In Paris, a jaded writer is introduced by an old flame to her younger companion, and is subsequently drawn into a sadomasochistic relationship with the two women.In Paris, a jaded writer is introduced by an old flame to her younger companion, and is subsequently drawn into a sadomasochistic relationship with the two women.In Paris, a jaded writer is introduced by an old flame to her younger companion, and is subsequently drawn into a sadomasochistic relationship with the two women.
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This movie falls somewhere between "Last Tango in Paris" and "The Story of O". It doesn't have the realism, the pathos, or the character development of the former, but it also isn't exactly an enjoyably silly sex fantasy like the latter. Like all Metzger films it is well-photographed and classy in a way, but it also contains some hardcore porn scenes which might leave a bad taste in some peoples' mouths (no pun intended).
The story is about a man who meets a jaded older woman who in turn introduces him to a younger woman "Ann" who she is training as a sex slave. Carl Parker, who also had a small part in Metzger's "Score", is pretty good as the man. The young woman played by the pseudonymous "Mary Medum" is also decent, even though she looks more like a young American "soccer mom" than an exotic Euro-beauty like Maria "Last Tango in Paris" Schneider or Corrine "Story of O" Clery. (Thus for me this movie was more of a fantasy of what I'd like to do to that idiot that nearly ran me off the road in her SUV last week while blabbing on her cellphone than it was a sex fantasy). The older woman, on the other hand, is pretty much a superfluous character--for some reason S and M seems a lot classier when it's a woman doing it to another woman at the behest of a man rather than a man directly doing it to a woman. (Not that this movie is too "politically correct" by today's standards--and thank god for that!)
I guess I'd recommend it, even though it's not that sexy on one hand, and pretty hard to take seriously on the other.
The story is about a man who meets a jaded older woman who in turn introduces him to a younger woman "Ann" who she is training as a sex slave. Carl Parker, who also had a small part in Metzger's "Score", is pretty good as the man. The young woman played by the pseudonymous "Mary Medum" is also decent, even though she looks more like a young American "soccer mom" than an exotic Euro-beauty like Maria "Last Tango in Paris" Schneider or Corrine "Story of O" Clery. (Thus for me this movie was more of a fantasy of what I'd like to do to that idiot that nearly ran me off the road in her SUV last week while blabbing on her cellphone than it was a sex fantasy). The older woman, on the other hand, is pretty much a superfluous character--for some reason S and M seems a lot classier when it's a woman doing it to another woman at the behest of a man rather than a man directly doing it to a woman. (Not that this movie is too "politically correct" by today's standards--and thank god for that!)
I guess I'd recommend it, even though it's not that sexy on one hand, and pretty hard to take seriously on the other.
8YAS
THE IMAGE is a disturbing, erotic, scary, elegant movie that probably only Radley Metzger could have made. Most directors of 'erotica' concentrate on gynecological close-ups to the exclusion of all else; Metzger's hallmark has always been to tell the story and explain the characters by relying as much on the actors' eyes as on the dialogue. The S&M scene is as alien to me as peanut-butter-and-pickle sandwiches (which I am also told some enjoy), but in THE IMAGE I can see the gamesmanship, the role-playing and the unspoken psychological leveraging that makes it all so compellingly complex. Would I show this film to Grandma? Uh-uh. But then, that's just MY grandma, who knows, yours may have a side you never suspected. This film is hot, fascinating, and, in this gorgeous and UNCUT (thank you, thank you!) video transfer, stunningly beautiful as well.
10dekkard8
Arguably the finest S/M movie ever made, Radley Metzger's 'The Image'(aka The Punishment of Anne) tells of Jean, a writer who meets an old friend, Claire, at a party and is soon drawn into her world of S/M along with her slave, Anne. Based on the French novel 'L'image' by Jean de Berg, a nom de guerre for Catherine Robbe-Grillet, this may be Radley (Score!, Therese and Isabelle, The Opening of Misty Beethoven)Metzger's best film. Beautifully filmed and acted and very erotic. If your up for some primo euro-erotica at its finest, look no further!
This was my first S&M movie. Found by accident and watched it over and over, until I had to take it back. It is very erotic, and definitely a must see! I was happy to find it for sale so I can add it to my Library. If you are a Metzger fan you will want to see this movie. It changed the way I thought about sex, and opened up so many new avenues to explore. I have looked for this movie for about 5 years. I wanted my husband to see it. The Punishment of Anne takes you on a ride through the erotic tales of Dominace and submission. It is a wonderful ride. If you are new to the B&D scene, this is a good movie to start with. It isn't too much, but it is enough to wet your appetite and you will be back looking for more. It will quicken your heart rate, and put you in the right mood. I say it is a must have!!!
There's no point in serious argument about whether or not The Image is pornography, because it clearly is. Though it may not be considered hardcore pornography in the sense that there's no penetration shown on-screen, the sexual content is more explicit and shocking than any porn you've ever seen, to the point of going beyond arousing and into repulsive.
But The Image is also unmistakably art, and it's one of the few films that managed to merge the two successfully, much more so than the soft erotic dramas which were a dime a dozen in the 70's and 80's. Rather than just romanticizing sex, The Image is a disturbing and intelligent film about domination and sexual psychology, and in between the sex scenes you'll find surprising amounts of character development and a tight script (excluding the god-awful narration, which I could really do without); add to that excellent acting from the three leads - especially Rebecca Brooke, who truly sells her performance with her shockingly convincing face and body language (not to mention how gorgeous and sensual she is), and gorgeous cinematography which juxtaposes the brutal violence of the acts with the pastoral and serene French backdrops, to a truly eerie and enticing result.
It goes without saying that The Image isn't for everyone. It succeeds as pornography - being enticing and arousing even for those with barely even a fleeting whimsical interest in S&M - but it's also very disturbing and difficult to watch. But if you can stomach it, it's definitely recommended.
But The Image is also unmistakably art, and it's one of the few films that managed to merge the two successfully, much more so than the soft erotic dramas which were a dime a dozen in the 70's and 80's. Rather than just romanticizing sex, The Image is a disturbing and intelligent film about domination and sexual psychology, and in between the sex scenes you'll find surprising amounts of character development and a tight script (excluding the god-awful narration, which I could really do without); add to that excellent acting from the three leads - especially Rebecca Brooke, who truly sells her performance with her shockingly convincing face and body language (not to mention how gorgeous and sensual she is), and gorgeous cinematography which juxtaposes the brutal violence of the acts with the pastoral and serene French backdrops, to a truly eerie and enticing result.
It goes without saying that The Image isn't for everyone. It succeeds as pornography - being enticing and arousing even for those with barely even a fleeting whimsical interest in S&M - but it's also very disturbing and difficult to watch. But if you can stomach it, it's definitely recommended.
Did you know
- TriviaNamed #1 on the list of 10 Best Sexploitation Movies of All Time by website TheCinemaholic in 2017.
- GoofsAfter Anne breaks the bottle, moments later she walks on the floor barefoot and no one has cleaned up the broken glass.
- ConnectionsFeatured in The 42nd Annual Primetime Emmy Awards (1990)
- SoundtracksImage
by Brian Bennett
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- L'image
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- Paris, France(Filmed mostly on location)
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