefits from a thick layer of sleaze that runs throughout and fans of lurid cinema are likely to be in heaven with Strip Nude for Your Killer. The fast paced plot is bolstered by some very graphic and nasty murders, as well as a plentiful helping of sex scenes; some of which involve Italy's finest Giallo actress, Edwige Fenech! Fenech has had her hair cut down for her role here, but she's still the sexy little minx that Giallo fans love her for being, and seeing her strip nude is always a treat! It's obvious that the plot itself wasn't important to the director as the film doesn't feature a lot of plot points and the unmasking of the murderer completely lacks any mystery. This film won't do anything for people that like their movies to be politically correct, as the women use their bodies more than their brains and the twisted sense of humour is liable to offend. None of that deterred me, however, as while I admit that this isn't the greatest Giallo...I really, really enjoyed watching it. Recommended!

Very watchable giallo, which as the English title suggests, wallows in nudity and sex (much of it with a seeming wink to the audience). Stylistically and plot-wise, it's pretty much giallo-by-numbers, with the expected camera and editing flourishes and some fairly good suspense. There are plenty of point-of-view shots of the heavy-breathing masked killer, shock cuts, lots of red herrings and obscure motivations, etc. However, it's the outrageous political incorrectness of it all that separates this one from the mainstream -- the male characters are all cranky and abusive and the females are eager to shed their duds in response. Certainly a must-see for Edwige Fenech fans, and the fade-out is unbelievably tacky, right out of one of those low-humour Italian comedies. There's also fine score, a mixture of funky Bitches-Brew jazz and woo-woo lounge stylings, which helps bridge the suspense scenes.

Being considered among the sleaziest and least of the gialli – not that surprising given the involvement of director Bianchi, who would later be responsible for MALABIMBA (1979) – had made me forego the opportunity of purchasing this film's Blue Underground DVD (where it was dubbed in English anyway); I've now acquired it in the original language, though with the picture compromised in its case (where the 2.35:1 aspect ratio has been opened up to 1.85:1)! While I can certainly concede it's no hidden gem within this prolific genre (especially since it puts much more emphasis on eroticism than bloodshed), the film proved surprisingly palatable as these things go. As ever, we get a plethora of gorgeous women who are made to fight for their lives against the killer and shed their clothes at every possible opportunity: these include genre stalwarts Edwige Fenech – playing her last such heroine – and Femi Benussi – at her sexiest – as well as Solvi Stubing, later the presenter of a 1980s TV program reviewing then-current films on general release in Italy!; there's also an effective score by Berto Pisano (not one of the major names associated with the giallo style but his work here is nonetheless commendable). The plot is nothing to write home about either, that is to say, overly familiar: a handful of people engaged with a modeling agency are targeted by a manic killer sporting a black leather outfit and with facial features hidden behind a crash helmet; it all seems to be connected with an abortion gone wrong which actually opens the film. Typically, then, we're given the choice of numerous suspects – including Nino Castelnuovo, who makes for a rather unsavory leading man for this type of film (although his foul-mouthed outbursts are highly entertaining) – but the final revelation and accompanying motive aren't exactly thrilling (even if I have to admit of being aware of it beforehand from online reviews). As I said, the level of violence seen here isn't too high (where there's gore, it's usually unconvincing and sometimes unlikely – for instance, a castration) and repetitive besides (the same weapon is used every time); the nudity (ranging from scenes depicting lesbianism, the near-rape of a model by an obese and impotent fellow and the concluding light-hearted[!] suggestion of sodomy to avert the possibility of an unwanted pregnancy) is mainly gratuitous, but certainly not lamentable whenever it involves either Fenech or Benussi (the uneasy reaction of a Police Inspector's assistant at her unabashed appearance during an interrogation scene is priceless).

A young model dies of a heart attack during a back-alley abortion.After her death a mysterious series of bloody murders take place.Each of the victims are connected to the same studio that Evelyn worked at and each are viciously murdered by the knife wielding killer."Strip Nude for Your Killer" is a sleazy and violent Italian giallo that will surely please fans of Italian cinema.There is lots of nudity provided by Edwige Fenech,Femi Benussi and Erna Schurer.The jazz score by Berto Pisano is pretty good and the plot is actually very gripping.The killings are quite gory and sadistic and the cinematography by Franco Delli Colli is excellent.Check it out,if you like Italian giallos.8 out of 10.

I have to admit this movie delivers exactly what it promises--any number of attractive women (and at least one VERY unattractive man) stripping nude for their killer. The featured actress here is Edwige Fenech, and just as in every one her other movies, you pretty much know she is going to strip nude for somebody. She is actually outdone here, however, by the voluptuous Femi Benussi who has only about ten minutes of screen time but spends at least seven minutes of it completely nude and another two and a half squeezed into an ill-fitting bikini.

As other reviewers have noted this movie is pretty politically incorrect which, depending on your temperament, you will either find offensive or ironically amusing. The woman pretty much fall into three categories: dumb, slutty, and dumb AND slutty. Edwige Fenech's character is strangely unperturbed after her lover grabs her by the throat when she implies he might be connected to one of the murder victims. Femi Benussi's character hilariously hops into bed with both men and women literally minutes after meeting them. Another woman stops a guy from raping her by willingly agreeing to have sex with him, then when he gets a little too, um, excited she turns down money he offers for services he was unable to render. The movie has the same tawdry revenge-for-an-abortion-gone-wrong theme of "What Have You Done to Solange?" but the murder victims are adults rather than schoolgirls and the murders themselves are slightly less tasteless. Still this movie sure seems a lot more sleazy than the earlier film because it is not nearly as well acted or directed. Bottom-of-the-barrel gialli like this and the similar "So Sweet, So Dead" manage to be sleazy, moralistic, and of course hypocritical all at the same time. Maybe that's why I enjoy them so much.