The People Who Own the Dark

Forget the reference books (including the IMDb) - PLANETA CIEGO was directed by Argentinian filmmaker Leon Klimovsky, also responsible for WEREWOLF VS. THE VAMPIRE WOMAN, VENGEANCE OF THE ZOMBIES (both with Paul Naschy, who co-stars here, too) and THE VAMPIRE'S NIGHT ORGY. A group of prominent business and military men enjoying a weekend debauch in the cellar of a rural bordello are spared when a nuclear attack devastates Europe. Finding the locals blinded, and drawing hatred upon themselves for looting the village stores, the survivors board up the villa and prepare for an attack by night. PLANETA CIEGO, which is also known as THE PEOPLE WHO OWN THE DARK (a shortened version that played in America) and ULTIMO DESEO is an exciting and disturbing (if non-graphic) reworking of themes found in George Romero's NIGHT OF THE LIVING DEAD. The cast includes Alberto deMendoza (HORROR EXPRESS) and Maria Perschy (also in Klimovsky's VENGEANCE OF THE ZOMBIES). This film has for too long been attributed to Amando de Ossorio, probably because he directed the well-known "Blind Dead" films. Well worth seeking out.

This film might play as some kind of parable about the rich and the poor, or perhaps the Franco regime, or some crap like that. What we in the instant world of 2018 need to know is: are there plenty of boobs and gore in this film?

The answer of course is there's some boobs and not a lot of gore, but it's worth a watch anyway. It's got Paul Naschy in it. And he's plays a complete jerk.

He's a Baron or something of a huge villa where the rich go to play out weird sex games in the basement. We get to meet our elite first - a couple of doctors, a lawyer, the Madame who runs the plays, and we get to meet out hookers: the red-head, the blonde one, the black one and I think at least two were gay as well. I've got to admit the film does spend quite a bit of time establishing why we should this lot before the men all don weird masks and the women throw on see-through gowns and head to the cellar.

It's lucky for them that while they're down there a nuclear war breaks out and everyone 'up top' is blinded by the flash. Our rich folk/hooker team head back upstairs to find the help staggering about blind, and do what any rich enclave would do: Head into town to steal all the food from all the blind people that clearly need help while also killing a few of those blind folk and causing a huge siege situation back at the mansion. Remember those poor folks in Day of the Triffids? Well, imagine a really angry, violent version of them and you've got this film.

People compare this to Night of the Living Dead and Last Man on Earth and that's because it is basically those films, only with Paul Naschy and the priest guy from Horror Express in it. That doesn't mean it's a bad film though. It's good. I still haven't watched a Paul Naschy film I haven't liked, and this one seems to have a bigger budget than most. Who doesn't want to see a bunch of angry blind people get their own back on a bunch of jerks?

ULTIMO DESEO is the longer, Spanish language version of what Americans saw as THE PEOPLE WHO OWN THE DARK. An inspired reworking of George Romero's NIGHT OF THE LIVING DEAD, Klimovsky's film posits a nuclear war in Europe that blinds the populace (a la THE DAY OF THE TRIFFIDS), but spares a handful of libidinous businessmen and military types who were copulating in a rural bordello. When the villagers learn of the sighted survivors, they storm the villa in a manner very much like (and superior to) the undead in Romero's classic chiller. Alberto deMendoza (HORROR EXPRESS), Teresa Gimpera, Maria Perschy and Paul Naschy all star (and were given anglicized monikers - Albert Mennen, Terry Kemper, Mary Pershing and Paul Mackey - to fool us boorish Yanks. Although rare, this film does exist on video, albeit in out of print and bootleg copies of less than pristine quality. Still, the film packs a punch and should be seen.

This easily makes for the best film from Leon Klimovsky I have watched, since he had otherwise come across as a strictly pedestrian director. Given the apocalyptic sci-fi premise, this plays like a variation on 1962's THE DAY OF THE TRIFFIDS (revolving around a town-folk blinded by nuclear fall-out) and 1968's NIGHT OF THE LIVING DEAD (having a besieged unaffected community as its protagonists). The former are led by a vicious real-life case who instigates his 'followers' to gouge out the eyes of one girl and shoot another in the mouth!; the latter, predictably, would just as soon fall out {sic} amongst themselves – best of all in this regard is Maria Perschy's put-down of the Paul Naschy character as "the biggest faggot of all time"! The film, therefore, is an ensemble piece – apart from Perschy's hostess (eventually revealed as a lesbian) and Naschy's rugged but volatile man of action (constantly imbibing drinks and smoking), we get Alberto De Mendoza as a Physicist (who probably knows more than he lets on about their current state of affairs) and Antonio Mayans (later elevated to leading-man status in several Jess Franco pictures).

Interestingly, the opening sequence has all of these (and others besides, notably a fat man who gradually regresses to an animalistic level!) convening for an underground Sadean 'experience' – donning masks so as to conceal their high-profile identities and with several willing girls at their disposal! – which, ironically, saves their hide. Other films which can be seen to have inspired this one to some degree are two popular Charlton Heston sci-fi vehicles, namely THE OMEGA MAN (1971; the look of the 'monsters'), SOYLENT GREEN (1973; the downbeat 'mass of human flesh' finale), and even Luis Bunuel's THE EXTERMINATING ANGEL (1962; the party-turned-survival-game premise). Incidentally, one of the co-writers here was himself a notable director i.e. Vicente Aranda, who had previously helmed the popular "Carmilla" update THE BLOOD-SPATTERED BRIDE (1972). In the end, while the English title of the film under review is undeniably memorable, I admit to being partial to the subtlety displayed by the Spanish original – which translates to "Last Wish"; as for the copy I acquired, it was only let down by the first three minutes which had jerky movement coupled with audio that was both distorted and out-of-synch!

Well, don't get me wrong, this has a nice plot, the acting is better than most films of its type and the direction is nice. But that can't disguise the fact while the movie was good, the ending was just atrocious. I definetely would have given this movie three and a half stars, but due to the lame ending, gave this one only two.